{"id":696,"date":"2020-07-03T10:46:42","date_gmt":"2020-07-03T08:46:42","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/krpan_mlajsi_1925\/"},"modified":"2025-05-06T13:21:40","modified_gmt":"2025-05-06T11:21:40","slug":"krpan_mlajsi_1925","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/krpan_mlajsi_1925\/","title":{"rendered":"Krpan the Younger (1925)"},"content":{"rendered":"

 <\/p>\n

COMEDY<\/p>\n

Podnaslov: Vesela historija v \u0161tirih dejanjih<\/p>\n

NUMBER OF PERSONS<\/strong>: 13 (3\u017e 10m) in Kosobrinovi vojaki ter dunajski me\u0161\u010dani<\/p>\n

KRAJ DOGAJANJA:<\/strong> V \u0161tirih dejanjih se zamenjajo zelo podobna prizori\u0161\u010da kot v Govekarjevi dramatizaciji Martina Krpana<\/em>, le v druga\u010dnem vrstnem redu.<\/p>\n

\u010cAS DOGAJANJA: <\/strong>Razmerja med fiktivnimi in realnimi zgodovinskimi okoli\u0161\u010dinami so te\u017eko dolo\u010dljiva. Martin\u010de je Krpanov vnuk, na Dunaju vlada cesar, Turki pa so \u0161e vedno gro\u017enja za cesarsko mesto.<\/p>\n

<\/a>SOURCE: <\/strong>Besedilo je bilo prvi\u010d natisnjeno \u0161ele leta 1959 v prvi antologiji slovenske mladinske dramatike (Otro\u0161ke in mladinske igre<\/em>). Urednik antologije, Lojze Filipi\u010d, kot predlogo navaja rokopis, \u00bbki ga hrani arhiv Drame SNG v Ljubljani\u00ab. Verjetno je imel v mislih enega izmed treh ohranjenih tipkopisov. Starej\u0161i arhiv ljubljanske Drame je danes del fonda knji\u017enice SLOGI.<\/p>\n

\"\"<\/a><\/p>\n

UPRIZARJANJE: <\/strong>V ljubljanski Drami je bila igra prvi\u010d uprizorjena 4. novembra 1925. Komedijo je re\u017eiral Osip \u0160est. V re\u017eijski knjigi, ki se je ohranila, je narisana tudi skica prizori\u0161\u010da:<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Kot Martin\u010de je nastopil Ivan Cesar, ob njem pa \u0161e Vera Danilova-Balatka, Mira Danilova, Zvonimir Rogoz in mnogi drugi:<\/p>\n

\"\"<\/a><\/p>\n

Mil\u010dinski, ki s svojimi dramskimi besedili v mladih letih ni prepri\u010dal publike, je z zrelimi deli kon\u010dno uspel ve\u010dkrat napolniti dvorano. Nadpovpre\u010dno \u0161tevilo ponovitev je dosegel \u017ee s pravlji\u010dnima igrama Mighty Ring<\/em> and A cheerful game about a sad princess <\/em>(oboje 1923) in tudi komedija Krpan the younger<\/em>, ki jo je z navdu\u0161enjem sprejela \u017ee premierska publika, je do\u017eivela deset ponovitev, kar je bila za tisti \u010das lepa \u0161tevilka. Publika je obiskovala ponovitve kljub brez izjeme poraznim kritikam, ki so bolj kot predlogo grajale slabo pripravljeno uprizoritev (ocene so objavili France Koblar v Slovencu<\/em>, Milutin Zarnik v To the Slovenian nation<\/em> in Fran Albreht v reviji The Ljubljana Bell<\/em>).<\/p>\n

Slaba dva meseca po premieri je v gl. listu ljubljanske Drame (1925\/26, \u0161t. 8) iz\u0161el avtorjev \u010dlanek z naslovom Vodilna misel v \u00bbKrpanu mlaj\u0161em\u00ab<\/em>. Besedilo ni bilo le reakcija na negativne kritike, ampak tudi na nesoglasja, ki jih je komedija povzro\u010dila med njim in dramaturgom Otonom \u017dupan\u010di\u010dem:<\/p>\n

