{"id":338,"date":"1872-12-18T17:46:49","date_gmt":"1872-12-18T16:24:49","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/luiza-pesjak-gorenjski-slavcek\/"},"modified":"2025-07-10T13:47:48","modified_gmt":"2025-07-10T11:47:48","slug":"luiza-pesjak-gorenjski-slavcek","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/luiza-pesjak-gorenjski-slavcek\/","title":{"rendered":"The Mountain Nightingale (1872)"},"content":{"rendered":"<p>LIBRETO<\/p>\n<p>PODNASLOV: Liri\u010dna opereta v dveh dejanjih<\/p>\n<p>\u0160TEVILO OSEB: 9 pevcev(3\u017e 6m) in zbor kme\u010dkih deklet in kmetov<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"vir\"><\/a><strong>SOURCE<\/strong><\/p>\n<p>19. zvezek knji\u017ene zbirke Slovenska Talija (1872). Na naslovnici podnaslovu sledi podatek o nagradi na nate\u010daju Dramati\u010dnega dru\u0161tva (od sl. De\u017eelnega odbora kranjskega po\u010de\u0161\u010dena s prvim de\u017eelnim darilom).<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"uprizarjanje\"><\/a><strong>UPRIZARJANJE<\/strong><\/p>\n<p>Praizvedba je bila 27. aprila 1872 v ljubljanskem De\u017eelnem gledali\u0161\u010du. Opereto je re\u017eiral Josip Nolli, orkester pa je vodil avtor glasbe, skladatelj Anton Foerster.<\/p>\n<div id='gallery-1' class='gallery galleryid-338 gallery-columns-1 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-letak-657x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-letak-657x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16672\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16672'>\n\t\t\t\tGorenjski slav\u010dek: letak (1872)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>\u010cetrt stoletja pozneje (1896) je bila na novem odru ljubljanskega gledali\u0161\u010da uprizorjena operna varianta. \u017de ve\u010d kot sto let je Gorenjski slav\u010dek del \u017eeleznega repertoarja obeh slovenskih opernih hi\u0161. V Ljubljani so bile nove postavitve leta 1922, 1929, 1937, 1939, 1944, 1953, 1967, 1996 in zadnja 2013. Opero so pogosto uprizarjali tudi v Mariboru (1925, 1934, 1946, 1967, 1979 in 1986).<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Gorenjski-slavcek-1872-gl.-listi-SNG-Maribor.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Poglej gledali\u0161ke liste SNG Maribor<\/small><\/button><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Gorenjski-slavcek-1872-gl.-listi-SNG-Ljubljana.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Poglej gledali\u0161ke liste SNG Ljubljana<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"poznejse\"><\/a><strong>POZNEJ\u0160E KNJI\u017dNE IZDAJE<\/strong><\/p>\n<p>Besedilo, predelano v opero, je <a href=\"\/en\/?p=842\" target=\"_blank\" rel=\"noopener noreferrer\">leta 1896 ponovno iz\u0161lo v zbirki Slovenska Talija<\/a> (\u0161t. 60c). Kot avtorja libreta sta -tako kot ob vseh uprizoritvah opere- navedena Luiza Pesjak in Emanuel Z\u00fcngl.<\/p>\n<div id='gallery-2' class='gallery galleryid-338 gallery-columns-1 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-naslovnica-izdaje-1896-648x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-naslovnica-izdaje-1896-648x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-16674\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-16674'>\n\t\t\t\tGorenjski slav\u010dek: naslovnica izdaje 1896\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-JE33MQZ3\/?query=%27keywords%3dPesjak%2c+Luiza%27&amp;pageSize=25&amp;ftype=knjige\" target=\"_blank\" rel=\"noopener noreferrer\">Text<\/a> je bilo natisnjeno tudi leta 1922 kot 4. zvezek Zbirke opernih in operetnih tekstov. V tej izdaji je dogajanje razdeljeno na tri dejanja.