{"id":768,"date":"2021-06-23T07:49:40","date_gmt":"2021-06-23T05:49:40","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-9-1\/"},"modified":"2024-06-18T08:57:46","modified_gmt":"2024-06-18T06:57:46","slug":"amfiteater-9-1","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-9-1\/","title":{"rendered":"Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 1"},"content":{"rendered":"<p>Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.<\/p>\n<p>The number was encouraged <strong>50th anniversary of the Glej Theatre<\/strong> in 2020, when an international scientific symposium on the topic was also held <em>The community works<\/em>. The discussions bring an analysis of Slovenian experimental theatres (Toma\u017e Topori\u0161i\u010d), Croatian theatre scene (Vi\u0161nja Ka\u010di\u0107 Rogo\u0161i\u0107). They further discuss the differences between creative and community theatre (Aldo Milohni\u0107) and between dramatic and non-dramatic texts (Ga\u0161per Troha). They are complemented by analyses of various contemporary examples of theatre collectives (Branko Jordan) and examples of theatre&#039;s intervention in the wider social community in Ghana (Promise Nyatepeh Nyatuame, and Akosua Abdalah), Mexico (Marina Pallar\u00e8s Elias) and the Czech Republic (Intelektrur\u00e1ln\u011b Collective).<\/p>\n<p>The discussions are complemented by two reviews. In the first, Eva Ku\u010dera \u0160mon presents the book Mala Kline <em>Theaters of potentiality<\/em>and in the second, Kaja Jurgele&#039;s book <em>Birgit Fritz InExActArt: August Boal&#039;s Autopoietic Theater<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_kolofon.pdf\" target=\"_blank\" rel=\"noopener\">Colophon<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/06\/Amfiteater_9_1_kazalo_contents.pdf\" target=\"_blank\" rel=\"noopener\">Index<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/06\/Amfiteater_9_1_uvodnik.pdf\" target=\"_blank\" rel=\"noopener\">Editorial<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_web.pdf\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amfiteater 9\/1<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Discussions<\/h4>\n<h5>Toma\u017e Topori\u0161i\u010d<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_01_Toporisic_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Collectives, Communities and Non-Hierarchical Modes of Creation from the 1970s till the 1990s<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_01_Toporisic_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Kolektivi, skupnosti in nehierarhi\u010dni na\u010dini ustvarjanja od sedemdesetih do devetdesetih let 20. stoletja<\/em><\/a><\/p>\n<h5>Vi\u0161nja Ka\u010di\u0107 Rogo\u0161i\u0107<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_02_Kacic_Rogosic_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Keeping the Promise of Community: Communal Efforts on the Contemporary Zagreb Non-Institutional Scene<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_02_Kacic_Rogosic_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dr\u017eati obljubo skupnosti: skupnostni napori na sodobni zagreb\u0161ki neinstitucionalni sceni<\/em><\/a><\/p>\n<h5>Aldo Milohni\u0107<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_03_Milohnic_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>O skupinskem in snovalnem ustvarjanju v slovenskem gledali\u0161\u010du<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_03_Milohnic_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>On Collective and Devised Creation in Slovenian Theatre<\/em><\/a><\/p>\n<h5>Ga\u0161per Troha<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_04_Troha_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Me sli\u0161i\u0161? Simone Semeni\u010d in vpra\u0161anje ne ve\u010d dramske pisave<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_04_Troha_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>can you hear me? by Simona Semeni\u010d and the question of no-longer-dramatic writing<\/em><\/a><\/p>\n<h5>Promise Nyatepeh Nyatuame, Akosua Abdallah<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_05_Nyatuame_Abdallah_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Youth Theatre and Community Empowerment in Ghana<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_05_Nyatuame_Abdallah_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Mladinsko gledali\u0161\u010de in opolnomo\u010denje skupnosti v Gani<\/em><\/a><\/p>\n<h5>Branko Jordan<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_06_Jordan_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Beton ltd.: A Case Study<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_06_Jordan_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Beton