{"id":875,"date":"2023-03-16T13:25:56","date_gmt":"2023-03-16T12:25:56","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&#038;p=875"},"modified":"2025-04-08T08:56:16","modified_gmt":"2025-04-08T06:56:16","slug":"ljubislava-1907-3-3","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/ljubislava-1907-3-3\/","title":{"rendered":"Ljubislava (1907)"},"content":{"rendered":"<h6>A drama in five acts<\/h6>\n<p>&nbsp;<\/p>\n<p>A notebook with a manuscript of Kristan&#039;s text (24 x 19.5 cm, 190 pages) is preserved in the archive of the Drama Society:<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/LJUBISLAVA-1906.pdf\">Ljubislav &gt;&gt;<\/a><\/p>\n<p><em>Ljubislavo<\/em> was published by the publisher Lavoslav Schwentner, who also printed Kristan&#039;s play a few years later <em>Self-ownership<\/em>. In the same format, with similar Art Nouveau equipment and characteristic typography, Cankar&#039;s plays and all other literature, including the second edition, were also published by Schwentner <em>Erotica <\/em>(1902). Kristan and Cankar, nine years younger, maintained friendly relations until the Tivoli Declaration or Kristan&#039;s departure to the USA. Their life paths were connected in many areas. Both were artists who also actively intervened in social life. In general, we can conclude that Kristan was more successful as a politician, and Cankar as a writer. In 1897, they both wrote their first play, and in the period leading up to the First World War, despite all the obstacles, their texts were often performed in the Provincial Theater in Ljubljana. In the elections to the National Assembly (1907) they both ran on the ticket of the Social Democratic Party.<\/p>\n<p>The writer, journalist and politician Etbin Kristan (1867 \u2013 1953) was strongly connected with Slovenian theatre. He was a translator of dramatic texts, a theater critic, an actor and director, a member of the Drama Society, a lecturer at a drama school, an author of articles on drama and theater, and above all a playwright. His first plays <em>Loyalty<\/em> (1897) are still following <em>The will<\/em> (1902), <em>Ljubislav<\/em> (1906), <em>Kato Vrankovic<\/em> (1909), <em>Reigning<\/em> and <em>Self-ownership<\/em> (1910), <em>Factory<\/em> (1912), <em>First meeting<\/em> (1912), one-act plays <em>Success<\/em>, <em>Who&#039;s crazy?<\/em> and <em>Club resignation<\/em>, also published under the common title <em>From Pavlih&#039;s legacy<\/em> (1912). He also wrote plays in the USA <em>Bomb in the factory<\/em> (1915), <em>Revenge<\/em> (1926), <em>Master<\/em> (1937),\u00a0 <em>At the last hour<\/em> (1937\/38), <em>Mutual freedom<\/em> and <em>A rekindled memory<\/em> (1938), <em>Silk stockings<\/em> (1939), <em>On the birth chest<\/em> (1942) and <em>For a new world<\/em> (1949).<\/p>\n<p>As a socialist-oriented polemicist, he published an article in a special issue of the magazine Na\u0161i zapiski, dedicated to Pre\u0161eren and the Zaj\u010dev monument (1905). <em>Baptism near Savica<\/em>, in which he characterized Pre\u0161eren&#039;s poetry as a contradictory, artistically weak and intellectually unconvincing literary work:<\/p>\n<p><a href=\"https:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-VZMG3VW2\">Our notes &gt;&gt;<\/a><\/p>\n<p>His answer to <em>Baptism near Savica<\/em> he was not only essayistic. In the same period, he also wrote a dramatic text, which - like Pre\u0161eren - shows the period of Christianization of our ancestors and presents a mental contrast <em>A coffin<\/em>.<\/p>\n<p><em>Ljubislavo<\/em> Kristan, who also wrote songs, wrote in verses. The content of the drama, foreign and Slovenian examples of historical tragedies probably played a role in his decision for a verse form (he translated Schiller&#039;s <em>Virgin of Orleans<\/em>) and Pre\u0161ernov <em>Baptism near Savica<\/em>.<\/p>\n<p>The drama begins in an idyllic community that worships the gods according to the example of its ancestors and enjoys freedom and independence in accordance with the tradition and wisdom of its elders. It soon turns out that the Slovenians are under threat: Germans are gathering at the borders, and missionaries are already wandering around the country. Starost&#039;s daughter Ljubislava converts and becomes a Christian, while her chosen one Milorad remains faithful to the faith of his fathers even in a hopeless fight with the Germans. His heart burns for a more suitable companion, Vidimira, loyal to home and traditional gods. When Ljubislava is stabbed by her enraged Germanic admirer, the Slovenians heroically go into battle with stronger enemies.