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"izdaje\"><\/a><strong>KNJI\u017dNE IZDAJE DRAMATI\u010cNEGA DRU\u0160TVA<\/strong><\/p>\n<p>Eden izmed ciljev, ki smo si jih v Slovenskem gledali\u0161kem in\u0161titutu zadali ob stopetdeseti obletnici ustanovitve Dramati\u010dnega dru\u0161tva (2017), je spletni dostop do vseh ohranjenih izvirnih slovenskih dramskih besedil, ki so bila uprizorjena v obdobju 1867 \u2013 1892 oziroma natisnjena v zbirki Slovenska Talija.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"luiza\"><\/a><strong>LUIZA PESJAK<\/strong><\/p>\n<p>Poet and writer <a href=\"https:\/\/sl.wikisource.org\/wiki\/Starej%C5%A1e_pesnice_in_pisateljice#Lujiza_Pesjakova\" target=\"_blank\" rel=\"noopener noreferrer\">Luiza Pesjak<\/a> she was born in 1828 as Aloisia Crobath. Her father, Bla\u017e Crobath, an older study colleague and employer of France Pre\u0161ern, was friends with the most important Slovenian intellectuals: even as a child, Aloisia met all the prominent intellectuals, politicians and artists of her time from Ljubljana and elsewhere (a poet lived in Crobath&#039;s apartment for a while and political exile, Pole Emil Korytko). In childhood and growing up, she was distinguished by above-average intelligence, education and refinement. Her sense of the beautiful and the good, her love of art and the impressions of meeting charismatic and talented people inspired her to write literature at an early age. All of her poetic and prose attempts were in German, as she had not yet mastered Slovenian until the 1960s, the era of the national renaissance. In contrast to many Slovenian creators who started writing in German and later switched to Slovenian, her &quot;mother tongue&quot; was not Slovenian. Her mother was Polish, and the logical choice of language in a mixed, albeit Slavic, marriage was German. In her circle, in addition to German, most of them had a very good command of French, and they also learned other languages. As a woman, Luiza could not attend a classical gymnasium, but she nevertheless received a thorough education. In addition to the curriculum of women&#039;s educational institutes, she worked on her brother&#039;s high school curriculum for several years, and many instructions were also available to her: France Pre\u0161eren was also among her home teachers.<\/p>\n<p>At twenty, she unexpectedly lost her father, got married and devoted herself to her family. During this time, her literary creation faded into the background. However, more than ten years later, with the help of a local teacher who taught her five daughters, she improved her Slovenian to the point where she was able to actively participate in Slovenian cultural life. At the time of his first Slovenian publication of the song <em>Which I love<\/em> (1864 in <em>Bleiweis News<\/em>) je za\u010dela aktivno sodelovati z ljubljansko \u010ditalnico. Pri njenem delu so jo vzpodbujali najvidnej\u0161i slovenski ustvarjalci \u0161estdesetih in sedemdesetih let. Fran Levstik, ki je popravljal njene slovenske literarne poskuse, je bil po drugi strani zelo kriti\u010den do njenih prevodov Pre\u0161erna v nem\u0161\u010dino. Kljub temu jo je vneto nagovarjal k pisanju spominov o ustvarjalcih in kulturnikih, ki jih je spoznala \u017ee kot otrok. Zelo aktivna je bila tudi kot sodelavka Stritarjevega Zvona. Tudi Stritar je kot urednik popravljal njena slovenska besedila, vendar je zanimivo, da sta si dopisovala v franco\u0161\u010dini. Kljub vsem opisanim literarnim dejavnostim je bila Luiza Pesjak prete\u017eno otro\u0161ka in mladinska pisateljica. Pesmi in povesti za otroke je objavljala predvsem v \u010dasopisu <em>Kindergarten<\/em> in sicer od za\u010detka izhajanja revije pa vse do svojega dokon\u010dnega umika iz javnega in literarnega \u017eivljenja (od 1871 do 1893). Isto\u010dasno je besedila objavljala tudi v nem\u0161kih mladinskih in dru\u017einskih revijah. Ves \u010das je namre\u010d pisala tako v sloven\u0161\u010dini kot tudi v nem\u0161\u010dini. Velik del njenega opusa je dvojezi\u010den, saj je tudi prozna dela za odrasle objavljala vzporedno v slovenskem in nem\u0161kem jeziku.