The second volume of the thirteenth year of the Amfiteater journal introduces two discussions from the ‘Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre’ symposium theme, which was the focus of the previous issue of the journal (1/2025). The first article advocates for the re-evaluation and recognition of Eastern European art in the canon of world art history. The second article discusses the development of futuristic dance and the role of dancer Giannina Censi.
Three more discussions follow: the first tackles engaged theater using the example of two productions by Žiga Divjak, the second interprets hybridity in literature with a focus on Handke's play Still Storm, and the third analyzes school drama in post-war Slovenia through the work of Marija Vida Kovačič.
The authors of the essays are: prof. dr. Aleksandra Jovićević, mag. Manca Lipoglavšek, doc. dr. Blaž Lukan, mag. Miša Glišič, and prof. dr. Milena Mileva Blažić.
The issue concludes with two book reviews: in the first, Tajda Lipicer analyzes Gašper Troha's book Slovenska dramatika in tuji vplivi po letu 2000 (Slovenian Drama and Foreign Influences after 2000), while in the second, Nik Žnidaršič reviews the anthology Theatre Censorship in Contemporary Europe: Silence and Protest, edited by Anne Etienne and Chris Megson.
The issue was edited by dr. Maja Murnik.
Avantgardna umetnost, gledališče in revolucioniranje razmerja med periferijo in središčem, II. del / Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre, Part II
Aleksandra Jovićević
Manca Lipoglavšek
Futuristični aeroples in Giannina Censi
Futurist Aerodance and Giannina Censi
Articles
Blaž Lukan
Angažma v gledališču: dve uprizoritvi v režiji Žige Divjaka
Engagement in Theatre: Two Productions Directed by Žiga Divjak
Miša Glišič
Hibridnost kot poetični postopek v drami Still a storm Petra Handkeja
Hybridity as a Poetic Process in Peter Handke’s Drama Storm Still
Milena Mileva Blazić
A Comparative Study of “Micro-Drama” in the Teaching Manuals of Marija Vida Kovačič
Book Reviews
Tajda Lipicer
Nik Žnidaršič
Izmuzljivost sodobne cenzure (A. Etienne, C. Megson, ur.: Theatre Censorship in Contemporary Europe)
Navodila za avtorje / Submission Guidelines
Call for Papers
Editor-in-Chief: Maja Murnik, PhD
Editorial Board: Zala Dobovšek, PhD (University of Ljubljana), Jure Gantar, PhD (Dalhousie University, CA), Primož Jesenko, MA (Slovenian Theatre Institute), Matic Kocijančič, PhD (Slovenian Theatre Institute), Bojana Kunst, PhD, Prof. (Justus-Liebig University Gießen, DE), Blaž Lukan, PhD, Assist. Prof. (University of Ljubljana), Aldo Milohnić, PhD, Assoc. Prof. (University of Ljubljana), Barbara Orel, PhD, Prof. (University of Ljubljana), Mateja Pezdirc Bartol, PhD, Prof. (University of Ljubljana), Maja Šorli, PhD (University of Ljubljana), Tomaž Toporišič, PhD, Prof. (University of Ljubljana), Gašper Troha, PhD (Slovenian Theatre Institute)
International Editorial Board: Mark Amerika, MFA (University of Colorado, US), izr. prof. dr. Marin Blažević (Sveučilište u Zagrebu, HR), Ramsay Burt, PhD (De Montfort University, GB), prof. dr. Lada Čale Feldman (Sveučilište u Zagrebu, HR), Joshua Edelman, PhD (Manchester Metropolitan University, GB), Anna Maria Monteverdi, PhD (Università degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu Űlikool, EE), prof. dr. Miško Šuvaković (Univerzitet Singidunum, RS), prof. Stephen Elliot Wilmer (Trinity College Dublin, IE)
Co-Publisher: Slovenian Theater Institute (represented by Gašper Troha, director) and University of Ljubljana Press (reprezented by Gregor Majdič, the Rector of the University of Ljubljana)