{"id":500,"date":"1889-12-03T11:23:38","date_gmt":"1889-12-03T10:23:38","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/svoji-k-svojim\/"},"modified":"2025-08-01T21:52:05","modified_gmt":"2025-08-01T19:52:05","slug":"svoji-k-svojim","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/svoji-k-svojim\/","title":{"rendered":"One&#039;s Own (1889)"},"content":{"rendered":"<p>Josip Vo\u0161njak: Svoji k svojim, veseloigra v enem dejanji<\/p>\n<p>7 oseb (3\u017e 4m), lahko tudi pevski zbor<\/p>\n<p>Kraj in \u010das dogajanja: grad blizu slovenskega mesta, osem dni pred odkritjem Vodnikovega spomenika v Ljubljani (1889).<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"vir\"><\/a><strong>SOURCE<\/strong><\/p>\n<p>Besedilo je iz\u0161lo v letu praizvedbe. V Slovenskem gledali\u0161kem in\u0161titutu imamo v arhivu Dramati\u010dnega dru\u0161tva (sig. DD 709) pet slabo ohranjenih izvodov. Obraba je posledica prakti\u010dnega gledali\u0161kega dela: knji\u017eice so uporabljali re\u017eiserji, inspicienti in igralci, ki so pripravljali uprizoritve.<\/p>\n<p>Najbolj zanimiv je cenzurni izvod z rokopisnim dovoljenjem za uprizarjanje iz leta 1904. Na naknadno o\u0161tevil\u010deni \u010detrti strani so se ohranila natan\u010dna navodila o \u010drtanju teksta in cenzorjevi popravki ter pripisi. Cenzorjevo dovoljenje je bilo vpisano 20. januarja 1904, torej le dan pred premiero.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/SVOJI-K-SVOJIM-cenzurni-izvod_compr.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Preberi cenzurni izvod<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"podatki\"><\/a><strong>PERFORMANCE INFORMATION<\/strong><\/p>\n<p>Vo\u0161njakova narodnobuditeljska igra Svoji k svojim je bila napisana za posebno prilo\u017enost kot del Vodnikove proslave v \u00bbsijajno razsvetljeni dvorani \u010ditalnice ljubljanske.\u00ab Na letaku praizvedbe je napovedana na koncu igre &#8220;apoteoza Vodnikova\u2026pri kateri sodelujejo iz posebne prijaznosti gg. \u010dlani telovadnega dru\u0161tva Sokol in oddelek gg. \u010ditalni\u0161kega zbora pevcev&#8221;<em>.<\/em><\/p>\n<p>Komedija se je torej v zadnjem prizoru prelevila v zanosen izraz narodnega ponosa, ki se je zaklju\u010dil s prepevanjem Vodnikove <em>Ilirije o\u017eivljene<\/em> in telovadbo.<\/p>\n<p>Igro je re\u017eiral Josip Kocelj (Gecelj), na odru Souvanove hi\u0161e pa so se 29. junija 1889 pred nastopom pevcev in telovadcev zvrstili nekateri najznamenitej\u0161i slovenski igralci tistega \u010dasa (re\u017eiser Kocelj v glavni vlogi, ob njem pa Danilo, njegova bodo\u010da \u017eena Avgusta Gosti\u010d, Gizela Nigrin in drugi).<\/p>\n<p>Naslednjo uprizoritev je v novem De\u017eelnem gledali\u0161\u010du 26. novembra 1892 re\u017eiral Ignacij Bor\u0161tnik.<\/p>\n<p>Ponovno so delo uprizorili v istem gledali\u0161\u010du 21. januarja 1904, tokrat v cenzurirani razli\u010dici. Ve\u010der so si zamislili kot slovesnost ob Vo\u0161njakovi sedemdesetletnici, veseloigri <em>To their own<\/em> pa sta sledili \u0161e enodejanki <em>Jeftejeva h\u010di<\/em> and <em>V medenih tednih<\/em>. Vo\u0161njak, ki je po dolgih letih odsotnosti spet pri\u0161el v Ljubljano, si je tokrat svojo komedijo lahko ogledal v re\u017eiji \u010de\u0161kega umetnika Franti\u0161ka Liera, ki je bil kot re\u017eiser in igralec pet sezon anga\u017eiran v ljubljanskem gledali\u0161\u010du.<\/p>\n<p>6. marca 1912 so komedijo uprizorili \u0161e v celjskem gledali\u0161\u010du v re\u017eiji Rafaela Salmi\u010da. S predstavo so se poklonili avtorjevemu spominu: Vo\u0161njak je umrl nekaj mesecev pred tem, 21. oktobra 1911.