{"id":665,"date":"2020-02-04T14:53:39","date_gmt":"2020-02-04T13:53:39","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/rokovnjaci_1899\/"},"modified":"2025-05-10T20:40:22","modified_gmt":"2025-05-10T18:40:22","slug":"rokovnjaci_1899","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/rokovnjaci_1899\/","title":{"rendered":"The Gauntlets (1899)"},"content":{"rendered":"

DRAMA<\/strong> (narodna igra v petih dejanjih s petjem)<\/p>\n

NUMBER OF PERSONS<\/strong>: 32 (7\u017e 25m)<\/p>\n

PLACE AND TIME OF EVENT<\/strong>: \u00bbDejanje se vr\u0161i leta 1810 v Kamniku, v \u010crnem grabnu, na Kolovcu in v okolici.\u00ab<\/p>\n

Roman o rokovnja\u010dih, slovenskih razbojnikih iz 19. stoletja, ki ga je Fran Govekar uporabil kot predlogo za svojo dramatizacijo,\u00a0 je zasnoval Josip Jur\u010di\u010d<\/a>, ki je napisal tudi prvih 11 poglavij. Po njegovi smrti ga je dokon\u010dal Janko Kersnik<\/a>. Iz\u0161el je leta 1881 v The Ljubljana Bell<\/a><\/em>.<\/p>\n

<\/a>SOURCE<\/strong><\/p>\n

Prva izdaja Govekarjeve igre iz leta 1899 je dostopna na spletu (digitalna knji\u017enica Slovenije):<\/p>\n

\"\"<\/a><\/p>\n

Bila je drugo Govekarjevo delo, ki ga je izdal Andrej Gabr\u0161\u010dek. Njuno sodelovanje se je za\u010delo z zbirko kratkih zgodb Oh, these women!<\/em>, which was published in 1897 in the Salon Library collection. It was followed by four folk plays: Wrestlers<\/em> (1899, second edition 1904), Tenth brother<\/em> (1901), Legionnaires<\/em> (1904) and Martin Krpan <\/em>(1905). Gabr\u0161\u010dkova Gori\u0161ka tiskarna je izdala tudi Govekarjevo dramo Cramp<\/em> (1910). Igra Twilight<\/em> je ostala nenatisnjena.<\/p>\n

Na na\u0161i spletni strani objavljamo tretjo izdajo, ki se precej razlikuje od prvih dveh (Ljubljana, 1928).<\/p>\n

V arhivu Dramati\u010dnega dru\u0161tva so ohranjeni tudi posamezni rokopisi, ki so jih uporabljali igralci za \u0161tudij. Med njimi je \u00a0tudi zvezek z vlogo Bla\u017ea Mozola, ki ga je uporabljal Anton Verov\u0161ek.<\/p>\n

\"\"<\/a><\/p>\n

<\/a>PERFORMANCE INFORMATION<\/strong><\/p>\n

Govekar's Wrestlers<\/em> so bili velika gledali\u0161ka uspe\u0161nica, ki so jo znova in znova uprizarjali.<\/p>\n

Premiera prve uprizoritve je bila 7. februarja 1899 v re\u017eiji Rudolfa Inemanna, ki je odigral glavnega junaka Nandeta.<\/p>\n

\"\"<\/a><\/p>\n

V na\u0161ih zbirkah se je ohranil tudi letak, ki je vabil publiko na predstavo leto dni po premieri, 20. februarja 1900. V glavni vlogi je nastopil Ignacij Bor\u0161nik kot gost iz Zagreba:<\/p>\n

\"\"<\/a><\/p>\n

Anton Verov\u0161ek, ki je v Wrestling<\/em> skoraj petnajst let nastopal v komi\u010dni vlogi pijan\u010dka Mozola, je po Inemannovemu odhodu v Prago re\u017eiral novo postavitev. Premiera je bila 22. novembra 1900, novo zasedbo pa lahko preberemo na letaku za predstavo 26. decembra 1900. Nande je bil tokrat spet \u010de\u0161ki igralec, Rudolf Deyl.<\/p>\n

\"\"<\/a><\/p>\n

Uprizoritev je \u017eivela neprekinjeno do Verov\u0161kove smrti. Menjali so se le posamezni igralci. \u010cez nekaj let je junaka Nandeta upodobil Hinko Nu\u010di\u010d.<\/p>\n