<\/p>\n<p>The premiere <em>Ljubislav<\/em> it was performed in Ljubljana&#039;s Provincial Theater on March 8, 1906, and the only rerun was two days later. Kristan&#039;s drama was directed by Lev Dragutinovi\u0107:<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-letak.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-28202\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-letak-222x300-1.jpg\" alt=\"\" width=\"222\" height=\"300\" \/><\/a><\/p>\n<p>Christian&#039;s <em>Ljubislavo <\/em>were also staged in 1961 at the Primorska Drama Theater in Nova Gorica.<\/p>\n<p>Fran Govekar, as the editor of Slovan and a defender of the &quot;people&#039;s education&quot; dramatic trend, reviews the theatrical events in the 1905\/06 season - in thinking about the staging <em>Ljubislav<\/em> \u2013 attacked Cankar and his drama. In the following, he also pardoned Etbin Kristan, who, in his opinion, fell prey to snobs as a playwright, and his drama about the violent Christianization of the Slavs was only repeated once (Slovan IV. 1905\/06, no. 5, pp. 158-159). <em>Ljubislav<\/em> or Govekar&#039;s uncritical self-praise are the reason for the famous controversy and the creation of the term <a href=\"https:\/\/www.slogi.si\/en\/publications\/martin_krpan_1905\/\"><em>Krpan&#039;s mare.<\/em><\/a><\/p>\n<p>Na Govekar&#039;s article is in the magazine <em>Our notes<\/em> first Etbin Kristan reacted, and then Cankar came forward with texts in the same magazine <em>Krpan&#039;s mare<\/em> and <em>Govekar and Govekars<\/em>. Both records were also published in a book edition a year later (<em>Krpan&#039;s mare<\/em>, Ljubljana, 1907).<\/p>\n<p><em>Ljubislavo<\/em> therefore, we classify it as one of the literary works inspired by Pre\u0161eren&#039;s famous verse text. Marko Juvan, writer of the most extensive analysis <em>A coffin<\/em> as a national myth and literary responses to it (<em>The Imaginary of Baptism in Slovenian Literature<\/em>, Ljubljana, 1990), thirty years ago he listed more than fifty elaborations of Pre\u0161eren&#039;s proposal (M. Juvan: <em>Literary &quot;myth&quot;, slovenliness and serious parody<\/em>. Q: See newspaper PDG Nova Gorica 1993\/94, no. 4, p. 8-15).<\/p>\n<p>Theater proposals inspired by Pre\u0161ernov <em>Baptism<\/em>, can be divided into dramatizations and original dramatic works; there is no strict dividing line between the two groups. The oldest dramatization is by Penn or Levstikov. It was published in the first booklet of the Slovenska Talija collection (J. Nolly: <em>A handy book for the viewing dilettante<\/em>, Ljubljana, 1868):<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Levstik-1868-1.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-28206\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Levstik-1868-1-216x300-1.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/a> <a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Levstik-1868-2.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-28208\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Levstik-1868-2-216x300-1.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/a><\/p>\n<p>At the end of the nineteenth century, a dramatization by Engelbert Gangle (1899) was staged at the State Theater in Ljubljana, and in recent times, Pre\u0161eren&#039;s epic has been dramatized and directed by Tone Per\u0161ak (PDG Nova Gorica, 1973), Alenka Pirjevec (GLEJ and LG Ljubljana, 2008), Andreja Kova\u010d (LB Maribor, 2010) and Katja Pegan (Koper Theatre, as part of the National Day celebrations, Portoro\u017e Auditorium, 2021).<\/p>\n<p>Among the dramatic works whose content is only related to the subject of Baptism in Savica, the first is by Jur\u010di\u010dev and Levstikov <em>Tugometer<\/em> (1876).<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Tugomer-Jurcic_page-0001-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-28210\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Tugomer-Jurcic_page-0001-1-208x300-1.