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"Avtorju\"><\/a><strong>AUTHOR INFORMATION<\/strong><\/p>\n<p>Josip Vo\u0161njak (1834-1911), pisatelj in zdravnik, je bil eden najvidnej\u0161ih slovenskih politikov in kulturnih delavcev druge polovice 19. stoletja. Leta 1867 je bil izvoljen za poslanca v \u0161tajerskem de\u017eelnem zboru, kjer se je v naslednjem desetletju zavzemal za jezikovno enakopravnost in Zedinjeno Slovenijo, za slovensko ozemeljsko in upravno enovitost. Od 1873 do 1885 je bil poslanec v dr\u017eavnem zboru na Dunaju, od 1877 do upokojitve (1895) pa v kranjskem de\u017eelnem zboru. Kot vodilni politik slovenske liberalne stranke je zagovarjal pomen izobra\u017eevanja in slovenske gospodarske osamosvojitve; sodeloval je pri ustanavljanju doma\u010dih bank in zadrug. Kot politik in publicist se je zavzemal za izbolj\u0161anje socialnih razmer kme\u010dkega in delavskega prebivalstva. Bil je med ustanovitelji Slovenske matice (1864), in \u010dasnika <em>Slovenski narod<\/em> (1868). Zanj je pisal \u010dlanke o gospodarstvu, financah, politiki, socialnih in medicinskih vpra\u0161anjih ter tudi o kulturi. Strokovne in leposlovne prispevke je objavljal \u0161e v <em>Slovenskem gospodarju<\/em>, <em>Ljubljanskemu zvonu<\/em>, v publikacijah Mohorjeve dru\u017ebe in drugje. Konec \u0161estdesetih let je uspe\u0161no nastopal na slovenskih taborih, pozneje pa je dejavno sodeloval pri zbiranju sredstev in postavljanju spomenikov pomembnim Slovencem, pri ustanavljanju Glasbene matice, Ciril-Metodovega dru\u0161tva in Pisateljskega dru\u0161tva. Kot sodelavec Dramati\u010dnega dru\u0161tva je pomagal pri nastajanju in razvoju slovenskega gledali\u0161\u010da.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"drama\"><\/a><strong>VO\u0160NJAK&#039;S DRAMATICS<\/strong><\/p>\n<p>Vo\u0161njak&#039;s first dramatic attempt in German, which he also staged, dates back to his student years. After completing his medical studies in Vienna, he returned to his native land, switched from German to Slovenian in his writing, and wrote a tragedy in verse, which has not survived. Vo\u0161njak&#039;s early literary attempts and publications, encouraged by his friend and colleague Josip Jur\u010di\u010d, were interrupted by a steep political career. He took up writing again when he completed his second term in the National Assembly, i.e. after his fiftieth birthday. Literary historians note that during this time he completed previously conceived or planned texts, including the novel <em>Twins <\/em>(1889) and numerous dramatic works that he submitted to the Dramatic Society a few months after the novel&#039;s publication. For these texts, which in terms of form and content belong more to the 1870s, France Koblar used the term &quot;late reading drama&quot; (<em>Slovenian Drama I<\/em>, 1972, str. 139). Vo\u0161njak, ki se je po letu 1885 z vso svojo energijo in marljivostjo lotil dela za slovensko gledali\u0161\u010de, je ta besedila napisal za majhen, utesnjen oder ljubljanske \u010ditalnice, ki so ga v letih po po\u017earu Stanovskega gledali\u0161\u010da in pred dograditvijo nove gledali\u0161ke stavbe ponovno o\u017eivili (1887\u20131892), tako da je v njegov zagovor potrebno zapisati, da njegova dramatika ni \u00bbpozno\u010ditalni\u0161ka\u00ab le v vsebinskem in oblikovnem smislu, temve\u010d je dobesedno \u010ditalni\u0161ka. Ko\u00a0 se je kon\u010dno ponudila mo\u017enost, da bi tudi Slovenci dobili svoje gledali\u0161\u010de, je Vo\u0161njak dejavno sodeloval pri tem projektu kot odbornik v kranjskem de\u017eelnem zboru in blagajnik Dramati\u010dnega dru\u0161tva. Kot mlad politik se je leta 1868 udele\u017eil otvoritve Narodnega gledali\u0161\u010da v Pragi in na njej nastopil kot govornik, pri skoraj \u0161estdesetih pa je do\u010dakal tudi otvoritev doma\u010dega gledali\u0161kega prizori\u0161\u010da.