{"id":872,"date":"2023-03-15T12:28:06","date_gmt":"2023-03-15T11:28:06","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&#038;p=872"},"modified":"2025-05-06T13:27:11","modified_gmt":"2025-05-06T11:27:11","slug":"ljubislava-1906-2-2","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/ljubislava-1906-2-2\/","title":{"rendered":"Ljubislava (1906)"},"content":{"rendered":"<h6>Drama in four acts<\/h6>\n<h6>Variant title of the manuscript: <em>For the old faith and freedom<\/em><\/h6>\n<p><em>\u00a0<\/em><\/p>\n<p>The archive of the Dramatic Society preserves a volume with the integral manuscript of Kristan&#039;s text (24 x 19.5 cm, 190 pages) and individual manuscript roles. The folder also included the manuscript of the beginning of Act IV, which was later included in the book edition as part of Act V. Act V begins in the book edition with the introductory verses of Act IV of the manuscript.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/LJUBISLAVA-4.-dejanje.pdf\">Ljubislava 4th act &gt;&gt;<\/a><\/p>\n<p>At the top of the cover is the censor&#039;s note and the page number of the two censored passages. Given the militant anti-Catholic and anti-German content of the play, the censor&#039;s lines were clearly just a formality and not an actual prohibition on communicating the author&#039;s key ideas.<\/p>\n<p>The manuscript and book versions also indicate the time and place of the event (<em>Time of action: Mid-eighth century. Theatre: Korotan).<\/em><\/p>\n<p>Etbin Kristan began his literary career as a poet. Also <em>Ljubislav<\/em> is written in verse. The content of the drama, foreign and Slovenian examples of historical tragedies, and Pre\u0161eren&#039;s <em>Baptism near Savica<\/em>.<\/p>\n<p>In 1907, a private book edition with Art Nouveau furnishings was published by Lavoslav Schwentner&#039;s publishing house, which is available in the Digital Library of Slovenian Dramatic Texts:<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1907\/\">Ljubislava 1907 &gt;&gt;<\/a><\/p>\n<p>The writer, journalist and politician Etbin Kristan (1867 \u2013 1953) was strongly connected with Slovenian theatre. He was a translator of dramatic texts, a theater critic, an actor and director, a member of the Drama Society, a lecturer at a drama school, an author of articles on drama and theater, and above all a playwright. His first plays <em>Loyalty<\/em> (1897) are still following <em>The will<\/em> (1902), <em>Ljubislav<\/em> (1906), <em>Kato Vrankovic<\/em> (1909), <em>Reigning<\/em> and <em>Self-ownership<\/em> (1910), <em>Factory<\/em> (1912), <em>First meeting<\/em> (1912), one-act plays <em>Success<\/em>, <em>Who&#039;s crazy?<\/em> and <em>Club resignation<\/em>, also published under the common title <em>From Pavlih&#039;s legacy<\/em> (1912). He also wrote plays in the USA <em>Bomb in the factory<\/em> (1915), <em>Revenge<\/em> (1926), <em>Master<\/em> (1937),\u00a0 <em>At the last hour<\/em> (1937\/38), <em>Mutual freedom<\/em> and <em>A rekindled memory<\/em> (1938), <em>Silk stockings<\/em> (1939), <em>On the birth chest<\/em> (1942) and <em>For a new world<\/em> (1949).<\/p>\n<p>As a socialist-oriented polemicist, he published an article in a special issue of the magazine Na\u0161i zapiski, dedicated to Pre\u0161eren and the Zaj\u010dev monument (1905). <em>Baptism near Savica<\/em>, in which he characterized Pre\u0161eren&#039;s poetry as a contradictory, artistically weak and intellectually unconvincing literary work:<\/p>\n<p><a href=\"https:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-VZMG3VW2\">Our notes &gt;&gt;<\/a><\/p>\n<p>His answer to <em>Baptism near Savica<\/em> he was not only essayistic. In the same period, he also wrote a dramatic text, which - like Pre\u0161eren - shows the period of Christianization of our ancestors and presents a mental contrast <em>A coffin<\/em>.