{"id":813,"date":"2021-12-21T12:53:25","date_gmt":"2021-12-21T11:53:25","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-9-2\/"},"modified":"2026-01-15T12:25:32","modified_gmt":"2026-01-15T11:25:32","slug":"amfiteater-9-2","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-9-2\/","title":{"rendered":"Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 2"},"content":{"rendered":"<p>Druga \u0161tevilka devetega letnika prina\u0161a obse\u017een tematski blok o senzorialnem gledali\u0161\u010du, ki sta ga uredila dr. Toma\u017e Topori\u0161i\u010d in Barbara Pia Jeni\u010d. Dopolnjujejo ga tri aktualne razprave o slovenskem in mednarodnem gledali\u0161kem dogajanju ter recenzija <em>Rapsodije za gledali\u0161\u010de<\/em> francoskega filozofa Alaina Badiouja.<\/p>\n<p>Cilj \u0161tevilke je predstaviti eseje uglednih znanstvenikov in umetnikov s podro\u010dij uprizoritvenih ved, antropologije, filozofije in psihologije umetnosti ter senzorialnih gledali\u0161kih praks. Znanstveniki in umetniki v razpravah in esejih sku\u0161ajo opredeliti, kako senzorialna metoda s poudarkom na vonju aktivira proces samopreiskovanja s pomo\u010djo razpiranja podob, spominov in asociacij. Kako izgrajuje specifi\u010dno samorefleksijo in samozavedanje. Kako uprizoritvene in vizualne umetnosti uporabljajo vonjave; kak\u0161en je prispevek senzori\u010dne revolucije k prihodnosti umetnosti in kulture, lokalno in globalno. V \u0161tevilki so zbrani prispevki, ki obravnavajo specifi\u010dne uprizoritvene prakse (Barbara Orel, Barbara Pia Jeni\u010d, Toma\u017e Topori\u0161i\u010d), uprizoritveno umetnost in uprizarjanje v senzori\u010dni kulturi (Enrique Vargas, Igor Areh), ter se ukvarjajo s senzorialnim kot mo\u017enim orodjem za socialno mediacijo in povezovanje razli\u010dnih dru\u017ebenih skupin (Caro Verbeek, Peter de Cupere, Simon Hajdini, David Howes in Rajko Mur\u0161i\u010d). Kot taka je sti\u010di\u0161\u010de razli\u010dnih perspektiv, razli\u010dnih pogledov, za katere menimo, da odpirajo nove poglede na pojave vonja v vsakdanjem \u017eivljenju, teoriji in izvajalskih praksah.<\/p>\n<p>Tematski blok dopolnjuje razprava Milene Mileve Bla\u017ei\u010d o lutkovni igri <em>Jur\u010dek in trije razbojniki<\/em> Alenke Gerlovi\u010d, ki jo prav to besedilo posavlja ob bok avtorjem, ki so se v svojih delih kriti\u010dno odzvali na nacizem in fa\u0161izem v 2. svetovni vojni. Petra Pogorevc razpravlja o okoli\u0161\u010dinah nastanka drame <em>Inflamation du verbe vivre<\/em> izredno aktualnega dramatika Wajdija Mouawada ter ugotavlja, kako je njegovo lastno \u017ealovanje ob izgubi prijatelja oblikovalo zgodbo mitolo\u0161kih junakov Filokteta in Odiseja. Tretja razprava je pregled koncepta skupnosti v eksperimentalnih in institucionalnih slovenskih gledali\u0161\u010dih med letoma 1955 in 1967 izpod peresa Primo\u017ea Jesenka.<\/p>\n<p>Zala Dobov\u0161ek je brala <em>Rapsodijo za gledali\u0161\u010de<\/em> Alaina Badiouja in ugotovila, da \u00bbavtorjeva filozofija ne \u017eeli nadzirati ali prese\u010di gledali\u0161ke umetnosti ali se do nje v kakr\u0161nem koli smislu obna\u0161ati nadrejeno ali prek vzvi\u0161enega elitizma, prej obratno: iz gledali\u0161\u010da se napaja, se nato v lastnem diskurzu preizpra\u0161a in nato vrne v materializirano obliko \u2013 uprizoritev. In od tod se refleksija in z njo rapsodija lahko \u0161ele zares za\u010dneta. Izsledki bodo nekje v temelju vedno isti: gledali\u0161\u010de je ve\u010dno, a hkrati zapisano pozabi.\u00ab<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_kolofon.pdf\" target=\"_blank\" rel=\"noopener\">Colophon<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2022\/01\/Amfiteater_9_2_kazalo_contents_n.pdf\" target=\"_blank\" rel=\"noopener\">Index<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2022\/01\/Amfiteater_9_2_web_n.pdf\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amphitheater 9\/2<\/small><\/button><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_uvodnik.pdf\" target=\"_blank\" rel=\"noopener\"><em>Na sledi vonjav v vsakdanjem \u017eivljenju in onkraj njega<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_preface.pdf\" target=\"_blank\" rel=\"noopener\"><em>On the Scent Trail in and beyond Everyday Life<\/em><\/a><\/p>\n<h4>Discussions<br \/>\nSenzorialno gledali\u0161\u010de<\/h4>\n<h5>Enrique Vargas<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_01_Vargas_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Gledali\u0161\u010de \u010dutov: nagovora<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_01_Vargas_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Theater