<\/p>\n<p>Vo\u0161njak, who participated in discussions about the repertoire conundrums of Slovenian theatre during this period, also tried to solve them with his own dramatic texts: he offered the Dramatic Society five mostly lighter texts or comedies. <em>Foam<\/em>, <em>To their own<\/em> and <em>Minister&#039;s letter<\/em> so bile leta 1889 tudi uprizorjene, komediji <em>A hundred years ago<\/em> and <em>Women&#039;s victory<\/em> but they failed to make it to the stage during this period.<\/p>\n<p>The next type of Vo\u0161njak&#039;s plays is closely related to his attempts at a Tolstoyan story with material from the lives of ordinary people with directly expressed moral teachings (<em>Condemned, You father to the threshold, your son across the threshold, Two neighbors, Blessed are the merciful<\/em>...). He developed his version of Mohorian literature not only in prose experiments, but also in drama. Thus, a rural version of the bourgeois play was created. <em>To their own<\/em>, ki jo je objavil v <em>Calendar of the Society of St. Mohor<\/em> (1891). Sem sodita \u0161e besedili, ki sta iz\u0161li v knji\u017eni zbirki <em>Slovenske ve\u010dernice<\/em> Dru\u017ebe sv. Mohorja. <a href=\"https:\/\/sl.wikisource.org\/wiki\/Oreh_(Josip_Vo%C5%A1njak)\" target=\"_blank\" rel=\"noopener noreferrer\">Game <em>Walnut<\/em><\/a>, subtitled Scenes from Farm Life, was published in volume 45 (1991), a short story in one act <a href=\"https:\/\/sl.wikisource.org\/wiki\/Ne_vdajmo_se!\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Let&#039;s not give up!<\/em> <\/a>and in volume 53 (1901).<\/p>\n<p>The third set of Vo\u0161njak&#039;s dramatic works and his literary peak are represented by the plays <em>Beautiful Vida<\/em> (book edition and performance 1893) and <em>Doctor Dragan<\/em> (1894), which was not performed at the time of its creation due to problematic content. Compared to earlier texts, these are works that are complex in content and form, characterized by more contemporary tones and motifs, although they remain trapped in melodramatic sentimentality and euphemism.<\/p>\n<p>During this time, they put on stage <em>Coal mine<\/em> (1994), a less successful and accomplished work, according to literary history, depicting a strike in a coal mine.<\/p>\n<p>With their contemporary content and complexly drawn characters, the aforementioned Vo\u0161njak plays indicated the rapprochement of Slovenian dramatic literature with modern European literary trends, a rapprochement that was only fully realized by Ivan Cankar.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"knjiznica\"><\/a><strong>FROM THE LIBRARY OF THE SLOVENIAN THEATRE INSTITUTE: VO\u0160NJAK&#039;S WORKS IN BOOK EDITIONS AND A SELECTION OF MATERIALS ABOUT THE AUTHOR<\/strong><\/p>\n<p>In 1889, a one-act play was published <a href=\"\/en\/?p=8002\" target=\"_blank\" rel=\"noopener noreferrer\"><em>To each their own.