<\/p>\n<p>In the last period of her work, she wrote a lot for <em>The Ljubljana Bell<\/em>, where she was invited by editor Fran Levec. Among other texts, she published memoirs <em>From my childhood<\/em> (1886). The text consists of three chapters (meetings with France Pre\u0161ern, Emil Korytko and Stanko Vraz), and it ends with a poem dedicated to all three role models.<\/p>\n<p>Her most extensive text is a novel <em><a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-6S6H6MFZ\/?query=%27keywords%3dPesjak%2c+Luiza%27&amp;pageSize=25&amp;ftype=knjige\" target=\"_blank\" rel=\"noopener noreferrer\">Beata&#039;s diary<\/a><\/em>, which was published in 1887.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"ustvarjanje\"><\/a><strong>CREATION FOR THE THEATER AND COLLABORATION WITH THE DRAMATIC SOCIETY<\/strong><\/p>\n<p>Even before the founding of the Dramatic Society, Luiza Pesjak adapted two short dramatic texts for the Ljubljana reading room. Both merry-go-rounds, <a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-K1I3UTL6\/?query=%27keywords%3dPesjak%2c+Luiza%27&amp;pageSize=25&amp;ftype=knjige\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Svitoslav<\/em> bunny<\/a> and<a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-CFU57J9H\/?query=%27keywords%3dPesjak%2c+Luiza%27&amp;pageSize=25&amp;ftype=knjige\" target=\"_blank\" rel=\"noopener noreferrer\"><em> Poison<\/em><\/a>, were published in 1865.<\/p>\n<p>She wrote the text for the reader&#039;s needs <em>Slovenia Guide<\/em> (1866) and a shorter dramatic text <em><a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:DOC-1W83NAH9\/?query=%27keywords%3dPesjak%2c+Luiza%27&amp;pageSize=25&amp;ftype=knjige\" target=\"_blank\" rel=\"noopener noreferrer\">In Koprivnik<\/a><\/em>, which was published in the Yearbook of the National Reading Room in Ljubljana (1872, with the subtitle: <em>a dramatic scene presented in the solemn speech of the Ljubljana reading room Guide to commemorating the 4th day of the feast<\/em> 1872).<\/p>\n<p>In the collection Slovenska Talija, she published a translation of the merry play <em>A party girl<\/em> (1870, vol. 14) and one-act plays <em>My late one<\/em> (1873, vol. 23).<\/p>\n<div id='gallery-3' class='gallery galleryid-338 gallery-columns-5 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-1-802x1030-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-1-802x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16675\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16675'>\n\t\t\t\tGorenjski slavcek (1872): prevodi veseloiger\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-2-802x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-2-802x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16676\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16676'>\n\t\t\t\tGorenjski slavcek (1872): prevodi veseloiger\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-3-788x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-3-788x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16677\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16677'>\n\t\t\t\tGorenjski slavcek (1872): prevodi