{"id":882,"date":"2023-05-08T10:45:34","date_gmt":"2023-05-08T08:45:34","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/kralj-ubu-ali-poljaki_klasiki-v-stripu\/"},"modified":"2024-01-20T14:21:31","modified_gmt":"2024-01-20T13:21:31","slug":"kralj-ubu-ali-poljaki_klasiki-v-stripu","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/kralj-ubu-ali-poljaki_klasiki-v-stripu\/","title":{"rendered":"King Ubu or the Poles"},"content":{"rendered":"

Comics King Ubu or the Poles<\/em> was created as part of an international project Classics in comics: An exemplary model of innovative cultural and artistic education in high school<\/em><\/a>, which is coordinated by the Slovenian Theatre Institute with partners from Poland (Zbigniew Raszewski Theatre Institute, Warsaw) and Slovakia (Theatre Institute, Bratislava) in the period 2019-2023. The project is co-financed by the European Union's Creative Europe Programme and the Ministry of Culture of the Republic of Slovenia.<\/p>\n

Pohlepni Ubu se odlo\u010di za\u010deti s prevratom oblasti, saj si sam \u017eeli, da bi postal samodr\u017eec. Za to je pripravljen iti \u010dez trupla, na najbolj ogabne na\u010dine. Strip King Ubu or the Poles<\/em>, ki je nastal na podlagi sodelovanja Slovenskega gledali\u0161kega in\u0161tituta s \u0161e dvema sorodnima institucijama iz tujine, je torej strip, narejen po drami Alfreda Jarryja. Drama o pogoltnem Ubuju je \u017ee takoj po objavi postavila temelje sodobnemu gledali\u0161\u010du in nadrealisti\u010dnim smerem, kljub temu, da jo je avtor napisal pri rosnih petnajstih letih starosti. Njegovo prvenec je Ciril Horjak spremenil v zabaven strip, ki zvesto sledi izvirniku. Najve\u010d lastnega izrazja je seveda dodal skozi risbo. \u017de sam naslovni junak svojo po\u017ere\u0161nost izkazuje skozi izgled, osnova za katerega je bil antropomorfiziran \u017eabji paglavec. Nekaj o tem je Horjak napisal tudi v spremni besedi, v kateri lahko beremo \u0161e besedilo prevajalca Primo\u017ea Viteza in opis mednarodnega sodelovanja, v sklopu katerega sta iz\u0161li \u0161e drami Antigone<\/em><\/a> and Romeo and Juliet<\/em><\/a>.<\/p>\n

TABLE OF CONTENTS<\/a><\/p>\n

COLOPHON<\/a><\/p>\n

Creating a comic book <\/em>King Ubu<\/h5>\n

Strip je ma\u0161ina za ustvarjanje smisla s pomo\u010djo vizualnih glagolov, oseb in predmetov. Je idealno orodje za produkcijo prostorov, v katerih se dogaja nora zgodba poljskega uzurpatorja. Belina stripovskih strani, dolo\u010dena z reducirano risbo, kjer lahko osebe odskakujejo, se odbijajo, in kjer jih lahko brez napora in posebnih u\u010dinkov razsekamo na dvoje, je idealen koordinatni sistem Jarryjeve zgodbe. To so razlogi, da je novi Ubu tak. Lahko bi govoril tudi o tem, da je metafora tega kralja aktualna tudi v ekonomiji, tehnologiji in \u0161e \u010dem. A dovolj je bilo na\u0161tevanja razlogov za aktualizacijo podobe Ubuja. Vsi, ki smo ga kdaj risali, vemo: bolj ko se Ubu spreminja, bolj je enak. In vedno korak pred nami.<\/p>\n

(Ciril Horjak)<\/p>\n

About the comic book author<\/em><\/h5>\n
\"Ciril
Ciril Horjak. Fotografija: Jon Petek<\/figcaption><\/figure>\n

Cyril Horjak<\/strong> (1975), slovenski vizualni umetnik, v svetu stripa znan tudi kot dr. Horowitz<\/strong>, je \u017ee konec osemdesetih let dvakrat zapored prejel prvo nagrado na nate\u010daju mladinskega avtorskega stripa v Novem Sadu (Srbija). Konec devetdesetih let je za\u010del objavljati stripe v najbolj znani slovenski reviji Stripburger<\/em>. Novembra 2003 je izdal svoj prvi stripovski album Ride<\/em>. Leta 2011 je za svoje delo na podro\u010dju izobra\u017eevanja prejel nagrado Andrago\u0161kega centra Slovenije (ACS, 2010). Je ilustrator in karikaturist za slovenski \u010dasopis Ve\u010der<\/em>, kjer je za\u010del ilustrirati leta 2007, odtlej pa je zanj ustvaril \u017ee preko 1000 ilustracij. Za svoje \u010dasopisne ilustracije je prejel tudi novinarsko nagrado za izstopajo\u010de dose\u017eke Dru\u0161tva novinarjev Slovenije (DNS, 2017). Gostuje na \u0161tevilnih slovenskih \u0161olah in fakultetah, kjer predava o stripu. Sodeluje z mladimi z avtizmom in vodi razli\u010dne delavnice, je za\u017eelen pripovedovalec zgodb na mnogih festivalih in prireditvah. Njegove ilustracije so objavili tudi ugledni \u010dasopisi, kot so Politiken<\/em>, The Guardian<\/em>, The Chicago Tribune<\/em>, Le Monde<\/em> or Die Zeit<\/em>.<\/p>\n