\u00a0<\/em><\/a>In the same year, as the first booklet of the Vo\u0161njaks <em>Collected dramatic and narrative writings<\/em> published novel <em>Twins<\/em>, printed in the National Printing House in Ljubljana. Of the planned five volumes, only three were published. The other two were printed by the Celje printing house of Dragotin Hribar, the former manager of the National Printing House in Ljubljana. Drama <em>Beautiful Vida<\/em> was published in 1893, <em>Doctor Dragan<\/em> and a year later.<\/p>\n<div id='gallery-1' class='gallery galleryid-500 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Svoji-k-svojim-3-680x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Svoji-k-svojim-3-680x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16708\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16708'>\n\t\t\t\tOne&#039;s Own (1889)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Zbrani-2-Vida-3-686x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Zbrani-2-Vida-3-686x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16709\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16709'>\n\t\t\t\tZbrani dramati\u010dni in pripovedni spisi, II. zvezek\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Zbrani-3-Dragan-3-658x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Zbrani-3-Dragan-3-658x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16710\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16710'>\n\t\t\t\tZbrani dramati\u010dni in pripovedni spisi, III. zvezek\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>Singing game <em>Coal miner<\/em> It was never fully printed. France Koblar included the work in an anthology <em>Older Slovenian drama<\/em> (1951). He decided to publish the second act; he merely summarized the other three.<\/p>\n<p>In the last years of his life, Vo\u0161njak published <em>Memories<\/em> in two volumes (1905, 1906). The work was republished in 1982 by Slovenska matica. The selection was made by historian Vasilij Melik, who is also the author of the accompanying study.<\/p>\n<p>Leta 1996 je iz\u0161el prvi in edini zvezek knji\u017ene zbirke <em>Slovenska me\u0161\u010danska dramatika<\/em>. Urednik in pisec predgovora, Igor Grdina, se je odlo\u010dil za objavo Vo\u0161njakovega <em>Doctor Dragan<\/em> and <em>Matches<\/em> Anton Funtek.<\/p>\n<div id='gallery-2' class='gallery galleryid-500 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Spomini-4-687x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Spomini-4-687x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-16713\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-16713'>\n\t\t\t\tJosip Vo\u0161njak: Spomini\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Koblar-4-729x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Koblar-4-729x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-16712\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-16712'>\n\t\t\t\tFrance Koblar: Starej\u0161a slovenska drama (1951)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Grdina-3-741x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Grdina-3-741x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-16711\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-16711'>\n\t\t\t\tosip Vo\u0161njak, Doktor Dragan in Anton Funtek, Tekma. Urednik in pisec predgovora: Igor Grdina.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>Vo\u0161njak&#039;s dramatic work was discussed by Frank Wollman in the book <em>Slovenian drama<\/em> (1925) and France Koblar in <em>Slovenian playwrights<\/em> (1972). It also has an important place in Du\u0161an Moravec&#039;s monograph <em>Townspeople in Slovenian drama<\/em> (1960).