{"id":347,"date":"2018-06-21T10:28:35","date_gmt":"2018-06-21T08:28:35","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-6-1\/"},"modified":"2024-01-20T13:51:20","modified_gmt":"2024-01-20T12:51:20","slug":"amfiteater-6-1","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-6-1\/","title":{"rendered":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 6, \u0160tevilka 1"},"content":{"rendered":"<p align=\"justify\">Prva \u0161tevilka \u0161estega letnika Amfiteatra prina\u0161a tematski blok osmih razprav na temo kastracije slovenskega politi\u010dnega gledali\u0161\u010da, ki ga je uredil Toma\u017e Topori\u0161i\u010d. Osem razprav dopolnjuje \u0161tudija o projektu Marka Peljhana Makrolab. Tokratna \u0161tevilka prina\u0161a tudi tri knji\u017ene recenzije.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_kolofon-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Colophon<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_kazalo-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Index<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/06\/Amfiteater-6-1_Uvodnik.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Editorial<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater-6-1_WEB_FIN.pdf\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amphitheater 6\/1<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 align=\"justify\"><strong>Discussions<\/strong><\/h4>\n<h5 align=\"justify\">Toma\u017e Topori\u0161i\u010d:<\/h5>\n<p align=\"justify\"><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_uvodnik_Toporosic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Vse, \u010desar se do sedaj nismo upali vpra\u0161ati o politi\u010dnosti in kastraciji (post)dramskega<\/a><\/em><\/p>\n<p align=\"justify\"><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_uvodnik_Toporosic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Everything We Have Been Afraid to Ask about Politicality and the Castration of the (Post-)Dramatic<\/em><\/a><\/p>\n<h5>Lev Kreft:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_1_Kreft_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kastracija politi\u010dnega, nakar \u0161e policija<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_1_Kreft_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Castration of the Political, and Then the Police<\/em><\/a><\/p>\n<h5>Bla\u017e Lukan:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_2_Lukan_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nemo\u010d politi\u010dnega. Mo\u010d igre<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_2_Lukan_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Powerlessness of the Political. The Power of Acting<\/em><\/a><\/p>\n<h5>Barbara Orel:<\/h5>\n<p><em> <a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_3_Orel_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">K politikam zaznavanja: obrat v razumevanju politi\u010dnosti gledali\u0161\u010da in scenskih umetnosti<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_3_Orel_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Towards the Politics of Perception: A Turn in the Understanding of the Politicality of Performing Arts<\/em><\/a><\/p>\n<h5>Toma\u017e Topori\u0161i\u010d:<\/h5>\n<p><em> <a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_4_Toporisic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kaj se je zgodilo s politi\u010dnim v gledali\u0161\u010du? Primer Oliverja Frlji\u0107a<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_4_Toporisic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>What has happened to the political in theatre? The Case of Oliver Frlji\u0107<\/em><\/a><\/p>\n<h5>Aldo Milohni\u0107:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_5_Milohnic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Brutalizem v sodobnem slovenskem gledali\u0161\u010du<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_5_Milohnic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Brutalism and Contemporary Slovenian Theatre<\/em><\/a><\/p>\n<h5>Kristof Jacek Kozak:<\/h5>\n<p><em> <a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_6_Kozak_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Realpoliti\u010dna brezmo\u010d slovenskega gledali\u0161\u010da<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_6_Kozak_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Realpolitical Powerlessness of Slovenian Theatre<\/em><\/a><\/p>\n<h5>Gasper Troha:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_7_Troha_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kastracija politi\u010dnega na primeru drame Ljudski demokrati\u010dni cirkus Sake\u0161vili Roka Vil\u010dnika<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_7_Troha_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Understanding