of the Senses: Introductory Words and a Short Conversation for the Symposium<\/em><\/a><\/p>\n<h5>David Howes<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_02_Howes_nnSI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Slede\u010d nosu: dozorele \u0161tudije o vonjavah<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_02_Howes_nEN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Nose-wise: Smell Studies Come of Age<\/em><\/a><\/p>\n<h5>Toma\u017e Topori\u0161i\u010d<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_03_Toporisic_nSI.pdf\" target=\"_blank\" rel=\"noopener\"><em>U<\/em><em>prizarjanje dotika in vonja: liminalnost \u010dutov<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_03_Toporisic_nEN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Performing Touch and Smell: The Liminality of the Senses<\/em><\/a><\/p>\n<h5>Simon Hajdini<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_04_Hajdini_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Imena na konici nosu<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_04_Hajdini_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Names at the Tip of the Nose<\/em><\/a><\/p>\n<h5>Peter de Cuperre<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_05_deCupere_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Complexity of Olfactory Art. The Use of Scent as Concept and Context in the Work of Art<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_05_deCupere_SI.pdf\" target=\"_blank\" rel=\"noopener\">Povzetek razprave<\/a><\/p>\n<h5>Barbara Orel<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_06_Orel_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Svet vonjav v slovenskih uprizoritvenih umetnostih<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_06_Orel_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The World of Odor in the Slovenian Performing Arts<\/em><\/a><\/p>\n<h5>Barbara Pia Jeni\u010d and Igor Areh<\/h5>\n<p><em><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_07_Areh_Jenic_EN.pdf\" target=\"_blank\" rel=\"noopener\">The Art of Immersion with Smell and Sensorial Theater Language<\/a><\/em><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_07_Areh_Jenic_SI.pdf\" target=\"_blank\" rel=\"noopener\">Povzetek razprave<\/a><\/p>\n<h5>Caro Verbeek<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_08_Verbeek_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>On the \u201cOdoresque\u201d and \u201cAero-Perfumes\u201d: Smell Related Neologisms in Avant-garde and Contemporary Art and Scholarship<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_08_Verbeek_SI.pdf\" target=\"_blank\" rel=\"noopener\">Povzetek razprave<\/a><\/p>\n<h5>Rajko Mur\u0161ic<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_09_Mursic_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Med <\/em>aisth\u0113sis<em> and <\/em>colere<em>: senzori\u010dnost, vsakdanja improvizacija in etnografska resni\u010dnost<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_09_Mursic_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Between <\/em>Aisthesis<em> and <\/em>Cholera<em>: Sensoria, Everyday Improvisation and Ethnographic Reality<\/em><\/a><\/p>\n<h4>Discussions<\/h4>\n<h5>Milena Mileva Blazi\u0107<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_10_Blazic_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Subverzivna mladinska knji\u017eevnost \u2013 pravlji\u010dna igra Alenke Gerlovi\u010d <\/em>Jur\u010dek in trije razbojniki<em> (1944) v kontekstu<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_10_Blazic_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Subversive Children&#039;s Literature \u2013 a Puppet Play <\/em>Georgie and the Three Thieves<em> by Alenka Gerlovi\u010d in the Context<\/em><\/a><\/p>\n<h5>Petra Pogorevc<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_11_Pogorevc_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Rana in potovanje \u2013 Sofoklejev <\/em>Filoktet<em> in Homerjeva <\/em>Odiseja<em> v drami in uprizoritvi <\/em>Inflammation of the verb to live<em> (Vnetje glagola \u017eiveti) Wajdija Mouawada<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_11_Pogorevc_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Wound and Travel \u2013 Sophocles&#039;s <\/em>Philoctetes<em> and Homer&#039;s <\/em>Odyssey<em> and <\/em>Inflammation of the verb to live<em> (Inflammation of the Verb to Live) by Wajdi Mouawad<\/em><\/a><\/p>\n<h5>Primo\u017e