ltd.: \u0161tudija primera<\/em><\/a><\/p>\n<h5>Marina Pallar\u00e8s Elias<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_07_Pallares_Elias_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Theatre of Yes: Beauty as the Axis of Change for the Transformation of Communities Through Their Own Stories<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_07_Pallares_Elias_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Gledali\u0161\u010de DA-ja: lepota kot sredi\u0161\u010de sprememb za preobrazbo skupnosti prek njenih lastnih zgodb<\/em><\/a><\/p>\n<h5>The Intelektrur\u00e1ln\u011b Collective (Am\u00e1lie Bulandrov\u00e1, Anna Chrtkov\u00e1, Andrea Dudkov\u00e1)<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_08_The-Intelektruralne-Collective_EN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Prague is Not Czech: Artistic Project as a Public Service<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_RAZ_08_The-Intelektruralne-Collective_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Praga ni \u010ce\u0161ka: umetni\u0161ki projekt kot javna storitev<\/em><\/a><\/p>\n<h4>Reviews<\/h4>\n<h5>Eva Kucera \u0160mon<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_REC_01_Kucera_Smon.pdf\" target=\"_blank\" rel=\"noopener\"><em>Gledali\u0161\u010de potencialnosti in potencial njegove skupnosti<\/em><\/a><\/p>\n<h5>Kaja Jurgele<\/h5>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/07\/Amfiteater_9_1_REC_02_Jurgele.pdf\" target=\"_blank\" rel=\"noopener\"><em>Abstraktna umetnost kot vzvod dejanskih sprememb<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/06\/Amfiteater_9_1_navodila-za-avtorje.pdf\" target=\"_blank\" rel=\"noopener\">Navodila za avtorje<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2021\/06\/Amfiteater_9_1_vabilo-k-razpravam_call-for-papers.pdf\" target=\"_blank\" rel=\"noopener\">Call for Papers<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Editor-in-chief:<\/strong> Assoc. Prof. Dr. Ga\u0161per Troha (University of Ljubljana)<\/p>\n<p><strong>Editorial Board:<\/strong> dr. Zala Dobov\u0161ek (Univerza v Ljubljani), mag. Primo\u017e Jesenko (Slovenski gledali\u0161ki in\u0161titut), dr. Matic Kocijan\u010di\u010d (Slovenski gledali\u0161ki in\u0161titut), prof. dr. Bojana Kunst (Justus-Liebig-Universit\u00e4t Gie\u00dfen, DE), doc. dr. Bla\u017e Lukan (Univerza v Ljubljani), izr. prof. dr. Aldo Milohni\u0107 (Univerza v Ljubljani), dr. Maja Murnik (In\u0161titut za nove medije), red. prof. dr. Barbara Orel (Univerza v Ljubljani), red. prof. dr. Mateja Pezdirc Bartol (Univerza v Ljubljani), dr. Maja \u0160orli (Univerza v Ljubljani), izr. prof. dr. Toma\u017e Topori\u0161i\u010d (Univerza v Ljubljani)<\/p>\n<p align=\"justify\"><strong>International Editorial Board:<\/strong> Mark Amerika, MFA (University of Colorado, US), Marin Bla\u017eevi\u0107, PhD, Assoc. Prof. (Sveu\u010dili\u0161te u Zagrebu, HR), Ramsay Burt, PhD (De Montfort University, GB), Joshua Edelman, PhD (Manchester Metropolitan University, GB), Jure Gantar, PhD (Dalhousie University, CA), Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107, PhD, Prof. (Univerzitet Singidunum, RS), Stephen Elliot Wilmer, Prof. (Trinity College Dublin, IE)<\/p>\n<p align=\"justify\"><strong>Co-Publisher:<\/strong> Slovenian Theatre Institute, (Mojca Jan Zoran, director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (Toma\u017e Guben\u0161ek, dean)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\">The journal Amfiteater was founded by the University of Ljubljana AGRFT. In 2015, the journal began publishing in co-publishing with SLOGI. It remains a university scientific journal, with two issues per year.<\/p>","protected":false},"excerpt":{"rendered":"<p>Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja. \u0160tevilko je spodbudila 50-letnica &#8230;<\/p>","protected":false},"author":1,"featured_media":4116,"template":"","categories":[7],"tags":[436],"avtor":[],"izpostavljamo":[],"letnik":[357],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-768","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","tag-amfiteater","letnik-357","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1<\/title>\n<meta name=\"description\" content=\"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-9-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1\" \/>\n<meta