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p>\n<p>More inclined to conversion to Christianity than Kristan v <em>Ljubislav <\/em>are Zorko Sim\u010di\u010d (<em>Baptism near Savica<\/em>, 1953) and Metod Turn\u0161ek (<em>Baptism of Carantan princes<\/em>, 1968). Smoletov was the most appreciated, the best evaluated and the most performed <em>Baptism near Savica<\/em> (1969), which, with its nihilism and skepticism, came closer to Kristan, even though in all respects they are completely different dramas, which, in addition to everything else, are also separated by a great temporal or cultural distance.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Krst-pri-Savici-Smole_page-0001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-28212\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Krst-pri-Savici-Smole_page-0001-212x300-1.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/a><\/p>\n<p>Finally, let&#039;s mention one more <em>the retro-guard event Krst pod Triglav<\/em> (Cankarjev dom in Ljubljana, 1986) Theaters of the Scipion Nasica sisters, who had a far-reaching influence on the Slovenian theater scene.<\/p>","protected":false},"excerpt":{"rendered":"<p>Etbin Kristan<\/p>","protected":false},"author":3,"featured_media":4439,"template":"","categories":[9],"tags":[21,22],"avtor":[],"izpostavljamo":[],"letnik":[275],"naslov":[181],"prevajalec":[],"zbirka":[],"class_list":["post-875","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","tag-dramatika","tag-dramsko-gledalisce","letnik-275","naslov-ljubislava-1907"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Etbin Kristan: Ljubislava (1907) - SLOGI<\/title>\n<meta name=\"description\" content=\"Ljubislavo je izdal zalo\u017enik Lavoslav Schwentner, ki je Kristanu nekaj let pozneje natisnil tudi dramo Samosvoj. V istem formatu, s podobno secesijsko opremo in zna\u010dilno tipografijo so pri Schwentnerju izhajale tudi Cankarjeve drame in vsa ostala literatura vklju\u010dno z drugo izdajo Erotike (1902). Kristan in devet let mlaj\u0161i Cankar sta vse do Tivolske deklaracije oziroma Kristanovega odhoda v ZDA gojila prijateljske stike. Njuni \u017eivljenjski poti sta bili povezani na mnogih podro\u010djih. Oba sta bila umetnika, ki sta dejavno posegala tudi v dru\u017ebeno \u017eivljenje. Na splo\u0161no lahko ugotovimo, da je bil Kristan uspe\u0161nej\u0161i kot politik, Cankar pa kot pisatelj. Leta 1897 sta oba napisala svojo prvo dramo, v obdobju do prve svetovne vojne pa so njuna besedila kljub vsem oviram pogosto uprizarjali v ljubljanskem De\u017eelnem gledali\u0161\u010du. Na volitvah v dr\u017eavni zbor (1907) sta oba kandidirala na listi socialdemokratske stranke.Pisatelj, \u010dasnikar in politik Etbin Kristan (1867 \u2013 1953) je bil mo\u010dno povezan s slovenskim gledali\u0161\u010dem. Bil je prevajalec dramskih besedil, gledali\u0161ki kritik, igralec in re\u017eiser, odbornik Dramati\u010dnega dru\u0161tva, predavatelj v dramski \u0161oli, avtor \u010dlankov o dramatiki ter gledali\u0161\u010du, predvsem pa dramatik. Njegovi prvi drami Zvestoba (1897) sledijo \u0161e Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kraljevanje in Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), enodejanke Uspeh, Kdo je blazen? in Klub resignacija, objavljene tudi pod skupnim naslovom Iz Pavlihove zapu\u0161\u010dine (1912). V ZDA je napisal \u0161e drame Bomba v tovarni (1915), Ma\u0161\u010devanje (1926), Gospodar (1937),\u00a0 Ob zadnji uri (1937\/38), Vzajemna svoboda in Obujen spomin (1938), Svilene nogavice (1939), Na rodni grudi (1942) ter Za novi svet (1949).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1907-3-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Etbin Kristan: Ljubislava (1907) - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Ljubislavo je izdal zalo\u017enik Lavoslav Schwentner, ki je Kristanu nekaj let pozneje natisnil tudi dramo Samosvoj. V istem formatu, s podobno secesijsko opremo in zna\u010dilno tipografijo so pri Schwentnerju izhajale tudi Cankarjeve drame in vsa ostala literatura vklju\u010dno z drugo izdajo Erotike (1902). Kristan in devet let mlaj\u0161i Cankar sta vse do Tivolske deklaracije oziroma Kristanovega odhoda v ZDA gojila prijateljske stike. Njuni \u017eivljenjski poti sta bili povezani na mnogih podro\u010djih. Oba sta bila umetnika, ki sta dejavno posegala tudi v dru\u017ebeno \u017eivljenje. Na splo\u0161no lahko ugotovimo, da je bil Kristan uspe\u0161nej\u0161i kot politik, Cankar pa kot pisatelj. Leta 1897 sta oba napisala svojo prvo dramo, v obdobju do prve svetovne vojne pa so njuna besedila kljub vsem oviram pogosto uprizarjali v ljubljanskem De\u017eelnem gledali\u0161\u010du. Na volitvah v dr\u017eavni