veseloiger\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-4-872x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-4-872x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16678\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16678'>\n\t\t\t\tGorenjski slavcek (1872): prevodi veseloiger\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-5-762x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1872-prevodi-veseloiger-5-762x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-16679\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-16679'>\n\t\t\t\tGorenjski slavcek (1872): prevodi veseloiger\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>The highlight of the author&#039;s work for the theater was the premiere and printing of the libretto <em>Gorenje nightingale<\/em> (1872).<\/p>\n<div id='gallery-4' class='gallery galleryid-338 gallery-columns-1 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1896-naslovnica-prve-izdaje-1872-805x1030-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/1872\/12\/Gorenjski-slavcek-1896-naslovnica-prve-izdaje-1872-805x1030-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-16680\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-16680'>\n\t\t\t\tGorenjski slavcek: naslovnica prve izdaje (1872)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><a id=\"besedila\"><\/a><strong>AVTORI\u010cINA BESEDILA, KI VSEBUJEJO ELEMENTE GORENJSKEGA SLAV\u010cKA<\/strong><\/p>\n<p>Luiza Pesjak je \u017ee v zgodnjih literarnih delih \u2013 tako v poeziji kot npr. v prologih za \u010ditalni\u0161ke prireditve (<em>Slovenia Guide<\/em>, 1866-1872) in prvih dramskih poskusih \u2013 upodabljala motive ljubezni do matere, do domovine in narave ter pozivala k spravi in narodni slogi.<\/p>\n<p>Okoli leta 1866 je \u017eelela napisati libreto s tematiko <em>Krsta pri Savici<\/em>, vendar se je vsaj iz dveh razlogov odlo\u010dila za zgodbo <em>Gorenjski slav\u010dek<\/em>. <em>Baptism near Savica<\/em> je kot besedilo \u010ditalni\u0161kega prologa uporabil \u017ee Fran Levstik, razpis Kranjskega de\u017eelnega odbora za izvirno opereto in na\u010drti skladatelja Antona Foersterja pa so \u0161li v povsem drugo smer: \u017ee <em>Gorenje nightingale<\/em> ni ravno vzor\u010den primer lahkotne in komi\u010dne operete, <em>Baptism near Savica<\/em> pa je za operetni \u017eanr tematsko povsem neprimerna snov.<\/p>\n<p>V zgodbi <em>O\u010detova ljubezen<\/em> (<em>Novice<\/em>, 1964) popisuje lepoto Bleda in njegove okolice, ki je pozneje postala tudi prizori\u0161\u010da Gorenjskega slav\u010dka. Okolje dogajanja v opereti je pogosto opisano tudi v avtori\u010dini poeziji (na primer pesem z naslovom <em>Bled<\/em>). Poleg idealiziranja kme\u010dkega \u017eivljenja je <em>O\u010detovi ljubezni<\/em> and <em>Gorenjskem slav\u010dku<\/em> skupno opisovanje ljube\u010dih star\u0161ev, ki se niso sposobni lo\u010diti od svojega otroka.<\/p>\n<p align=\"justify\">Tudi v povesti <em>Dragotin<\/em> (<em>Slovenski glasnik<\/em>, 1864) na opereto spominjajo slavospevi naravi in doma\u010di vasi, ki jo glavni junak zapusti in gre v uk na Tirolsko. V tujini od domoto\u017eja zboli in se za vedno vrne domov: dedi\u0161\u010dini na tujem se odpove, ker ne more zapustiti bete\u017ene matere in ljubljene domovine.<\/p>\n<p>V dramatiziranem prizoru <em>In Koprivnik<\/em> poleg najve\u010djega gorenjskega jezera najdemo ve\u010d zna\u010dilnosti, ki se v <em>Gorenjskem slav\u010dku<\/em> ponovijo oziroma se razvijejo v kompleksnej\u0161i motiv. Domoljuba Valentin Vodnik in \u017diga Cojz sta za\u0161\u010ditnika in dobrotnika deklice Majde, ki ima poleg vseh drugih hvalevrednih lastnosti tudi \u010dudovit glas. Vodnik Majdo re\u0161i pred nasilne\u017eem in zlo\u010dincem, ki jo ho\u010de z la\u017ejo oropati njenega skromnega doma, \u00a0Cojz pa je mladenko spoznal \u017ee pred tem dogodkom: sli\u0161al jo je peti na koru v cerkvici ob Bohinjskem jezeru. Na plesu po ma\u0161i se je zanjo zagrel mladi Janko, Cojzov lovec. Pokroviteljski delodajalec bo zaljubljencema pomagal dose\u010di ekonomsko samostojnost, Vodnik pa ju bo poro\u010dil na Koprivniku.