property=\"og:description\" content=\"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-9-1\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-18T06:57:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/03\/Slogi-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1303\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/\",\"name\":\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Amfiteater-9_1naslovnica.jpg\",\"datePublished\":\"2021-06-23T05:49:40+00:00\",\"dateModified\":\"2024-06-18T06:57:46+00:00\",\"description\":\"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Amfiteater-9_1naslovnica.jpg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Amfiteater-9_1naslovnica.jpg\",\"width\":300,\"height\":460},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-9-1\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.slogi.si\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"name\":\"SLOGI\",\"description\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\"},\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.slogi.si\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\",\"name\":\"SLOGI\",\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"width\":100,\"height\":100,\"caption\":\"SLOGI\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 1","description":"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.slogi.si\/en\/publications\/amfiteater-9-1\/","og_locale":"en_GB","og_type":"article","og_title":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1","og_description":"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.","og_url":"https:\/\/www.slogi.si\/en\/publications\/amfiteater-9-1\/","og_site_name":"SLOGI","article_modified_time":"2024-06-18T06:57:46+00:00","og_image":[{"width":1920,"height":1303,"url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/03\/Slogi-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/","url":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/","name":"Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 1","isPartOf":{"@id":"https:\/\/www.slogi.si\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/#primaryimage"},"image":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/#primaryimage"},"thumbnailUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-9_1naslovnica.jpg","datePublished":"2021-06-23T05:49:40+00:00","dateModified":"2024-06-18T06:57:46+00:00","description":"Prva \u0161tevilka devetega letnika je posve\u010dena temi skupnosti v gledali\u0161\u010du. Kako gledali\u0161\u010de oblikuje skupnost? Ima na \u0161ir\u0161o dru\u017ebo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vpra\u0161anja, ki se jih lotevajo doma\u010di in tuji avtorji ob analizi primerov iz gledali\u0161ke zgodovine 20. in 21. stoletja.","breadcrumb":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/#primaryimage","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-9_1naslovnica.jpg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-9_1naslovnica.jpg","width":300,"height":460},{"@type":"BreadcrumbList","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-9-1\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.slogi.si\/"},{"@type":"ListItem","position":2,"name":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 9, \u0160tevilka 1"}]},{"@type":"WebSite","@id":"https:\/\/www.slogi.si\/#website","url":"https:\/\/www.slogi.si\/","name":"SLOGI","description":"Slovenian Theatre Institute","publisher":{"@id":"https:\/\/www.slogi.si\/#organization"},"alternateName":"Slovenski Gledali\u0161ki In\u0161titut","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.slogi.si\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.slogi.si\/#organization","name":"SLOGI","alternateName":"Slovenski Gledali\u0161ki In\u0161titut","url":"https:\/\/www.slogi.si\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","width":100,"height":100,"caption":"SLOGI"},"image":{"@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija\/768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija"}],"about":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/types\/publikacija"}],"author":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media\/4116"}],"wp:attachment":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media?parent=768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/categories?post=768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/tags?post=768"},{"taxonomy":"avtor","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/avtor?post=768"},{"taxonomy":"izpostavljamo","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/izpostavljamo?post=768"},{"taxonomy":"letnik","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/letnik?post=768"},{"taxonomy":"naslov","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/naslov?post=768"},{"taxonomy":"prevajalec","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/prevajalec?post=768"},{"taxonomy":"zbirka","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/zbirka?post=768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}