<\/p>\n<p>The drama begins in an idyllic community that worships the gods according to the example of its ancestors and enjoys freedom and independence in accordance with the tradition and wisdom of its elders. It soon turns out that the Slovenians are under threat: Germans are gathering at the borders, and missionaries are already wandering around the country. Starost&#039;s daughter Ljubislava converts and becomes a Christian, while her chosen one Milorad remains faithful to the faith of his fathers even in a hopeless fight with the Germans. His heart burns for a more suitable companion, Vidimira, loyal to home and traditional gods. When Ljubislava is stabbed by her enraged Germanic admirer, the Slovenians heroically go into battle with stronger enemies.<\/p>\n<p>The premiere <em>Ljubislav<\/em> it was performed in Ljubljana&#039;s Provincial Theater on March 8, 1906, and the only rerun was two days later. Kristan&#039;s drama was directed by Lev Dragutinovi\u0107:<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-letak.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-28202\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-letak-222x300-1.jpg\" alt=\"\" width=\"222\" height=\"300\" \/><\/a><\/p>\n<p>Christian&#039;s <em>Ljubislavo <\/em>were also staged in 1961 at the Primorska Drama Theater in Nova Gorica.<\/p>\n<p>Fran Govekar, as the editor of Slovan and a defender of the &quot;people&#039;s education&quot; dramatic trend, reviews the theatrical events in the 1905\/06 season - in thinking about the staging <em>Ljubislav<\/em> \u2013 attacked Cankar and his drama. In the following, he also pardoned Etbin Kristan, who, in his opinion, fell prey to snobs as a playwright, and his drama about the violent Christianization of the Slavs was only repeated once (Slovan IV. 1905\/06, no. 5, pp. 158-159). <em>Ljubislav<\/em> or Govekar&#039;s uncritical self-praise are the reason for the famous controversy and the creation of the term <a href=\"https:\/\/www.slogi.si\/en\/publications\/martin_krpan_1905\/\"><em>Krpan&#039;s mare.<\/em><\/a><\/p>\n<p>Na Govekar&#039;s article is in the magazine <em>Our notes<\/em> first Etbin Kristan reacted, and then Cankar came forward with texts in the same magazine <em>Krpan&#039;s mare<\/em> and <em>Govekar and Govekars<\/em>. Both records were also published in a book edition a year later (<em>Krpan&#039;s mare<\/em>, Ljubljana, 1907).<\/p>\n<p><em>Ljubislavo<\/em> therefore, we classify it as one of the literary works inspired by Pre\u0161eren&#039;s famous verse text. Marko Juvan, writer of the most extensive analysis <em>A coffin<\/em> as a national myth and literary responses to it (<em>The Imaginary of Baptism in Slovenian Literature<\/em>, Ljubljana, 1990), thirty years ago he listed more than fifty elaborations of Pre\u0161eren&#039;s proposal (M. Juvan: <em>Literary &quot;myth&quot;, slovenliness and serious parody<\/em>. Q: See newspaper PDG Nova Gorica 1993\/94, no. 4, p. 8-15).<\/p>\n<p>Theater proposals inspired by Pre\u0161ernov <em>Baptism<\/em>, can be divided into dramatizations and original dramatic works; there is no strict dividing line between the two groups. The oldest dramatization is by Penn or Levstikov. It was published in the first booklet of the Slovenska Talija collection (J. Nolly: <em>A handy book for the viewing dilettante<\/em>, Ljubljana, 1868):<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Levstik-1868-1.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-28206\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Levstik-1868-1-216x300-1.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/a> <a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Levstik-1868-2.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-28208\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Levstik-1868-2-216x300-1.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/a><\/p>\n<p>At the end of the nineteenth century, a dramatization by Engelbert Gangle (1899) was staged at the State Theater in Ljubljana, and in recent times, Pre\u0161eren&#039;s epic has been dramatized and directed by Tone Per\u0161ak (PDG Nova Gorica, 1973), Alenka Pirjevec (GLEJ and LG Ljubljana, 2008), Andreja Kova\u010d (LB Maribor, 2010) and Katja Pegan (Koper Theatre, as part of the National Day celebrations, Portoro\u017e Auditorium, 2021).<\/p>\n<p>Among the dramatic works whose content is only related to the subject of Baptism in Savica, the first is by Jur\u010di\u010dev and Levstikov <em>Tugometer<\/em> (1876).