\"\"<\/a><\/p>\n

1905 so Wristbands <\/em>uprizorili tudi v Trstu. Re\u017eiral jih je Jaka \u0160toka. Prva mariborska uprizoritev je bila pet let pozneje (9. oktober 1910). Nekaj mesecev pred prvo svetovno vojno je novo ljubljansko postavitev re\u017eiral Josip Povhe. Premiera je bila 1. marca 1914, namesto obolelega Antona Verov\u0161ka, ki je \u010dez nekaj mesecev umrl, je v vlogi Bla\u017ea Mozola nastopil gost Rafko Salmi\u010d, celjski interpret Verov\u0161kovih vlog v Govekarjevih ljudskih igrah (poleg Bla\u017ea Mozola je igral tudi Krjavlja, Martina Krpana in Bo\u0161tjana Je\u017ea).<\/p>\n

\"\"<\/a><\/p>\n

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Ko se je vojna kon\u010dala, so Govekarjevi Wrestlers <\/em>nadaljevali svoj pohod po slovenskih odrih. V poklicnih gledali\u0161\u010dih so jih uprizarjali \u0161e pet desetletij po nastanku, na ljubiteljskih odrih pa jih ob\u010dasno \u0161e vedno igrajo.<\/p>\n

V arhivu Dramati\u010dnega dru\u0161tva so ohranjene tudi note skladatelja Viktorja Parme:<\/p>\n

\"\"<\/a><\/p>\n

ROKOVNJA\u010cI, STRAH KRANJSKE DE\u017dELE<\/strong><\/p>\n

Prvi, ki je literarno obdelal zgodbe o slovenskih rokovnja\u010dih, je bil francoski pesnik Charles Nodier. Po prihodu v Ljubljano (1812) je napisal roman Jean Sbogar<\/em>, ki je iz\u0161el v Parizu 1818, v sloven\u0161\u010dino pa je bil preveden ve\u010d kot sto let pozneje in je iz\u0161el pod naslovom Janez \u017dbogar<\/em> (1932). Novinar in pisatelj Jakob Ale\u0161ovec je v \u0161estdesetih letih napisal nem\u0161ko igro o rokovnja\u010du Dime\u017eu, v sloven\u0161\u010dini pa so jo prvi\u010d uprizorili 11. maja 1873.<\/p>\n

\"\"<\/a><\/p>\n

Dime\u017ea, strah kranjske de\u017eele<\/em> so igrali tudi skupaj s predigro Zapu\u0161\u010dena stra\u017ea<\/em>, ki je prikazovala poglavje iz \u017eivljenja slavnega rokovnja\u010da, zaklju\u010dili pa so jo s prizorom Ope\u010dnica pri Trzini<\/em>, igro o razbojnikovem zadnjem podvigu, v katerem je izgubil \u017eivljenje.<\/p>\n

\"\"<\/a><\/p>\n

Dime\u017e je bil vzdevek Franca Sicherla oziroma Ziherla (1827-1862), poleg Gregorja Hrastarja, Franca Guzeja in Egidija Nagli\u010da nedvomno enega najslavnej\u0161ih rokovnja\u010dev. V letih, ko je po Ale\u0161ov\u010devi zaslugi zavzel ljubljanske odrske deske, je Jur\u010di\u010d snoval roman o zgodnej\u0161emu rokovnja\u0161kemu obdobju, povezanemu s francosko okupacijo in voja\u0161kimi ube\u017eniki, ki so se skrivali po gozdovih in \u017eiveli od naropanega premo\u017eenja. Zgodba o plemenitemu rokovnja\u010du Ferdinandu \u017eanrsko sodi v \u00bbrazbojni\u0161ko romantiko\u00ab (R\u00e4uberromantik), ki je dobila ime po znameniti Schillerjevi drami Bandits<\/em>. Tudi ti so bili v sloven\u0161\u010dini prvi\u010d na odru v \u010dasu uprizarjanja Ale\u0161ov\u010devega Dime\u017ea<\/em> in nastajanja Jur\u010di\u010devega romana. Prvo slovensko uprizoritev Bandits <\/em>je pripravil Josip Nolli leta 1975.<\/p>\n

Dobri rokovnja\u010d Janez, ki – tako kot Nodierjev Jean \u2013 jemlje bogatim in daje revnim, je navdihnil tudi igralca Antona Cerarja Danila, ki je nastopal v Govekarjevih Wrestling<\/em>. Danilo v svoji knjigi o Dime\u017eu, ki jo je izdal \u017ee v starosti, med drugo svetovno vojno, opisuje, kako je po Ale\u0161ov\u010devih napotkih iskal njegov izgubljeni rokopis.<\/p>\n

\"\"<\/a><\/p>\n

Iskanje Ale\u0161ov\u010deve igre je bilo neuspe\u0161no, tako da je Danilo na koncu sam napisal igro Dime\u017e \u2013 strah kranjske de\u017eele<\/em>, ki je bila leta 1911 tudi natisnjena.<\/p>\n