the Castration of the Political Using Rok Vil\u010dnik&#039;s Play People&#039;s Democratic Circus Sakeshvili as a Case Study<\/em><\/a><\/p>\n<h5>Nenad Jelesijevi\u0107:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_8_Jelesijevic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u010cakajo\u010d politi\u010dno. K protagonizmu v performansu<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_8_Jelesijevic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Waiting for the Political. Towards Protagonism in Performance<\/em><\/a><\/p>\n<h5>Eda \u010cufer:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_9_Cufer_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u010custva in ozemlja: Makrolabove avantgardne preiskave<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_RAZ_9_Cufer_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Feelings and Territories: Makrolab&#039;s Avant-Garde Inquiries<\/em><\/a><\/p>\n<h4><strong>Reviews<\/strong><\/h4>\n<h5>Nika Arhar:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_REC_1_Arhar.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>A personal testimony about the time of the doll<\/em><\/a> (Edi Majaron: <em>Faith in a doll. Thoughts on Puppetry)<\/em><\/p>\n<h5>Kaja Kraner:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_REC_2_Kraner.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>A hermeneutic approach to the analysis of modern aesthetic ideology<\/em><\/a> (Andrew Hewitt: <em>Social choreography. Ideology as performance in dance and everyday movement)<\/em><\/p>\n<h5>Eva Pori:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_REC_3_Pori.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>(Ob)marginal in the center: Slovenian (modern) drama from a new point of view<\/em><\/a> (Mateja Pezdirc Bartol: <em>Conflicts of worlds: studies on Slovenian drama)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_navodila_SI-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Navodila za avtorje\/avtorice<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2018\/10\/Amfiteater_6_1_vabilo-k-razpravam_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Call for Papers<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Editor-in-Chief:<\/strong> Maja \u0160orli<\/p>\n<p><strong>Urednik tematskega bloka:<\/strong> Toma\u017e Topori\u0161i\u010d<\/p>\n<p><strong>Editorial Board:<\/strong> Bojana Kunst, Barbara Orel, Primo\u017e Jesenko, Bla\u017e Lukan, Aldo Milohni\u0107, Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha<\/p>\n<p align=\"justify\"><strong>International Editorial Board:<\/strong> Mark Amerika (University of Colorado, US), Marin Bla\u017eevi\u0107 (University of Zagreb, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107 (Singidunum University, RS), SE Wilmer (Trinity College Dublin, IE)<\/p>\n<p align=\"justify\"><strong>Co-Publisher:<\/strong> Slovenian Theatre Institute, (Mojca Jan Zoran, director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (Toma\u017e Guben\u0161ek, dean)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\">The journal Amfiteater was founded by the University of Ljubljana AGRFT. In 2015, the journal began publishing in co-publishing with SLOGI. It remains a university scientific journal, with two issues per year.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/SLOGI.SI\/videos\/345314796201983\/\">https:\/\/www.facebook.com\/SLOGI.SI\/videos\/345314796201983\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Prva \u0161tevilka \u0161estega letnika Amfiteatra prina\u0161a tematski blok osmih razprav na temo kastracije slovenskega politi\u010dnega gledali\u0161\u010da, ki ga je uredil Toma\u017e Topori\u0161i\u010d. Osem razprav dopolnjuje \u0161tudija o projektu Marka Peljhana Makrolab. Tokratna \u0161tevilka prina\u0161a tudi tri knji\u017ene recenzije. &nbsp; Kolofon Kazalo Uvodnik Amfiteater 6\/1 &nbsp; Razprave Toma\u017e Topori\u0161i\u010d: Vse, \u010desar se do sedaj nismo upali &#8230;<\/p>","protected":false},"author":3,"featured_media":1667,"template":"","categories":[7],"tags":[],"avtor":[],"izpostavljamo":[],"letnik":[305],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-347","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","letnik-305","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 6, \u0160tevilka 1 - SLOGI<\/title>\n<meta name=\"description\" content=\"Prva \u0161tevilka \u0161estega letnika Amfiteatra prina\u0161a tematski blok osmih razprav na temo kastracije slovenskega politi\u010dnega gledali\u0161\u010da.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-6-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 6, \u0160tevilka 1 - 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