<\/p>\n<p>&nbsp;<\/p>\n<p>Pisateljica, ki je bila sama glasbeno izobra\u017eena, je bila osebno povezana s profesionalnim pevskim svetom: \u017ee njena svakinja je bila pevka in za\u00a0 pevsko pot se je odlo\u010dila tudi njena h\u010derka Helena. Pela je v mnogih evropskih opernih hi\u0161ah, v letu praizvedbe <em>Gorenjskega<\/em> <em>slav\u010dka<\/em> pa je nastopala v Dresdnu. Luiza Pesjak, ki je h\u010derko spremljala tudi na tej pevski poti, je popisala njen prvi operni nastop v spisu <em>V Dra\u017edanih<\/em> (<em>Zvon<\/em> 1877).<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"literatura\"><\/a><strong>LITERATURE ABOUT THE AUTHOR<\/strong><\/p>\n<p>In different periods, the literary work of Luiza Pesjak received more or less attention, but thanks to new and new settings <em>Gorenjski slav\u010dek<\/em> she never quite sank into oblivion. Reading records of her work, we get the impression that interest in her is growing. We also collected some literature in <a href=\"http:\/\/www.slogi.si\/wp-content\/uploads\/1871\/12\/Gorenjski-slavcek-1872-knjige-o-Luizi-Pesjak.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">our library<\/a>.<\/p>\n<p>More recent literature, records and analysis are available online:<\/p>\n<ul>\n<li><a href=\"https:\/\/books.google.si\/books?id=oFYdZ8JA5z4C&amp;pg=PA39&amp;lpg=PA39&amp;dq=%C4%8De+%C4%8Duti%C5%A1+val+navdiha&amp;source=bl&amp;ots=P9yl-2kYoz&amp;sig=riJnfV6eIO0jgKlZf9y1w88o4s4&amp;hl=sl&amp;sa=X&amp;ved=0ahUKEwiksL3x-pXPAhXCtxQKHYZsAC4Q6AEIHDAA#v=onepage&amp;q=%C4%8De%20%C4%8Duti%C5%A1%20val%20navdiha&amp;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">The forgotten half<\/a>: portraits of women of the 19th and 20th centuries in Slovenia<\/li>\n<li><a href=\"http:\/\/lit.ijs.si\/luiza.html\" target=\"_blank\" rel=\"noopener noreferrer\">A little German, a little Slovenian<\/a><\/li>\n<li><a href=\"http:\/\/www.dlib.si\/details\/URN:NBN:SI:doc-HC3FVMXF\/\" target=\"_blank\" rel=\"noopener noreferrer\">Narrative texts by Slovenian women writers <\/a>-contemporary Zofka Kveder<\/li>\n<li><a href=\"https:\/\/www.jezikinslovstvo.com\/pdf\/2010-01-02-mihurko.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Contributions of Slovenian short stories to the genre image of 19th century prose<\/a><\/li>\n<li><a href=\"http:\/\/www.rtvslo.si\/kultura\/razglednice-preteklosti\/lujiza-pesjakova-ucenka-velikega-mojstra-slovenske-poezije\/285526\" target=\"_blank\" rel=\"noopener noreferrer\">Lujiza Pesjakova<\/a> \u2013 student of the great master of Slovenian poetry<\/li>\n<\/ul>\n<p><strong>Anton Foerster<\/strong><\/p>\n<p>Anton Foerster (1837 \u2013 1926) je bil slovenski skladatelj \u010de\u0161kega rodu.\u00a0 Deloval je kot dirigent, zborovodja, glasbeni pedagog, pianist in organist in sicer predvsem na podro\u010dju cerkvene glasbe.