zbor (1907) sta oba kandidirala na listi socialdemokratske stranke.Pisatelj, \u010dasnikar in politik Etbin Kristan (1867 \u2013 1953) je bil mo\u010dno povezan s slovenskim gledali\u0161\u010dem. Bil je prevajalec dramskih besedil, gledali\u0161ki kritik, igralec in re\u017eiser, odbornik Dramati\u010dnega dru\u0161tva, predavatelj v dramski \u0161oli, avtor \u010dlankov o dramatiki ter gledali\u0161\u010du, predvsem pa dramatik. Njegovi prvi drami Zvestoba (1897) sledijo \u0161e Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kraljevanje in Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), enodejanke Uspeh, Kdo je blazen? in Klub resignacija, objavljene tudi pod skupnim naslovom Iz Pavlihove zapu\u0161\u010dine (1912). V ZDA je napisal \u0161e drame Bomba v tovarni (1915), Ma\u0161\u010devanje (1926), Gospodar (1937),\u00a0 Ob zadnji uri (1937\/38), Vzajemna svoboda in Obujen spomin (1938), Svilene nogavice (1939), Na rodni grudi (1942) ter Za novi svet (1949).\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1907-3-3\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-08T06:56:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1907_naslovka.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"657\" \/>\n\t<meta property=\"og:image:height\" content=\"1048\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/\",\"name\":\"Etbin Kristan: Ljubislava (1907) - SLOGI\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/LJUBISLAVA-1907_naslovka.jpg\",\"datePublished\":\"2023-03-16T12:25:56+00:00\",\"dateModified\":\"2025-04-08T06:56:16+00:00\",\"description\":\"Ljubislavo je izdal zalo\u017enik Lavoslav Schwentner, ki je Kristanu nekaj let pozneje natisnil tudi dramo Samosvoj. V istem formatu, s podobno secesijsko opremo in zna\u010dilno tipografijo so pri Schwentnerju izhajale tudi Cankarjeve drame in vsa ostala literatura vklju\u010dno z drugo izdajo Erotike (1902). Kristan in devet let mlaj\u0161i Cankar sta vse do Tivolske deklaracije oziroma Kristanovega odhoda v ZDA gojila prijateljske stike. Njuni \u017eivljenjski poti sta bili povezani na mnogih podro\u010djih. Oba sta bila umetnika, ki sta dejavno posegala tudi v dru\u017ebeno \u017eivljenje. Na splo\u0161no lahko ugotovimo, da je bil Kristan uspe\u0161nej\u0161i kot politik, Cankar pa kot pisatelj. Leta 1897 sta oba napisala svojo prvo dramo, v obdobju do prve svetovne vojne pa so njuna besedila kljub vsem oviram pogosto uprizarjali v ljubljanskem De\u017eelnem gledali\u0161\u010du. Na volitvah v dr\u017eavni zbor (1907) sta oba kandidirala na listi socialdemokratske stranke.Pisatelj, \u010dasnikar in politik Etbin Kristan (1867 \u2013 1953) je bil mo\u010dno povezan s slovenskim gledali\u0161\u010dem. Bil je prevajalec dramskih besedil, gledali\u0161ki kritik, igralec in re\u017eiser, odbornik Dramati\u010dnega dru\u0161tva, predavatelj v dramski \u0161oli, avtor \u010dlankov o dramatiki ter gledali\u0161\u010du, predvsem pa dramatik. Njegovi prvi drami Zvestoba (1897) sledijo \u0161e Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kraljevanje in Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), enodejanke Uspeh, Kdo je blazen? in Klub resignacija, objavljene tudi pod skupnim naslovom Iz Pavlihove zapu\u0161\u010dine (1912). V ZDA je napisal \u0161e drame Bomba v tovarni (1915), Ma\u0161\u010devanje (1926), Gospodar (1937),\u00a0 Ob zadnji uri (1937\\\/38), Vzajemna svoboda in Obujen spomin (1938), Svilene nogavice (1939), Na rodni grudi (1942) ter Za novi svet (1949).\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/LJUBISLAVA-1907_naslovka.jpg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/LJUBISLAVA-1907_naslovka.jpg\",\"width\":657,\"height\":1048},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/ljubislava-1907-3-3\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.slogi.si\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ljubislava (1907)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"name\":\"SLOGI\",\"description\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\"},\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.slogi.si\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\",\"name\":\"SLOGI\",\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"width\":100,\"height\":100,\"caption\":\"SLOGI\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Etbin Kristan: Ljubislava (1907) - SLOGI","description":"Ljubislava was published by the publisher