\"\"<\/a><\/p>\n

<\/a>AUTHOR INFORMATION<\/strong><\/p>\n

Writer Fran Mil\u010dinski (1867 \u2013 1932)<\/strong> was a lawyer by profession, a prominent judge in Ljubljana before World War I, and in the Kingdom of Yugoslavia also a member of the highest court in the country, the Supreme Court in Zagreb, called the Table of Seven. He drew inspiration for his works from case law, both as a judge for juveniles and for Birds Without a Nest (1917)<\/em>This story was dramatized by Primo\u017e Kozak in 1975 at the Slovenian Youth Theatre.<\/p>\n

In addition to satirical stories and humorous stories, he also wrote fairy tales and youth stories. He began writing and publishing prose while still a student. He also became involved in the organization and management of Slovenian theater very early on. At the turn of the century (1899), he became a member of the Ljubljana theater management. During this period, he was also the secretary of the Dramatic Society. In accordance with his views on drama, he also began to write plays. His debut A short-term play about space for the Pre\u0161eren Monument<\/em> (1904) followed Brother Sokol<\/em> (2005), which was as much a comedy as it was Gypsies<\/em> (2006) staged at the Provincial Theatre in Ljubljana. In the following years he wrote more plays From the ninth land<\/em> (1908), Volkashin <\/em>(1913) and Where there is love, there is God<\/em> (1913), a dramatization of Tolstoy's story. After World War I he became a member of the Slovenian Theatre Consortium. In his later years he created two more plays for young people, Mighty Ring<\/em> and A cheerful game about a sad princess <\/em>(both 1923) and a satire with a hero from the famous Levstik story, which he subtitled Krpan the younger<\/em> (1925). Even today, Mil\u010dinski is still present on Slovenian stages, not with his comedies, but with dramatizations of stories about the Butalci. Pistons<\/em> are his most frequently performed work, although the author never intended them as stage texts. One of the dramatizations is also available in two versions on our website.<\/p>\n

Link to: Fran Mil\u010dinski, Ja\u0161a Jamnik Pistons<\/em><\/a><\/p>\n

Link to: Fran Mil\u010dinski, Ja\u0161a Jamnik Fools!!!<\/em><\/a><\/p>\n

On our website you can view an e-exhibition about Fran Mil\u010dinski and his drama. The author of the exhibition is Tea Rogelj.<\/p>\n

Link to e-exhibition<\/a>.<\/p>\n

VPRA\u0160ANJE CILJNE PUBLIKE<\/strong><\/p>\n

\u017de Frank Wollman, ki v svojem delu Slovenska dramatika<\/em> (1925) na\u010delno ne obravnava mladinskih iger, prikaz dramskega ustvarjanja Frana Mil\u010dinskega zaklju\u010di z napovedjo nove igre, Krpana mlaj\u0161ega<\/em>, ki naj bi jo uprizorili v sezoni 1925\/26. Mil\u010dinski je Krpana mlaj\u0161ega napisal za odraslo publiko, leta 1959 pa jo je Lojze Filipi\u010d uvrstil med izbrane otro\u0161ke in mladinske igre. V spremni besedi, kjer zavzema dramatika Frana Mil\u010dinskega osrednje mesto, je spregovoril tudi o dvojni naravi njegovih iger:<\/p>\n

Nalomljenost in neenotnost je v tem, da mu v dela za mladino in otroke vedno znova uhaja in vdira politi\u010dna in dru\u017ebena satira ter groteska. Oboje je du\u0161evnosti otroka in mladostnika tuje in nerazumljivo ali komaj razumljivo. Najmanj je teh elementov v Mogo\u010dnem prstanu<\/em>, veliko jih je v Krpanu mlaj\u0161em<\/em> (ostra groteskno-satiri\u010dna persifla\u017ea habsbur\u0161kega dvora in dr\u017eavne birokracije) in v dramatiziranem dovtipu Vesela zgodba o \u017ealostni princesinji\u2026do\u010dim je ostala njegova dela s pravlji\u010dnimi motivi nemogo\u010de pri\u0161teti med mladinska, ker so v njih ali prevladali sicer nepoliti\u010dni snovni motivi, ki pa mladostniku niso blizu (n. pr. Volkashin<\/em>) ali so ta dela v navidezne pravlji\u010dne igra skrite in preoble\u010dene politi\u010dne farse s konkretno in jasno politi\u010dno temo (n. pr. From the ninth land<\/em>). (Mil\u010dinski in gledali\u0161\u010de<\/em>, str. 341-342).<\/p>\n