<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Tugomer-Jurcic_page-0001-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-28210\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Tugomer-Jurcic_page-0001-1-208x300-1.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p>\n<p>More inclined to conversion to Christianity than Kristan v <em>Ljubislav <\/em>are Zorko Sim\u010di\u010d (<em>Baptism near Savica<\/em>, 1953) and Metod Turn\u0161ek (<em>Baptism of Carantan princes<\/em>, 1968). Smoletov was the most appreciated, the best evaluated and the most performed <em>Baptism near Savica<\/em> (1969), which, with its nihilism and skepticism, came closer to Kristan, even though in all respects they are completely different dramas, which, in addition to everything else, are also separated by a great temporal or cultural distance.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2023\/03\/Ljubislava-Krst-pri-Savici-Smole_page-0001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-28212\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Ljubislava-Krst-pri-Savici-Smole_page-0001-212x300-1.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/a><\/p>\n<p>Finally, let&#039;s mention one more <em>the retro-guard event Krst pod Triglav<\/em> (Cankarjev dom in Ljubljana, 1986) Theaters of the Scipion Nasica sisters, who had a far-reaching influence on the Slovenian theater scene.<\/p>","protected":false},"excerpt":{"rendered":"<p>Etbin Kristan<\/p>","protected":false},"author":3,"featured_media":4431,"template":"","categories":[9],"tags":[21,22],"avtor":[],"izpostavljamo":[],"letnik":[],"naslov":[179],"prevajalec":[],"zbirka":[],"class_list":["post-872","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","tag-dramatika","tag-dramsko-gledalisce","naslov-ljubislava-1906"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Etbin Kristan: Ljubislava (1906) - SLOGI<\/title>\n<meta name=\"description\" content=\"V arhivu Dramati\u010dnega dru\u0161tva je ohranjen zvezek z integralnim rokopisom Kristanovega besedila (24 x 19,5 cm, 190 str.) in posamezne rokopisne vloge. 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The folder also included the manuscript of the beginning of Act IV, which was later included in the book edition as part of Act V. Act V begins in the book edition with the introductory verses of Act IV of the manuscript.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1906-2-2\/","og_locale":"en_GB","og_type":"article","og_title":"Etbin Kristan: Ljubislava (1906) - SLOGI","og_description":"V arhivu Dramati\u010dnega dru\u0161tva je ohranjen zvezek z integralnim rokopisom Kristanovega besedila (24 x 19,5 cm, 190 str.) in posamezne rokopisne vloge. V mapo je bil prilo\u017een tudi rokopis za\u010detka IV. dejanja, ki je bil pozneje vklju\u010den v knji\u017eno izdajo kot del V. dejanja. V. dejanje se v knji\u017eni izdaji za\u010denja z uvodnimi verzi IV. dejanja rokopisa.","og_url":"https:\/\/www.slogi.si\/en\/publications\/ljubislava-1906-2-2\/","og_site_name":"SLOGI","article_modified_time":"2025-05-06T11:27:11+00:00","og_image":[{"width":1090,"height":1392,"url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1906_naslovka.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1906-2-2\/","url":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1906-2-2\/","name":"Etbin Kristan: Ljubislava (1906) - SLOGI","isPartOf":{"@id":"https:\/\/www.slogi.si\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1906-2-2\/#primaryimage"},"image":{"@id":"https:\/\/www.slogi.si\/publikacije\/ljubislava-1906-2-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/LJUBISLAVA-1906_naslovka.jpg","datePublished":"2023-03-15T11:28:06+00:00","dateModified":"2025-05-06T11:27:11+00:00","description":"The archive of the Dramatic Society preserves a volume with the integral manuscript of Kristan&#039;s text (24 x 19.5 cm, 190 pages) and individual manuscript roles. The folder also included the manuscript of the beginning of Act IV, which was later included in the book edition as part of Act V. 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