Lavoslav Schwentner, who also published Kristan&#039;s drama Samosvoj a few years later. Cankar&#039;s plays and all other literature, including the second edition of Erotica (1902), were also published by Schwentner in the same format, with similar art nouveau equipment and characteristic typography. Kristan and Cankar, nine years younger, maintained friendly relations until the Tivoli Declaration or Kristan&#039;s departure to the USA. Their life paths were connected in many areas. Both were artists who also actively intervened in social life. In general, we can conclude that Kristan was more successful as a politician, and Cankar as a writer. In 1897, they both wrote their first play, and in the period leading up to the First World War, despite all the obstacles, their texts were often performed in the Provincial Theater in Ljubljana. In the elections to the National Assembly (1907) they both ran on the ticket of the Social Democratic Party. Writer, journalist and politician Etbin Kristan (1867 \u2013 1953) was strongly connected with the Slovenian theater. He was a translator of dramatic texts, a theater critic, an actor and director, a member of the Drama Society, a lecturer at a drama school, an author of articles on drama and theater, and above all a playwright. His first drama Loyalty (1897) was followed by Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kingship and Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), one-act plays Success, Kdo je blazen? and Resignation Club, also published under the joint title Iz Pavlihova zapus\u010dina (1912). In the USA, he also wrote the plays Bomb in the Factory (1915), Revenge (1926), The Master (1937), At the Last Hour (1937\/38), Mutual Freedom and Awakened Memory (1938), Silk Stockings (1939), On My Breast (1942) and For the New World (1949).","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1907-3-3\/","og_locale":"en_GB","og_type":"article","og_title":"Etbin Kristan: Ljubislava (1907) - SLOGI","og_description":"Ljubislavo je izdal zalo\u017enik Lavoslav Schwentner, ki je Kristanu nekaj let pozneje natisnil tudi dramo Samosvoj. V istem formatu, s podobno secesijsko opremo in zna\u010dilno tipografijo so pri Schwentnerju izhajale tudi Cankarjeve drame in vsa ostala literatura vklju\u010dno z drugo izdajo Erotike (1902). Kristan in devet let mlaj\u0161i Cankar sta vse do Tivolske deklaracije oziroma Kristanovega odhoda v ZDA gojila prijateljske stike. Njuni \u017eivljenjski poti sta bili povezani na mnogih podro\u010djih. Oba sta bila umetnika, ki sta dejavno posegala tudi v dru\u017ebeno \u017eivljenje. Na splo\u0161no lahko ugotovimo, da je bil Kristan uspe\u0161nej\u0161i kot politik, Cankar pa kot pisatelj. Leta 1897 sta oba napisala svojo prvo dramo, v obdobju do prve svetovne vojne pa so njuna besedila kljub vsem oviram pogosto uprizarjali v ljubljanskem De\u017eelnem gledali\u0161\u010du. Na volitvah v dr\u017eavni zbor (1907) sta oba kandidirala na listi socialdemokratske stranke.Pisatelj, \u010dasnikar in politik Etbin Kristan (1867 \u2013 1953) je bil mo\u010dno povezan s slovenskim gledali\u0161\u010dem. Bil je prevajalec dramskih besedil, gledali\u0161ki kritik, igralec in re\u017eiser, odbornik Dramati\u010dnega dru\u0161tva, predavatelj v dramski \u0161oli, avtor \u010dlankov o dramatiki ter gledali\u0161\u010du, predvsem pa dramatik. Njegovi prvi drami Zvestoba (1897) sledijo \u0161e Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kraljevanje in Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), enodejanke Uspeh, Kdo je blazen? in Klub resignacija, objavljene tudi pod skupnim naslovom Iz Pavlihove zapu\u0161\u010dine (1912). V ZDA je napisal \u0161e drame Bomba v tovarni (1915), Ma\u0161\u010devanje (1926), Gospodar (1937),\u00a0 Ob zadnji uri (1937\/38), Vzajemna svoboda in Obujen spomin (1938), Svilene nogavice (1939), Na rodni grudi (1942) ter Za novi svet (1949).","og_url":"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1907-3-3\/","og_site_name":"SLOGI","article_modified_time":"2025-04-08T06:56:16+00:00","og_image":[{"width":657,"height":1048,"url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1907_naslovka.