<\/p>\n<p>Du\u0161an Moravec je objavil ob\u0161irno analizo Vo\u0161njakove dramatike tudi v 43. \u0161tevilki <em>Documents of the Slovenian Theater Museum<\/em> (1984).<\/p>\n<p>Najobse\u017enej\u0161i pregled Vo\u0161njakovega literarnega, politi\u010dnega in kulturnega delovanja je monografija Maline Schmidt Snoj, ki je iz\u0161la v knji\u017eni zbirki <em>Znameniti Slovenci<\/em> pri Novi reviji (2003).<\/p>\n<div id='gallery-3' class='gallery galleryid-500 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Moravec-3-633x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Moravec-3-633x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16716\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16716'>\n\t\t\t\tDu\u0161an Moravec: Me\u0161\u010dani v slovenski drami\nDu\u0161an Moravec: Me\u0161\u010dani v slovenski drami\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Vosnjak-Dokumenti-3-678x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Vosnjak-Dokumenti-3-678x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16715\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16715'>\n\t\t\t\tDu\u0161an Moravec: analiza Vo\u0161njakove dramatike v 43. \u0161tevilki Dokumentov Slovenskega gledali\u0161kega muzeja (1984)\nDu\u0161an Moravec: analiza Vo\u0161njakove dramatike v 43. \u0161tevilki Dokumentov Slovenskega gledali\u0161kega muzeja (1984)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Vosnjak-Dokumenti2-631x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Vosnjak-Dokumenti2-631x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16714\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16714'>\n\t\t\t\tDu\u0161an Moravec: analiza Vo\u0161njakove dramatike v 43. \u0161tevilki Dokumentov Slovenskega gledali\u0161kega muzeja (1984)\nDu\u0161an Moravec: analiza Vo\u0161njakove dramatike v 43. \u0161tevilki Dokumentov Slovenskega gledali\u0161kega muzeja (1984)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Schmidt-3-638x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1889\/12\/Zenska-zmaga-Schmidt-3-638x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16717\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16717'>\n\t\t\t\tMaline Schmidt Snoj: Josip Vo\u0161njak, knji\u017ena zbirka Znameniti Slovenci (2003).\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><a id=\"Vsebina\"><\/a><strong>CONTENT<\/strong><\/p>\n<p>Enodejanka se za\u010dne z idili\u010dnim prizorom v zavetju grajske sobane: veleposestnik, upokojeni sodnik Matev\u017e Pilkovi\u010d, in njegov zdravnik, mladi dr. Slavec, \u0161ahirata, medtem ko \u017eenski del zasedbe pripravlja ve\u010derjo. Zdravnik zmago ljubeznivo prepusti gra\u0161\u010daku: tudi zato, ker je zaljubljen v Pilkovi\u010devo h\u010derko Zoro, ki kro\u017ei med kuhinjo in salonom.<\/p>\n<p>V naslednjem prizoru gospodinja Mica Pilkovi\u010du prinese vabilo na Vodnikovo slovesnost, ki ga hi\u0161ni gospodar ponosno prebere vsem navzo\u010dim. Vesel je, da organizatorji niso pozabili nanj: v mladosti se je pogumno boril za narodne pravice in odlo\u010dilno pripomogel k izbolj\u0161anju kulturnega in politi\u010dnega polo\u017eaja Slovencev.<\/p>\n<p>Na prireditvi v Ljubljani bodo uprizorili tudi veseloigro Svoji k svojim, kar ga \u0161e posebej razvname:<\/p>\n<blockquote><p><small><em>Svoji k svojim? Odkod pa ta naslov? Svoji k svojim! To je moje geslo. Jaz sem ga prvi izrekel, jaz, Matev\u017e Pilkovi\u010d, in vesta, kedaj? Leta 1848., ko smo ustanovili v Ljubljani \u00bbSlovensko dru\u0161tvo\u00ab. Bila je krasna doba, polna svete navdu\u0161enosti za narod, za svobodo, za napredek. Sanjarili smo \u2013 o kaj smo vse sanjarili! O svetli bodo\u010dnosti, o sre\u010di in slavi na\u0161ega naroda, a ledena reakcija je pokon\u010dala na\u0161e nade za mnogo let. \u00bbSvoji k svojim.