{"id":274,"date":"2016-12-15T19:17:08","date_gmt":"2016-12-15T18:17:08","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-revija-za-teorijo-scenskih-umetnosti\/"},"modified":"2024-01-20T13:47:24","modified_gmt":"2024-01-20T12:47:24","slug":"amfiteater-revija-za-teorijo-scenskih-umetnosti","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-revija-za-teorijo-scenskih-umetnosti\/","title":{"rendered":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 4, \u0160tevilka 2"},"content":{"rendered":"<p align=\"justify\">Druga \u0161tevilka \u010detrtega letnika Revije za teorijo scenskih umetnosti Amfiteater je pod drobnogled vzela polo\u017eaj osrednje gledali\u0161ke institucije in analizira predstave Kralj Ubu, Generalka za generacijo, drugi\u010d in Trpe\u010de. Prina\u0161a \u0161tiri razprave ter tri knji\u017ene recenzije teatrolo\u0161kih del mlaj\u0161ih slovenskih avtoric\/jev.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Kolofon_Amfiteater_4_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Colophon<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Kazalo_Amfiteater_4_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Index<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2016\/12\/Amfiteater-4-2_Uvodnik.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Editorial<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_web.pdf\"<\/a><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amphitheater 4\/2<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4><strong>Discussions<\/strong><\/h4>\n<h5>Maja \u0160orli and Zala Dobov\u0161ek:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_1_Sorli_Dobovsek_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kralj Ubu \u2013 \u0161ok snovalnega gledali\u0161\u010da v nacionalni instituciji<\/a>\u00a0 <\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_1_Sorli_Dobovsek_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Ubu the King \u2013 the Shock of Devised Theater in a National Institution<\/em><\/a><\/p>\n<h5>Nenad Jelesijevi\u0107:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_2_Jelesijevic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Zev, ki zamaje institucijo. Nemi lik v utopiji performansa<\/a> <\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_2_Jelesijevic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Rupture that Shakes the Institution: The Mute Character in the Utopia of Performance<\/em><\/a><\/p>\n<h5>Alja Lobnik:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_3_Lobnik_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Od semiotike k pragmatizmu. Pretres onotologije teksta na primeru \u00bbnove dramatike\u00ab<\/a> <\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_3_Lobnik_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>From Semiotics to Pragmatism: The Ontology of the Text on the Example of \u201cNew Drama\u201d<\/em><\/a><\/p>\n<h5>Nata\u0161a Gli\u0161i\u0107:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_4_Glisic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Zapor \u2013 absurdni prostor svobode<\/a>\u00a0 <\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Raz_4_Glisic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Prison \u2013 an Absurd Space of Freedom<\/em><\/a><\/p>\n<h4><strong>Reviews<\/strong><\/h4>\n<h5>Gasper Troha:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Rec_1_Troha.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The new role of the dramatic text in contemporary Slovenian theatre<\/em><\/a> <em>(Maja \u0160orli: Slovenska postdramska pomlad.)<\/em><\/p>\n<h5>Ur\u0161ula Ter\u017ean:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Rec_2_Terzan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Vseobsegajo\u010de dvojnosti plesa (ujete) osvobojene v ve\u010dnosti trenutka<\/a><\/em> <em>(Katja Legin: Dvojnosti \u2013 Performer in njegovo delo.)<\/em><\/p>\n<h5>Andrej Zavrl:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Rec_3_Zavrl.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Henry VI. and Shakespeare&#039;s political theology<\/em><\/a> <em>(Ga\u0161per Jakovac: Kar Bog zahteva, to naj kralj ukrene. Ideologija absolutizma v Shakespearovi trilogiji Henrik VI.)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Navodila-za-avtorice_je.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Submission Guidelines<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-2_Vabilo-k-razpravam_Call-for-papers.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Call for Papers\u00a0<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Editor-in-Chief:<\/strong> Maja \u0160orli<\/p>\n<p><strong>Editorial Board<\/strong>: Bojana Kunst, Barbara Orel, Ana Perne, Bla\u017e Lukan, Aldo Milohni\u0107, Ga\u0161per Troha<\/p>\n<p align=\"justify\"><strong>Mednarodni uredni\u0161ki svet:<\/strong> Mark Amerika (University of Colorado, US), Marin Bla\u017eevi\u0107 (University of Zagreb, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107 (Singidunum University, RS), SE Wilmer (Trinity College Dublin, IE)<\/p>\n<p><strong>Co-Publisher:<\/strong> Slovenski gledali\u0161ki in\u0161titut (zanj Mojca Jan Zoran, direktorica) in Univerza v Ljubljani, Akademija za gledali\u0161\u010de, radio, film in televizijo (zanjo Toma\u017e Guben\u0161ek, dekan).<\/p>\n<p>&nbsp;<\/p>\n<p>Revijo Amfiteater je ustanovila UL AGRFT. Z lanskim letnikom je revija za\u010dela izhajati v soizdajateljstvu s SLOGI. Ob tem pa ostaja univerzitetna znanstvena revija, z dvema \u0161tevilkama v letniku.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Druga \u0161tevilka \u010detrtega letnika Revije za teorijo scenskih umetnosti Amfiteater je pod drobnogled vzela polo\u017eaj osrednje gledali\u0161ke institucije in analizira predstave Kralj Ubu, Generalka za generacijo, drugi\u010d in Trpe\u010de. Prina\u0161a \u0161tiri razprave ter tri knji\u017ene recenzije teatrolo\u0161kih del mlaj\u0161ih slovenskih avtoric\/jev. &nbsp; Kolofon Kazalo Uvodnik<\/p>","protected":false},"author":1,"featured_media":1185,"template":"","categories":[7],"tags":[21,22,30,29,23],"avtor":[],"izpostavljamo":[],"letnik":[243],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-274","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","tag-dramatika","tag-dramsko-gledalisce","tag-eksperimentalno-gledalisce","tag-gledaliska-kritika","tag-teatrologija-dramaturgija","letnik-243","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 4, \u0160tevilka 2 - SLOGI<\/title>\n<meta name=\"description\" content=\"Druga \u0161tevilka \u010detrtega letnika Revije za teorijo scenskih umetnosti Amfiteater je pod drobnogled vzela polo\u017eaj osrednje gledali\u0161ke institucije.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-revija-za-teorijo-scenskih-umetnosti\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 4, \u0160tevilka 2 - 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