\u00a0 Ko se je v letu nastanka Dramati\u010dnega dru\u0161tva za vedno naselil v Ljubljani, se je kot glasbenik takoj vklju\u010dil v delovanje dru\u0161tva in Narodne \u010ditalnice. Operno glasbo je ustvarjal pod vplivom svojega mentorja in vzornika Bed\u0159icha Smetane, avtorja <em>Prodane neveste<\/em>, po kateri se je zgledoval tudi pri snovanju <em>Gorenjski slav\u010dek<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"opera\"><\/a><strong>IZ OPERETE V OPERO<\/strong><\/p>\n<p>Ko se je Foerster odlo\u010dil, da bo ustvaril opero, se je, \u010deprav je iskal drugo temo, na koncu odlo\u010dil za <em>Gorenjski slav\u010dek<\/em>. Predelavo libreta je opravil Emanuel Z\u00fcngl, kon\u010dna redakcija pa je delo pesnika Engelberta Gangla. Operni libreto je seveda obse\u017enej\u0161i: zgodba je deloma spremenjena oziroma raz\u0161irjena. Arije so avtorji v glavnem obdr\u017eali. Ponekod so deloma spremenili besedilo ali osebo, ki jo poje, zamenjali z drugo, predvsem pa so arije preme\u0161ali oziroma jim spremenili vrstni red.<\/p>\n<p>Tako je uvodna arija iz drugega dela operete (<em>Gorenjci ljudje smo veseli<\/em>\u2026) prestavljena na za\u010detek opere, zborovska arija <em>Ave Marija<\/em> pa je prestavljena iz \u010detrtega prizora drugega dejanja na konec opere. Poleg tega je <em>Ave Marija<\/em> v operi pome\u0161ana s finalno napitnico, v opereti pa obe ariji izvajajo povsem lo\u010deno.<\/p>\n<p>Na samem za\u010detku operete se Franjo skriva pred ostalimi va\u0161\u010dani, ker si \u017eeli, da bi najprej sre\u010dal Minko. V operi je prvi duet njegov in Lovrov. Poleg Franjeve izpovedi o njegovi zaljubljenosti v Minko dobimo s pomo\u010djo dialoga med prijateljema \u0161e kup dodatnih informacij o Franjevi dru\u017eini in ostalih va\u0161\u010danih, ki jih v opereti \u0161e ni bilo. Tudi preizkus glasov va\u0161kih deklet je popolnoma nov prizor, \u0161e ve\u010dja inovacija pa je improvizirano sodi\u0161\u010de v drugem dejanju. V opereti ni niti sledu o spletki proti Chansonettu in o izgonu neza\u017eelenega tujca, v operi pa je spu\u0161\u010dena Chansonettova kratka arija na koncu 3. prizora v prvem dejanju, ki jo z \u017eeno Ninon v celoti odpojeta v franco\u0161\u010dini. Zdravljico na koncu opere poje Franjo in ne Lovro, ki mu ta \u010dast pripade v opereti. Napitnica je v operetni verziji predvsem poklon domovini, doma\u010dim mladenkam in naravnim lepotam, v operi pa ima funkcijo sprave z grdo raz\u017ealjenim tujcem, ki velikodu\u0161no sprejme opravi\u010dilo zahrbtnih domorodcev. Druga\u010de kot v operi so v opereti vsi, ki stopijo na oder, dobronamerni, plemeniti in prijazni.<\/p>\n<p>Arhai\u010dno sloven\u0161\u010dino operete, nenavadne besede, besedne zveze in \u0161e bolj nenavadne zapise nekaterih besed v operi nadomesti sicer nekoliko sodobnej\u0161i jezik in njegov zapis. Po drugi strani pa je opera <em>Gorenje nightingale<\/em> kot peto besedilo ves \u010das zavezana recimo temu precej umetelnim verzom in zaradi tega izgubi tudi nekaj tiste neposrednosti, ki jo je v opereti omogo\u010dalo posredovanje dramskega besedila v nevezani besedi.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"vsebina\"><\/a><strong>CONTENT<\/strong><\/p>\n<p>Mladi Franjo se po \u0161tirih letih uka vra\u010da v doma\u010do vas v okolici Bleda. Ko se z gri\u010da spu\u0161\u010da proti va\u0161kemu trgu in opazuje Triglav, v uvodni ariji izpove svojo ljubezen do doma in naravnih lepot, ki ga obdajajo. Dekle, ki jo ljubi, se prav tedaj vra\u010da s polja. Franjo se skrije za lipo in prisluhne Minkini ariji o sre\u010di in upanju. Ko se ji razkrije, si najprej v govorjenem in potem \u0161e v odpetem dialogu priznata medsebojno naklonjenost. Po Minkinem odhodu se Franju pridru\u017eita monsieur Chansonette in njegova \u017eena Ninon in duet brez premora preide v prvi tercet s prete\u017eno francoskim besedilom. Chansonette je glasbenik, ki zaradi negotovih razmer v doma\u010di Franciji \u017eivi in ustvarja v Trstu. V daljavi zasli\u0161i Minkino petje in pretrese ga lepota njenega glasu. Ko se deklica pribli\u017ea, se