{"id":658,"date":"2019-12-19T12:57:28","date_gmt":"2019-12-19T11:57:28","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-7-2\/"},"modified":"2024-01-20T14:08:03","modified_gmt":"2024-01-20T13:08:03","slug":"amfiteater-7-2","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-7-2\/","title":{"rendered":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 7, \u0160tevilka 2"},"content":{"rendered":"<p align=\"justify\">Druga \u0161tevilka sedmega letnika je v celoti posve\u010dena delu Simone Semeni\u010d. Obsega \u0161est razprav avtoric_jev: Mateje Pezdirc Bartol, Mie Ho\u010devar, Eve Pori, Ivane Zajc, Kri\u0161tofa Jaceka Kozaka in Maje Murnik, ter eseja Kristine Hagstr\u00f6m-St\u00e5hl ter Ljudmila Dimitrova o uprizoritvah<em> 5boys.si<\/em> in Sweden and Bulgaria. The thematic block is complemented by an essay by Kim Komljanec on the conditions for staging Slovenian drama abroad and in Slovenia, and a book review by Rok Vevar <em>Day, Night + Man = Rhythm: An Anthology of Slovenian Contemporary Dance Journalism 1918\u20131960<\/em> and Ana Kocjan\u010di\u010d <em>Space within Space: Scenography in Slovenia from the 17th Century to 1991<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_kolofon.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Colophon<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_kazalo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Index<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_uvodnik.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Editorial<\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_web.pdf\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amfiteater 7\/2<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 align=\"justify\">Articles<\/h4>\n<h5 align=\"justify\">Mateja Pezdirc Bartol:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_01_Pezdirc-Bartol_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Zofka Kveder in Simona Semeni\u010d: pisati dramatiko in pre\u017eiveti s svojim peresom neko\u010d in danes <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_01_Pezdirc-Bartol_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Zofka Kveder and Simona Semeni\u010d: Playwriting and Earning a Living as a Writer in the Past and Today<\/em><\/a><\/p>\n<h5 align=\"justify\">Mia Ho\u010devar:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_02_Hocevar_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Motiv \u017ertve v dramah Simone Semeni\u010d: tipologija \u017ertev <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_02_Hocevar_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Victim Motif in the Plays of Simona Semeni\u010d: A Typology of Victims<\/em><\/a><\/p>\n<h5 align=\"justify\">Eva Pori:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_03_Pori_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Govorne ploskve Simone Semeni\u010d kot performativno razgaljanje jezika <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_03_Pori_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Speech Surfaces of Simona Semeni\u010d as a Performative Unveiling of Language<\/em><\/a><\/p>\n<h5 align=\"justify\">Ivana Zajc:<\/h5>\n<p align=\"justify\"><em><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_04_Zajc_SI.pdf\" target=\"_blank\" rel=\"noopener\">Elementi monodrame in avtobiografskosti v besedilih Simone Semeni\u010d<\/a> <\/em><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_04_Zajc_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Elements of Monodrama and Autobiography in the Texts of Simona Semeni\u010d<\/em><\/a><\/p>\n<h5 align=\"justify\">Kristof Jacek Kozak:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_05_Kozak_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Politika + poetika = etika: dve drami Simone Semeni\u010d <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_05_Kozak_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Politics + Poetics = Ethics: Two Plays by Simona Semeni\u010d<\/em><\/a><\/p>\n<h5 align=\"justify\">Maja Murnik:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_06_Murnik_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>\u017divo-mrtvo telo v dramatiki Simone Semeni\u010d <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_RAZ_06_Murnik_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The Living-Dead Body in the Dramatic Work of Simona Semeni\u010d<\/em><\/a><\/p>\n<h4 align=\"justify\">Essays<\/h4>\n<h5 align=\"justify\">Lyudmil Dimitrov:<\/h5>\n<p align=\"justify\"><em><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_ESEJ_01_Dimitrov.pdf\" target=\"_blank\" rel=\"noopener\">\u00bbItak so vsi mrtvi!