\"\"<\/a><\/p>\n

Rokovnja\u0161ka tematika se je pojavljala v literaturi tudi po prvi svetovni vojni, zadnja dramatizacija Mihe Nemca in Nejca Valentija pa je bila uprizorjena v sezoni 2012\/13 v SNG Nova Gorica.<\/p>\n

<\/a>AUTHOR INFORMATION<\/strong><\/p>\n

Writer, editor and translator Fran Govekar (1871 \u2013 1949) after completing his studies in Vienna, worked as a publicist and later as a magistral clerk. He also lived to see his retirement from the City Hall in 1931 as a senior magistral councilor. Throughout all periods of his writing and professional career, he was intensely devoted to the theatre: he wrote plays, translated drama texts, was secretary of the Dramatic Society and the Ljubljana Theatre, intendant and theatre director. After the First World War, he was a co-founder and member of the board of directors of the Slovenian Theatre Consortium.<\/p>\n

Govekar began publishing short stories during his student years, influenced by naturalistic literary models. The pinnacle of his prose work is the novel In the blood<\/em> (1896). At the same time, his theatrical plays were also being created, which he designed with more traditional approaches; in addition to "public education" spectacles with singing, he also wrote dramas Cramp<\/em> and Twilight<\/em>.<\/p>\n

ANTON VEROV\u0160EK \u2013 THE HERO OF GOVEKAR'S FOLK GAMES<\/strong><\/p>\n

The success of Govekar's dramatizations is closely linked to the humorous performances of Anton Verov\u0161ek, who in his plays played out the various registers of the simple Slovenian man, laughing, crying and loudly singing melodies. The famous interpreter of Govekar's folk heroes is in Wrestling<\/em> portrayed the drunken farmer Bla\u017e Mozol, in To the tenth brother<\/em> the village specialty Krjavlje, in Legionnaires<\/em>\u00a0 tailor Bo\u0161tjan Je\u017e and finally the heroic Martin Krpan in the stage production of Levstik's story of the same name.<\/p>\n

<\/a>CONTENT<\/strong><\/p>\n

Na glavnem trgu v Kamniku konjski me\u0161etar Oblo\u0161ki Ton\u010dek re\u0161i svojega tovari\u0161a, rokovnja\u010da Toma\u017ea Velikonjo, ki so ga ujeli zaradi tatvine in je bil izpostavljen ljudskemu sramotenju. Z razglasom so obljubili denarne nagrade za informacije o rokovnja\u010dih, ti pa se zbirajo v bli\u017enji gostilni in razpravljajo o poslu in dekletih. Nande oziroma Ferdinand Basaj, rokovnja\u0161ki poveljnik, je zaljubljen v mlado Polonico. Ko ga njen stric Bla\u017e Mozol izda, Basajev brat spozna, da je Ferdinand \u0161e \u017eiv, \u010deprav ga je dru\u017eina imela za mrtvega. Pri rokovnja\u010dih se je zna\u0161el zaradi biv\u0161ega avstrijskega \u010dasnika Brnja\u010da: Basaju je podtaknil krajo in mu prevzel nevesto Lavro, ki je od vsega hudega umrla. Brnja\u010d je prestopil k Francozom in prevzel priimek Vernazz. Zdaj je tajnik mar\u0161ala Marmonta in zaupana mu je premestitev francoske blagajne. Na poti ga napadejo rokovnja\u010di in \u0161e preden ga vr\u017eejo v prepad, se mu Basaj razkrije. V zadnjem dejanju, se Nande, ki ima za petami zasledovalce, zate\u010de k Polonici. Skupaj na\u010drtujeta pobeg in po\u0161teno \u017eivljenje v prihodnosti. Medtem ko se Polonica obotavlja z odhodom, prihitijo vojaki in pred Poloni\u010dino hi\u0161o ustrelijo be\u017ee\u010dega Nandeta.<\/p>","protected":false},"excerpt":{"rendered":"

Fran Govekar<\/p>","protected":false},"author":3,"featured_media":3697,"template":"","categories":[9],"tags":[21,22],"avtor":[310],"izpostavljamo":[],"letnik":[348],"naslov":[137],"prevajalec":[],"zbirka":[],"class_list":["post-665","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","tag-dramatika","tag-dramsko-gledalisce","avtor-govekar-fran","letnik-348","naslov-rokovnjaci-1899"],"acf":[],"yoast_head":"\nFran Govekar: Rokovnja\u010di (1899) - SLOGI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/rokovnjaci_1899\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fran Govekar: Rokovnja\u010di (1899) - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Fran Govekar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/rokovnjaci_1899\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-10T18:40:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/ROKOVNJACI-naslovnica.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"714\" \/>\n\t<meta property=\"og:image:height\" content=\"1039\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/rokovnjaci_1899\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/rokovnjaci_1899\\\/\",\"name\":\"Fran Govekar: Rokovnja\u010di (1899) - 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