King Ubu<\/em> in Slovenia<\/h5>\n

Jarryjeva igra, ki se je izkazala kot predhodnica avantgardnih umetni\u0161kih gibanj in novega gledali\u0161\u010da (tega se je \u0161e najbolj oprijela oznaka gledali\u0161\u010de absurda<\/em>), je pri nas odrsko za\u017eivela \u0161ele ve\u010d kot sedem desetletij po nemirni pari\u0161ki praizvedbi. Ubuja<\/em> smo \u00bbdobili pozno\u00ab, je v kritiki prve uprizoritve na slovenskem poklicnem odru ugotavljal Andrej Inkret, \u00bbkakor pa\u010d zmerom dobivamo z zamudo prelomna literarna in druga\u010dna besedila\u00ab.<\/p>\n

Na repertoarje slovenskih gledali\u0161\u010d se je Ubu<\/em> za\u010del uvr\u0161\u010dati \u0161ele po razmahu eksperimentalnih praks, ki so od sredine petdesetih let hlepele po novem. Ionesca, denimo, je najprej uprizorilo gledali\u0161\u010de Oder 57, z Jarryjevo igro pa se je v okviru seminarskih \u0161tudijskih obveznosti na Akademiji za gledali\u0161\u010de, radio, film in televizijo ukvarjal Du\u0161an Jovanovi\u0107, ki je leta 1970 soustanovil Eksperimentalno gledali\u0161\u010de Glej.<\/p>\n

Vendar pa uprizoritev Ubuja<\/em> v Slovenskem ljudskem gledali\u0161\u010du (SLG) Celje leta 1974, pri kateri je kot dramaturg sodeloval Taras Kermauner, soustanovitelj Odra 57, ni bila \u010disto prva slovenska postavitev Jarryjeve igre \u2013 v profesionalnem okviru \u017ee, sicer pa so Ubuja<\/em> leta 1972 v lastnem prevodu in re\u017eiji profesorja Andrijana Laha uprizorili dijaki ljubljanske be\u017eigrajske gimnazije.<\/p>\n

(Odlomek iz \u010dlanka Ane Perne. Ubu na slovenskih poklicnih odrih<\/em>)<\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>","protected":false},"excerpt":{"rendered":"

The comic strip King Ubu or the Poles was created as part of the international project Classics in Comics: A Model Model for Innovative Cultural and Artistic Education in Secondary Schools, which is coordinated by the Slovenian Theatre Institute with partners from Poland (Zbigniew Raszewski Theatre Institute, Warsaw) and Slovakia (Theatre Institute, Bratislava) in the period 2019\u20132023. The project is co-financed by the European Union's Creative Europe Programme and the Ministry of Culture of the Republic of Slovenia.<\/p>","protected":false},"author":3,"featured_media":4490,"template":"","categories":[7],"tags":[],"avtor":[385],"izpostavljamo":[],"letnik":[375],"naslov":[],"prevajalec":[386],"zbirka":[225],"class_list":["post-882","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","avtor-alfred-jarry","letnik-375","prevajalec-vitez-primoz","zbirka-drugo"],"acf":[],"yoast_head":"\nKralj Ubu ali Poljaki - SLOGI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/kralj-ubu-ali-poljaki_klasiki-v-stripu\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kralj Ubu ali Poljaki - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Strip Kralj Ubu ali Poljaki je nastal v okviru mednarodnega projekta Klasiki v stripu: Vzor\u010dni model inovativne kulturno-umetnostne vzgoje v srednji \u0161oli, ki ga v obdobju 2019 \u2013 2023 koordinira Slovenski gledali\u0161ki in\u0161titut s partnerjema iz Poljske (Gledali\u0161ki in\u0161titut Zbigniewa Raszewskega, Var\u0161ava) in Slova\u0161ke (Gledali\u0161ki in\u0161titut, Bratislava). 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Sample comic book pages King Ubu or the Poles<\/em> >><\/a><\/p>\n