s Francozoma, ki jo poimenujeta slav\u010dek, zaplete v pogovor. Kmalu se jim pridru\u017ei \u0161e Minkina obupana mati, ki jo te\u017ei breme dolga. Pred leti je zastavila doma\u010dijo, da bi malopridnega sina re\u0161ila pred je\u010do. \u010ce upniku nemudoma ne izpla\u010da zahtevanega denarja, ju bo s h\u010derjo naslednji dan vrgel iz hi\u0161e. Chansonette velikodu\u0161no ponudi Minkini materi potrebno vsoto v zameno za njeno dovoljenje, da h\u010derko odpelje v Trst, kjer bo lahko iz\u0161olala svoj glas in se posvetila glasbeni karieri. Ker se bo s tr\u017ea\u0161kimi Slovenci lahko sporazumevala v doma\u010dem jeziku, ji bo toliko la\u017eje premostiti prehod med \u017eivljenjem v velikem mestu in doma\u010dem zaselku. Materi, ki se te\u017eko lo\u010di od h\u010dere, dopoveduje, da se ji bo pozneje, ko bo h\u010derka \u017ee uspela, tudi sama lahko pridru\u017eila v tujini. Minka se odlo\u010di, da odide s Francozoma in tako re\u0161i doma\u010dijo. Po Chansonettovi ariji o Minkini operni karieri se na prizori\u0161\u010de vrne Franjo in izve novico o skoraj\u0161njem odhodu ljubljenega dekleta. Prvo dejanje zaklju\u010di kvintet, v katerem se obup mladih zaljubljencev me\u0161a s prepevanjem francoskega para o Minkini prihodnji slavi.<\/p>\n<p>Drugo dejanje uvede zborovska arija <em>Gorenjci ljudje smo veseli<\/em>. \u017dalost glavnih junakov preglasijo bodrilni toni, ki prehajajo v tercet, v <em>komi\u010dni ensemble <\/em>Franjevega prijatelja Lovra, debelu\u0161nega grajskega oskrbnika \u0160truklja in njegovega shiranega pisarja, ki prepeva tudi v naslednjem tercetu s Francozoma. Izrazi jima naklonjenost svojega delodajalca in vsi skupaj odidejo v va\u0161ko kr\u010dmo. V mraku se dekleta vra\u010dajo s polja in po ve\u010dernem zvonjenju skupaj z mo\u0161kim delom zbora, ki jih pri\u010daka na trgu, kle\u010de zapojejo <em>Ave Marijo<\/em>. Po kraj\u0161em govornem vlo\u017eku, v katerem se monsieur Chansonette za\u010dne poslavljati, je na vrsti napitnica. Lovro v prvi kitici opeva blagodejne u\u010dinke vina, v drugi z zborom va\u0161\u010danov nazdravi lepoti doma\u010dih deklet, tretji kozarec pa spijejo v \u010dast domovini, <em>\u00bbki za Slovenca je raj.\u00ab<\/em> Tik pred odhodom se Chansonette ob pogledu na nesre\u010dno deklico, njeno obupano mater in poklapanega zaro\u010denca Franja, odlo\u010di, da bo Minki brezpogojno podaril dvesto goldinarjev in ne bo ve\u010d vztrajal, da jo v zameno odpelje s seboj. Ob novici, da bo lahko ostala v doma\u010di vasi, Minka radostno zapoje zaklju\u010dno <em>arijeto<\/em>. Chansonette in Ninon se poslavljata od va\u0161\u010danov z \u017eeljo, da se naslednje leto spet snidejo in da ju bo gorenjski slav\u010dek, ki ga prepu\u0161\u010data doma\u010di idili, spet razveseljeval s svojim petjem. Lovro \u010detrti\u010d dvigne polno \u010da\u0161o in skupaj z zborom poslednji\u010d nazdravi odhajajo\u010dima letovi\u0161\u010darjema.<\/p>","protected":false},"excerpt":{"rendered":"<p>Luiza Pesjak<\/p>","protected":false},"author":1,"featured_media":1470,"template":"","categories":[9],"tags":[21],"avtor":[293],"izpostavljamo":[],"letnik":[287],"naslov":[53],"prevajalec":[],"zbirka":[],"class_list":["post-338","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-digitalna-knjiznica","tag-dramatika","avtor-pesjak-luiza","letnik-287","naslov-gorenjski-slavcek-1872"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Luiza Pesjak: Gorenjski slav\u010dek (1872) - SLOGI<\/title>\n<meta name=\"description\" content=\"Mladi Franjo se po \u0161tirih letih uka vra\u010da v doma\u010do vas v okolici Bleda. 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