Slovenski gledališki inštitut, Gledališče Glej, Akademija za gledališče, radio, film in televizijo Univerze v Ljubljani ter Amfiteater, revija za teorijo scenskih umetnosti, prirejajo znanstveni simpozij, posvečen sodobnim produkcijskim modelom in pristopom v gledališču. Simpozij navdihuje 50. obletnica Gledališča Glej iz Ljubljane.
The Glej Theater is the oldest non-institutional theater in Slovenia (and one of the first theaters of its kind in the former Yugoslavia), which boasts bold performances, (re)thinks interesting production models, non-hierarchical forms of work in the theater and is based on collective and socially engaged work. Based on Gleja's 50 years of practice in the theater, we want to explore the possibilities of contemporary theater in relation to collective theatrical creation, community and the various forms that the concepts of collective and community can encompass.
At a time when the social and political climate in Europe, especially on its periphery, is becoming more and more difficult, and social inequalities are deepening, art has responded not only by exposing the oppression of certain groups in our society, but often also with an engaged attitude to change the situation. What role can contemporary theater play in building theater communities? Is that even his job? How do new political and economic circumstances affect production models in contemporary theatre?
Program of the symposium
Četrtek, 8. 10. 2020
13.00
Opening
Mateja Demšič, vodja oddelka za kulturo Mestna občina Ljubljana
Tomaž Gubenšek, dekan AGRFT
Mojca Jan Zoran, direktorica Slovenskega gledališkega inštituta
Inga Remeta, predsednica Društva Gledališče Glej
Uvodno predavanje
13.30–14.10
Tomaž Toporišič: Kolektivi, skupnosti in ne-hierarhično ustvarjanja med leti 1970 in 2020
14.10–14.20
Diskusija
14.20–14.50
Odmor
1. panel
Moderator: Tomaž Toporišič
14.50–15.10
Primož Jesenko: Eksperimentalno gledališče med letoma 1955 in 1967 ter njegove inovacije
15.10–15.30
Alja Lobnik: Koncept časa in status eksperimenta Gledališča Glej
15.30–15.50
Andreja Kopač: Teritorij skupnostnega delovanja: od Betontanca do Beton.Ltd
15.50–16.10
Branko Jordan: Beton.Ltd: študija primera
16.10–16.40
Diskusija
16.40–17.00
Odmor
2. panel
Moderatorka: Andreja Kopač
17.00–17.20
Promise Nyatepeh Nyatuame in Akosua Abdallah: Mladinsko gledališče in opolnomočenje skupnosti v Gani
17.20–17.40
Diskusija
Petek, 9. 10. 2020
Uvodno predavanje
9.00–9.40
Višnja Kačič Rogošić: Držati obljubo skupnosti
9.40–9.50
Diskusija
3. panel
Moderator: Gašper Troha
9.50–10.10
Maja Murnik: Vloga občinstva v družbenoangažiranih uprizoritvah na Slovenskem
10.10–10.30
Ana Vrtovec Beno: Brez (podpore) skupnosti ni ljudskega gledališča
10.30–11.00
Diskusija
11.00–11.30
Odmor
11.30–11.50
Nika Leskovšek: Participacija in politično pri Kapelj in Semenič v sestavljanju
11.50–12.10
Aldo Milohnič: Od skupinskega do snovalnega načina ustvarjanja v slovenskem gledališču
12.10–12.30
Diskusija
12.30–14.30
Odmor
4. panel
Moderatorka: Nika Leskovšek
14.30–14.50
The Intelektrurálně collective: Praga ni češka: Umetniški projekt kot javna storitev – performativno predavanje / predstavitev znamke
14.50–15.10
Martina Čurdová: Gledališče kot prostor transformacije: češko-nemška čezmejna izkušnja
15.10–15.40
Diskusija
15.40–16.00
Odmor
16.00–16.20
Marina Pallarès–Elias: Gledališče Da-ja: Lepota kot os sprememb za transformacijo skupnosti prek njihovih lastnih zgodb
16.20–16.40
Caspar Nieuwenhuis: Predrugačiti morate svojo umetnost!
16.40–17.40
Zaključna diskusija
Moderatorka: Alma R. Selimović
18.00–18.30 (Gledališče Glej, Gregorčičeva 3, Ljubljana)
Lea Kukovičič: Neznano zna
8. oktober
9. oktober
Delovni jezik simpozija je angleščina. Skladno z določili 25. člena Zakona o javni rabi slovenščine je slovenščina zagotovljena na obvestilni ravni.
Zaradi spoštovanja navodil NIJZ glede javnega zbiranja in preprečevanja širjenja okužbe COVID-19 je število prostih mest na simpoziju omejeno.
Symposium leader: Gašper Troha
Preparatory committee: Amadea Karin Ilic, Primož Jesenko, Andreja Kopač, Jure Novak, Tjaša Pureber, Inga Remeta, Tomaž Toporišič, Gašper Troha, Mojca Jan Zoran
Slovenian Theater Institute (SLOGI) is a national public institution, founded in 2014 as the legal successor of the Slovenian Theater Museum. The institute's mission is the development of theater culture and the promotion of theater art, which is realized through research, study, interpretation, promotion, preservation, documentation and presentation of Slovenian theater culture, theater heritage and theater art in the Slovenian and international space.
Theater Glej is the oldest independent theater in Slovenia, founded in 1970 with the aim of creating and enabling an artistic space for creations that arise from the needs of our environment, but do not have an adequate structure to perform them professionally. Glej has a rich history of experimental theater practices and has evolved into a contemporary performative theater that experiments with a non-hierarchical form of organizing artistic production.
Academy for Theatre, Radio, Film and Television The University of Ljubljana carries out educational, artistic and research work in the field of theatre, radio, film and television. From its founding in 1945 until 1975, it operated as an independent higher education institution with a rector, after which it became a member of the University of Ljubljana.
Amfiteater is a scientific journal that publishes original articles in the field of performing arts in a wide range from dramatic theatre, drama, dance, performance to hybrid arts. Authors can analyze the forms and contents of works of art and artistic phenomena from the field of performing arts, their history, present and future, as well as their relationship to other artistic fields and the wider (social, cultural, political...) context.
The symposium is being prepared in cooperation with UL AGRFT within the framework of the research program Theater and inter-art research (P6-0376), which is co-financed by the Public Research Agency of the Republic of Slovenia from the state budget.