\u00ab: Bolgarska recepcija 5fantkov.si Simone Semeni\u010d<\/a> <\/em><\/p>\n<h5 align=\"justify\">Kristina Hagstr\u00f6m-St\u00e5hl:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_ESEJ_02_Hagstrom-Stahl_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>Framing Dramaturgy and Translation: Some Notes on Backa Teater\u2019s Production of Simona Semeni\u010d\u2019s 5boys.com <\/em><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_ESEJ_02_Hagstrom-Stahl_SI.pdf\" target=\"_blank\" rel=\"noopener\"><em>Uokvirjati dramaturgijo in prevod: Zapiski o \u0161vedski produkciji 5fantkov.si Simone Semeni\u010d<\/em><\/a><\/p>\n<h5 align=\"justify\">Kim Komljanec:<\/h5>\n<p align=\"justify\"><em><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_ESEJ_03_Komljanec_SI.pdf\" target=\"_blank\" rel=\"noopener\">(\u0160e vedno) dramati\u010dno stanje sodobne slovenske dramatike: Mnenje<\/a> <\/em><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_ESEJ_03_Komljanec_AN.pdf\" target=\"_blank\" rel=\"noopener\"><em>The (Continuously) Dramatic Condition of Contemporary Slovenian Playwriting: An Opinion<\/em><\/a><\/p>\n<h4 align=\"justify\">Reviews \/ Book Reviews<\/h4>\n<h5 align=\"justify\">Ma\u0161a Radi Buh:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_REC_01_Radi-Buh.pdf\" target=\"_blank\" rel=\"noopener\"><em>Pi\u0161emo in objavljamo, torej smo<\/em> (Rok Vevar: <em>Day, Night + Man = Rhythm: An Anthology of Slovenian Contemporary Dance Journalism 1918\u20131960<\/em>)<\/a><\/p>\n<h5 align=\"justify\">Mateja Fajt:<\/h5>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_REC_02_Fajt.pdf\" target=\"_blank\" rel=\"noopener\"><em>Zgodovinjenje scenografije<\/em> (Ana Kocjan\u010di\u010d: <em>Space within Space: Scenography in Slovenia from the 17th Century to 1991<\/em>)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_navodila.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Submission Guidelines<\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2019\/12\/Amfiteater-7_2_guidelines.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Submission Guidelines<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Editor-in-Chief:<\/strong> Maja \u0160orli<\/p>\n<p><strong>Editorial Board:<\/strong> Bojana Kunst, Barbara Orel, Primo\u017e Jesenko, Bla\u017e Lukan, Aldo Milohni\u0107, Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha<\/p>\n<p align=\"justify\"><strong>International Editorial Board:<\/strong> Mark Amerika (University of Colorado, US), Marin Bla\u017eevi\u0107 (University of Zagreb, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107 (Singidunum University, RS), SE Wilmer (Trinity College Dublin, IE)<\/p>\n<p align=\"justify\"><strong>Co-Publisher:<\/strong> Slovenian Theatre Institute, (Mojca Jan Zoran, director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (Toma\u017e Guben\u0161ek, dean)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\">The journal Amfiteater was founded by the University of Ljubljana AGRFT. In 2015, the journal began publishing in co-publishing with SLOGI. It remains a university scientific journal, with two issues per year.<\/p>","protected":false},"excerpt":{"rendered":"<p>Druga \u0161tevilka sedmega letnika je v celoti posve\u010dena delu Simone Semeni\u010d. Obsega \u0161est razprav avtoric_jev: Mateje Pezdirc Bartol, Mie Ho\u010devar, Eve Pori, Ivane Zajc, Kri\u0161tofa Jaceka Kozaka in Maje Murnik, ter eseja Kristine Hagstr\u00f6m-St\u00e5hl ter Ljudmila Dimitrova o uprizoritvah 5fantkov.si na \u0160vedskem in v Bolgariji. Tematski blok dopolnjujejo esej Kim Komljanec o pogojih za uprizarjanje &#8230;<\/p>","protected":false},"author":1,"featured_media":3605,"template":"","categories":[7],"tags":[],"avtor":[],"izpostavljamo":[],"letnik":[325],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-658","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","letnik-325","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 7, \u0160tevilka 2<\/title>\n<meta name=\"description\" content=\"Druga \u0161tevilka sedmega letnika je v celoti posve\u010dena delu Simone Semeni\u010d.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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