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/","url":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/","name":"Etbin Kristan: Ljubislava (1907) - SLOGI","isPartOf":{"@id":"https:\/\/www.slogi.si\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/#primaryimage"},"image":{"@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/#primaryimage"},"thumbnailUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1907_naslovka.jpg","datePublished":"2023-03-16T12:25:56+00:00","dateModified":"2025-04-08T06:56:16+00:00","description":"Ljubislava was published by the publisher Lavoslav Schwentner, who also published Kristan&#039;s drama Samosvoj a few years later. Cankar&#039;s plays and all other literature, including the second edition of Erotica (1902), were also published by Schwentner in the same format, with similar art nouveau equipment and characteristic typography. Kristan and Cankar, nine years younger, maintained friendly relations until the Tivoli Declaration or Kristan&#039;s departure to the USA. Their life paths were connected in many areas. Both were artists who also actively intervened in social life. In general, we can conclude that Kristan was more successful as a politician, and Cankar as a writer. In 1897, they both wrote their first play, and in the period leading up to the First World War, despite all the obstacles, their texts were often performed in the Provincial Theater in Ljubljana. In the elections to the National Assembly (1907) they both ran on the ticket of the Social Democratic Party. Writer, journalist and politician Etbin Kristan (1867 \u2013 1953) was strongly connected with the Slovenian theater. He was a translator of dramatic texts, a theater critic, an actor and director, a member of the Drama Society, a lecturer at a drama school, an author of articles on drama and theater, and above all a playwright. His first drama Loyalty (1897) was followed by Volja (1902), Ljubislava (1906), Kato Vrankovi\u010d (1909), Kingship and Samosvoj (1910), Tovarna (1912), Prvi sestanek (1912), one-act plays Success, Kdo je blazen? and Resignation Club, also published under the joint title Iz Pavlihova zapus\u010dina (1912). In the USA, he also wrote the plays Bomb in the Factory (1915), Revenge (1926), The Master (1937), At the Last Hour (1937\/38), Mutual Freedom and Awakened Memory (1938), Silk Stockings (1939), On My Breast (1942) and For the New World (1949).","breadcrumb":{"@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/#primaryimage","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1907_naslovka.jpg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1907_naslovka.jpg","width":657,"height":1048},{"@type":"BreadcrumbList","@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1907-3-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.slogi.si\/"},{"@type":"ListItem","position":2,"name":"Ljubislava (1907)"}]},{"@type":"WebSite","@id":"https:\/\/www.slogi.si\/#website","url":"https:\/\/www.slogi.si\/","name":"SLOGI","description":"Slovenian Theatre Institute","publisher":{"@id":"https:\/\/www.slogi.si\/#organization"},"alternateName":"Slovenski Gledali\u0161ki In\u0161titut","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.slogi.si\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.slogi.si\/#organization","name":"SLOGI","alternateName":"Slovenski Gledali\u0161ki In\u0161titut","url":"https:\/\/www.slogi.si\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","width":100,"height":100,"caption":"SLOGI"},"image":{"@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija\/875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija"}],"about":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/types\/publikacija"}],"author":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/users\/3"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media\/4439"}],"wp:attachment":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media?parent=875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/categories?post=875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/tags?post=875"},{"taxonomy":"avtor","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/avtor?post=875"},{"taxonomy":"izpostavljamo","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/izpostavljamo?post=875"},{"taxonomy":"letnik","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/letnik?post=875"},{"taxonomy":"naslov","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/naslov?post=875"},{"taxonomy":"prevajalec","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/prevajalec?post=875"},{"taxonomy":"zbirka","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/zbirka?post=875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}