Jesenko<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_12_Jesenko_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Hibernation Works for Bears but not for Theatre: The Notion of Community among Theater Institutions and Experimental Theater Groups in Slovenia (1955\u20131967)<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Raz_12_Jesenko_SI.pdf\" target=\"_blank\" rel=\"noopener\">Povzetek razprave<\/a><\/p>\n<h4>Reviews<\/h4>\n<h5>Zala Dobov\u0161ek<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_Rec_01_Dobovsek_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Eternal, but forget what is written<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/12\/Amfiteater_9_2_NavodilaZaAvtorje.pdf\" target=\"_blank\" rel=\"noopener\">Navodila za avtorje<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Editor-in-chief:<\/strong> Assoc. Prof. Dr. Ga\u0161per Troha (University of Ljubljana)<\/p>\n<p><strong>Editorial Board:<\/strong> Dr. Zala Dobov\u0161ek (University of Ljubljana), Mag. Primo\u017e Jesenko (Slovenian Theatre Institute), Dr. Matic Kocijan\u010di\u010d (Slovenian Theatre Institute), Prof. Dr. Bojana Kunst (Justus-Liebig-Universit\u00e4t Gie\u00dfen, DE), Assoc. Prof. Dr. Bla\u017e Lukan (University of Ljubljana), Assoc. Prof. Dr. Aldo Milohni\u0107 (University of Ljubljana), Dr. Maja Murnik (Institute for New Media), Assoc. Prof. Dr. Barbara Orel (University of Ljubljana), Assoc. Prof. Dr. Mateja Pezdirc Bartol (University of Ljubljana), Dr. Maja \u0160orli (University of Ljubljana), Assoc. Prof. Dr. Toma\u017e Topori\u0161i\u010d (University of Ljubljana)<\/p>\n<p align=\"justify\"><strong>International Editorial Board:<\/strong> Mark Amerika, MFA (University of Colorado, US), Marin Bla\u017eevi\u0107, PhD, Assoc. Prof. (Sveu\u010dili\u0161te u Zagrebu, HR), Ramsay Burt, PhD (De Montfort University, GB), Joshua Edelman, PhD (Manchester Metropolitan University, GB), Jure Gantar, PhD (Dalhousie University, CA), Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107, PhD, Prof. (Univerzitet Singidunum, RS), Stephen Elliot Wilmer, Prof. (Trinity College Dublin, IE)<\/p>\n<p align=\"justify\"><strong>Co-Publisher:<\/strong> Slovenian Theatre Institute, (Mojca Jan Zoran, director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (Toma\u017e Guben\u0161ek, dean)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\">The journal Amfiteater was founded by the University of Ljubljana AGRFT. In 2015, the journal began publishing in co-publishing with SLOGI. It remains a university scientific journal, with two issues per year.<\/p>\n<h5>Arhivski posnetek predstavitve druge \u0161tevilke devetega letnika revije Amfiteater, 18. 1. 2022 na spletni platformi Zoom<\/h5>\n<p><iframe title=\"Amfiteater, revija za teorijo scenskih umetnosti, letnik 9, \u0161tevilka 2, predstavitev\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Q01MFHCs8bs?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Druga \u0161tevilka devetega letnika prina\u0161a obse\u017een tematski blok o senzorialnem gledali\u0161\u010du, ki sta ga uredila dr. Toma\u017e Topori\u0161i\u010d in Barbara Pia Jeni\u010d. Dopolnjujejo ga tri aktualne razprave o slovenskem in mednarodnem gledali\u0161kem dogajanju ter recenzija Rapsodije za gledali\u0161\u010de francoskega filozofa Alaina Badiouja. Cilj \u0161tevilke je predstaviti eseje uglednih znanstvenikov in umetnikov s podro\u010dij uprizoritvenih ved, &#8230;<\/p>","protected":false},"author":1,"featured_media":4201,"template":"","categories":[7],"tags":[436],"avtor":[],"izpostavljamo":[],"letnik":[357],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-813","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","tag-amfiteater","letnik-357","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 2<\/title>\n<meta name=\"description\" content=\"Druga \u0161tevilka devetega letnika prina\u0161a obse\u017een tematski blok o senzorialnem gledali\u0161\u010du, ki sta ga uredila dr. Toma\u017e Topori\u0161i\u010d in Barbara Pia Jeni\u010d. Dopolnjujejo ga tri aktualne razprave o slovenskem in mednarodnem gledali\u0161kem dogajanju ter recenzija Rapsodije za gledali\u0161\u010de francoskega filozofa Alaina Badiouja.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-9-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 2\" \/>\n<meta property=\"og:description\" content=\"Druga \u0161tevilka devetega letnika prina\u0161a obse\u017een tematski blok o senzorialnem gledali\u0161\u010du, ki sta ga uredila dr. Toma\u017e Topori\u0161i\u010d in Barbara Pia Jeni\u010d. 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