\u00ab Tega gesla naj se dr\u017ee Slovenci, naj se dr\u017ee vsi Slovani in stali bodemo mogo\u010dni, kakor trdna skala, ob katero zaman butajo valovi tujih narodov<\/em> (str. 8)<\/small>.<\/p><\/blockquote>\n<p>Gra\u0161\u010dak nadaljuje z zanosnim recitiranjem Vodnikovih verzov, potem pa zbranim oznani, da prihajata sorodnica Berta in njen sin Teodor, ki ga je h\u010derki izbral za mo\u017ea. To je bila namre\u010d ena zadnjih \u017eelja pokojne Pilkovi\u010deve \u017eene: sestri\u010dna Berta ji je namre\u010d stala ob strani in ji stregla, ko je umirala, zato si je za\u017eelela, da bi se njuna otroka neko\u010d poro\u010dila.<\/p>\n<p>V nadaljevanju zvemo, da se je Teodor za zakon odlo\u010dil iz koristoljubja, bodo\u010dega tasta pa je prepri\u010dal, da je vnet narodnjak. Ko snubec zaloti Zoro v Slav\u010devem objemu, Pilkovi\u010d vr\u017ee iz hi\u0161e oziroma iz gradu zdravnika in gospodinjo Mico, ki se postavi na doktorjevo stran.<\/p>\n<p>Nenadoma prihiti nekdanji Teodorjev so\u0161olec. Von Scherbl, biv\u0161i \u0160krbina, je Teodorja videl v ko\u010diji, ko so potovali skozi bli\u017enji trg; br\u017e je zajahal konja in pohitel na grad. V svojem navdu\u0161enju, da je spet na\u0161el somi\u0161ljenika in kamerada, Teodorja nehote kompromitira. Zbranim izda, da sta se na Dunaju kot \u010dlana Kranjske Germanije izkazala s svojimi protislovenskimi akcijami. Navdu\u0161en je, da mu bo prijatelj delal dru\u017ebo v tem zaspanem kraju in mu predlaga, da nemudoma ustanovita nem\u0161ki kazino. Seveda je s tem poro\u010dni aran\u017ema preklican in Pilkovi\u010d odslovi \u0161e Berto in Teodorja:<\/p>\n<p><em>Nevesto naj si poi\u0161\u010de ta gospodi\u010d v Germaniji. Moje geslo je: Svoji k svojim! V hi\u0161i slovenski, na zemlji slovenski je gospodar Slovenec<\/em> (str. 30).<\/p>\n<p>To bo njegov bodo\u010di zet doktor Slavec, ki je \u017ee v uvodnem prizoru dokazal svojo lojalnost:<\/p>\n<p><em>Uverjeni bodite, gospod sodnik, da delo, katero ste Vi pri\u010deli, bodemo mi mlaj\u0161i nadaljevali. Tudi na\u0161e geslo je: svoji k svojim!<\/em> (str. 8)<\/p>\n<p>Pilkovi\u010d h\u010derko izro\u010di Slavcu, Mica pa je medtem pripeljala sokole in pevce ter jih skupaj z Vodnikovim kipom skrila za zaveso. Ko jo odgrnejo, dru\u017eno zapojejo <em>Ilirijo o\u017eivljeno<\/em>, Zora pa okrasi Vodnikov kip z lovorjevim vencem. V soboto se bodo skupaj odpeljali v Ljubljano in tam vzklikali:<\/p>\n<p><em>Slava Vodniku! Slava! In: Svoji k svojim!<\/em> (str. 32)<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Josip Vo\u0161njak<\/p>","protected":false},"author":3,"featured_media":2282,"template":"","categories":[9],"tags":[],"avtor":[272],"izpostavljamo":[],"letnik":[273],"naslov":[69],"prevajalec":[],"zbirka":[],"class_list":["post-500","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","avtor-vosnjak-josip","letnik-273","naslov-svoji-k-svojim-1889"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Svoji k svojim (1889) - SLOGI<\/title>\n<meta name=\"description\" content=\"Enodejanka se za\u010dne z idili\u010dnim prizorom v zavetju grajske sobane: veleposestnik, upokojeni sodnik Matev\u017e Pilkovi\u010d, in njegov zdravnik, mladi dr. 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