V svoji monografiji Slovenska mladinska dramatika<\/em>, ki je iz\u0161la isto\u010dasno z antologijo mladinskih gledali\u0161kih besedil Ime mi je igra<\/em> (1998) Igor Saksida razlo\u017ei svoj izbor (v antologijo je vklju\u010dil A cheerful game about a sad princess<\/em>) in spregovori tudi o Krpanu mlaj\u0161em<\/em>:<\/p>\n

Dinamika razvoja gledali\u0161kih besedil F. Mil\u010dinskega torej ka\u017ee upadanje teznosti in nara\u0161\u010danje satiri\u010dnosti: tako se ob \u0161tiridejanki Krpan the younger<\/em> zastavlja vpra\u0161anje, ali sploh \u0161e spada v mladinsko dramatiko\u2026(Dramatika Frana Mil\u010dinskega, str. 137).<\/p>\n

Ta Saksidova trditev je odgovor na izbor njegovega predhodnika Lojzeta Filipi\u010da, urednika prve antologije, ki ga v nadaljevanju besedila tudi omenja in citira.<\/p>\n

<\/a>CONTENT<\/strong><\/p>\n

Krpanovega vnuka, ki je podedoval dedovo mo\u010d, pride nadlegovat \u017eupan Hla\u010da. Povod naj bi bila prepovedana trgovina s soljo, v resnici pa ga moti predvsem Martinova ljubezen do njegove varovanke Jerice. Martin\u010de se tako razjezi, da dvakrat kihne vanj in \u017eupan odleti iz prvega dejanja.<\/p>\n

Hla\u010da prileti naravnost na dunajski dvor, kjer si belijo glavo, kje bi na\u0161li junaka, ki bi se spopadel s poveljnikom sovra\u017ene vojske. Silni Kosobrin je zavzel \u017ee pol cesarstva in ogro\u017ea Dunaj. Cesar od \u017eupana zve za Martin\u010deta in po\u0161lje ponj. V tretjem dejanju se \u017eupan z Martinom \u0161e enkrat pojavi na dvoru, s seboj pa pripeljeta tudi Jerico, ker se Krpan no\u010de lo\u010diti od nje.<\/p>\n

Ko se Martin\u010de sre\u010da s Kosobrinom, mu ta razkrije svojo pravo identiteto: v resnici je vojvoda Juro, ki ga je cesar vrgel v je\u010do, cesarjeva h\u010derka Mara, ki je zaljubljena vanj, pa ga je na skrivaj re\u0161ila. Juro posku\u0161a Krpanu dopovedati, da ga bo cesar, potem ko bo premagal Kosobrina, prevaral in pozabil na vse svoje obljube. Martin\u010de mu ne verjame, vendar se vseeno da prepri\u010dati: ko Jura razglasijo za mrtvega, ho\u010de cesar Krpana zapreti, vendar vojvoda o\u017eivi in na hitro uprizori dr\u017eavni udar, zato cesar popusti in ju pomilosti. Oba para sta zdaj zdru\u017eena, \u017eupan pa bo na Krpanovo \u017eeljo ostal na Dunaju. Krpan in Juro z objemom potrdita svoje prijateljstvo, medtem ko jima ljudstvo vzhi\u010deno vzklika in ju pozdravlja.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Fran Milcinski<\/p>","protected":false},"author":3,"featured_media":3893,"template":"","categories":[9],"tags":[21,22],"avtor":[284],"izpostavljamo":[],"letnik":[266],"naslov":[137],"prevajalec":[],"zbirka":[],"class_list":["post-696","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","tag-dramatika","tag-dramsko-gledalisce","avtor-milcinski-fran","letnik-266","naslov-rokovnjaci-1899"],"acf":[],"yoast_head":"\nFran Mil\u010dinski: Krpan mlaj\u0161i (1925) - SLOGI<\/title>\n<meta name=\"description\" content=\"Krpanovega vnuka, ki je podedoval dedovo mo\u010d, pride nadlegovat \u017eupan Hla\u010da. Povod naj bi bila prepovedana trgovina s soljo, v resnici pa ga moti predvsem Martinova ljubezen do njegove varovanke Jerice ... 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Povod naj bi bila prepovedana trgovina s soljo, v resnici pa ga moti predvsem Martinova ljubezen do njegove varovanke Jerice ... 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