{"id":375,"date":"2010-11-05T11:13:20","date_gmt":"2010-11-05T10:13:20","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/occupying-spaces\/"},"modified":"2024-01-20T13:53:00","modified_gmt":"2024-01-20T12:53:00","slug":"occupying-spaces","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/occupying-spaces\/","title":{"rendered":"Occupying Spaces: Experimental Theater in Central Europe 1950-2010"},"content":{"rendered":"

International project\u00a0TACE (Theatre Architecture in Central Europe)<\/em>brought together theatre museums and institutes from the Czech Republic, Hungary, Poland, Slovakia and Slovenia. An international symposium on the topic of experimental theatre was also held within its framework in November 2009. The present collection contains updated papers from the symposium, and also contains documentary-rich visual material.<\/p>\n

 <\/p>\n

Contributions:<\/p>\n

Ivo Svetina<\/strong>: Introduction<\/p>\n

 <\/p>\n

Czech Republic<\/p>\n

Tatjana Lazor\u010d\u00e1kov\u00e1<\/strong>: Theater in Experimental Space \/ An Experiment with Theater Space<\/p>\n

Vladimir Just<\/strong>: Theater in the Irregular Space (Bohemia and Moravia, 1945-2009)<\/p>\n

Tomas Zizka<\/strong>: Recycling the Concept of Site-Specific<\/p>\n

 <\/p>\n

Hungary<\/p>\n

Judit Csan\u00e1di<\/strong>: Experimental Theater Spaces in Hungary after the Change of Regime (1989-2010)<\/p>\n

Borb\u00e1la Szalai<\/strong>: Dance Spaces<\/p>\n

Istv\u00e1n N\u00e1nay<\/strong>: Theatre and Spaces<\/p>\n

 <\/p>\n

Poland<\/p>\n

Joanna Ostrowska<\/strong>: Places and Spaces of Polish Experimental Theater \u2013 Theoretical and Historical Context<\/p>\n

Joanna Ostrowska<\/strong>: Spaces of Polish Experimental Theatre<\/p>\n

Joanna Ostrowska<\/strong>: Places of Polish Experimental Theatres<\/p>\n

Julius Tyszka<\/strong>: Acting in Polish Experimental Theater 1950-2000<\/p>\n

 <\/p>\n

Slovakia<\/p>\n

Oleg Dlouhy<\/strong>: The Architecture of Alternative Theater Spaces in Slovakia<\/p>\n

Maja Hrie\u0161ik<\/strong>: Provisional Space in Slovak Independent Theatre<\/p>\n

Juraj Sebesta<\/strong>: Seeking New Form and Space<\/p>\n

Anna Gruskov\u00e1<\/strong>: The Nobodies, Nymphomaniacs and Others at the Jelenia Street Theatre<\/p>\n

 <\/p>\n

Slovenia<\/p>\n

Toma\u017e Topori\u0161i\u010d<\/strong>: Spatial Machines and Slovene (No Longer-)Experimental Theater in the Second Half of the 20th Century<\/p>\n

Primo\u017e Jesenko<\/strong>: The Edge in the Center (Theatre Experimentation in the Knight's Hall in the Kri\u017eanke Complex 1955-1972)<\/p>\n

Barbara Orel<\/strong>: In the Basement of Block Four (Experimental Theater of the 1970s in the Student Residence Halls of Ljubljana)<\/p>\n

 <\/p>\n

The book is the first to comprehensively discuss experimental theatre in Central Europe. The birth of experimental theatre in the countries of the geopolitical space behind the so-called Iron Curtain and its unexpected flourishing also meant (or above all) the democratisation of the political systems of the time, but on the other hand it also involved the conquest, the \u201coccupation\u201d of spaces that had not previously served theatrical art. In this way, these spaces (basements, abandoned factories, breweries, warehouses, bakeries, barns and bourgeois apartments) were socialised. It was in this (\u201cundemocratic\u201d) part of Europe that an experiment was born that, with Tadeusz Kantor and Jerzy Grotowski, to name just two of many, fatally changed the face of world theatre.<\/p>\n

 <\/p>\n

In the society of Central European countries, Slovenia gained an important and respectable place precisely through experimental theatre, which was not only tied to the theatre people, their ingenuity and, last but not least, courage, but also depended on political circumstances. In 1958, just two years after Soviet tanks rumbled in Budapest and crushed the uprising, we performed Eug\u00e8ne Ionesco in Ljubljana.<\/p>\n

 <\/p>\n

Editor-in-chief:<\/strong> Ivo Svetina<\/p>\n

Co-editor:<\/strong> Toma\u017e Topori\u0161i\u010d, Tea Rogelj<\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Mednarodni projekt\u00a0TACE (Theatre Architecture in Central Europe\/Gledali\u0161ka arhitektura v srednji Evropi)je povezal gledali\u0161ke muzeje in in\u0161titute iz \u010ce\u0161ke, Mad\u017earske, Poljske, Slova\u0161ke in Slovenije. V njegovem okviru se je novembra 2009 zgodil tudi mednarodni simpozij na temo eksperimentalnega gledali\u0161\u010da. V pri\u010dujo\u010dem zborniku so objavljeni dopolnjeni referati s simpozija, prav tako pa zbornik vsebuje\u00a0dokumentarno\u00a0bogato\u00a0slikovno gradivo.   Prispevki: …<\/p>","protected":false},"author":3,"featured_media":1801,"template":"","categories":[7],"tags":[],"avtor":[],"izpostavljamo":[],"letnik":[238],"naslov":[],"prevajalec":[],"zbirka":[225],"class_list":["post-375","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","letnik-238","zbirka-drugo"],"acf":[],"yoast_head":"\nOccupying Spaces: Experimental Theatre in Central Europe 1950-2010 - SLOGI<\/title>\n<meta name=\"description\" content=\"Mednarodni projekt\u00a0TACE (Theatre Architecture in Central Europe\/Gledali\u0161ka arhitektura v srednji Evropi) je povezal gledali\u0161ke muzeje in in\u0161titute.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/occupying-spaces\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Occupying Spaces: Experimental Theatre in Central Europe 1950-2010 - 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