{"id":273,"date":"2016-09-15T19:16:31","date_gmt":"2016-09-15T17:16:31","guid":{"rendered":"https:\/\/www.slogi.si\/publikacija\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-4-stevilka-1\/"},"modified":"2024-01-20T13:47:18","modified_gmt":"2024-01-20T12:47:18","slug":"amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-4-stevilka-1","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-4-stevilka-1\/","title":{"rendered":"Amphitheatre, Journal for the Theory of Performing Arts, Volume 4, Issue 1"},"content":{"rendered":"<p>Prva \u0161tevilka \u010detrtega letnika Revije za teorijo scenskih umetnosti Amfiteater prina\u0161a \u0161tiri razprave doma\u010dih avtoric in avtorjev ter tri knji\u017ene recenzije.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/kolofon_4_1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kolofon<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/kazalo_4_1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kazalo<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_00_uvodnik-SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Uvodnik<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1-WEB.pdf\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Amfiteater 4\/1<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4><strong>Razprave<\/strong><\/h4>\n<h5>Toma\u017e Krpi\u010d:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_01_Krpic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Gledal\u010deva spoznavna nadomestitev odsotnega performerjevega fenomenalnega telesa<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_01_Krpic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Spectator&#8217;s Cognitive Substitution of the Absent Performer&#8217;s Phenomenal Body<\/em><\/a><\/p>\n<h5>Nenad Jelesijevi\u0107:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_02_Jelesijevic_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">O utele\u0161enju kritike v performansu\u00a0<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_02_Jelesijevic_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>On the Embodied Critique of\/in Performance<\/em><\/a><\/p>\n<h5>Mala Kline:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_03_Kline_SI1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Neoperativna gledali\u0161\u010da: o biti-skupaj singularnosti, Esej o performansih Recollections Dalije A\u0107in Thelander in drugi\u010d Simone Semeni\u010d<\/a><\/em><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_03_Kline_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Inoperative Theatres: On a Being Together of of Singularities, An essay on Recollections by Dalia A\u0107in Thelander and The Second Time by Simona Semeni\u010d<\/em><\/a><\/p>\n<h5>Katja Gore\u010dan:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_04_Gorecan_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Koreopesem ali poeti\u010dna drama afroameri\u0161ke feministi\u010dne avtorice Ntozake Shange<\/a><\/em><\/p>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_raz_04_Gorecan_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">The Choreopoem or Poetic Drama by the African american Feminist Author Ntozake Shange (long abstract)<\/a><\/em><\/p>\n<h4><strong>Recenzije<br \/>\n<\/strong><\/h4>\n<h5>Aldo Milohni\u0107:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_rec_05_Milohnic.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Zgodovinopisni rekviem za razvaline nem\u0161kega gledali\u0161\u010da v Ljubljani<\/em> (Sandra Jenko: <em>Jubilejno gledali\u0161\u010de cesarja Franca Jo\u017eefa v Ljubljani. Zgodovina nastanka in razvoj nem\u0161kega odra med 1911 in 1918<\/em>.)<\/a><\/p>\n<h5>Jasmina Zalo\u017enik:<\/h5>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_rec_06_Zaloznik.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Opotekajo\u010da se premestitev<\/em> (<em>MISperformance: essays in Shifting Perspectives<\/em>. Ur. Marin Bla\u017eevi\u0107 in Lada \u010cale Feldman.)<\/a><\/p>\n<h5>Amy Bryzgel:<\/h5>\n<p><em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_rec_07_Bryzgel_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nedoumljivost \u017divljenja (v nastajanju) <\/a><\/em><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_rec_07_Bryzgel_SI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">(Janez Jan\u0161a: <em>Life II [in Progress]<\/em>. ur. Janez Jan\u0161a.)<\/a><\/p>\n<p><a href=\"http:\/\/slogi.si\/wp-content\/uploads\/2017\/11\/Amfiteater-4-1_rec_07_Bryzgel_AN.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Imponderability of life (in Progress) <\/em>(Janez Jan\u0161a: <em>Life II [in Progress]<\/em>. Ed. Janez Jan\u0161a.)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Glavna in odgovorna urednica:<\/strong> Maja \u0160orli<\/p>\n<p><strong>Uredni\u0161ki odbor:<\/strong> Bojana Kunst, Barbara Orel, Ana Perne, Bla\u017e Lukan, Aldo Milohni\u0107, Ga\u0161per Troha<\/p>\n<p align=\"justify\"><strong>Mednarodni uredni\u0161ki svet:<\/strong> Mark Amerika (University of Colorado, US), Marin Bla\u017eevi\u0107 (Sveu\u010dili\u0161te u Zagrebu, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu \u0170likool, EE), Mi\u0161ko \u0160uvakovi\u0107 (Univerzitet Singidunum, RS), S. E. Wilmer (Trinity College Dublin, IE)<\/p>\n<p align=\"justify\">Revijo Amfiteater je ustanovila UL AGRFT. Z lanskim letnikom je revija za\u010dela izhajati v soizdajateljstvu s SLOGI. Ob tem pa ostaja univerzitetna znanstvena revija, z dvema \u0161tevilkama v letniku.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prva \u0161tevilka \u010detrtega letnika Revije za teorijo scenskih umetnosti Amfiteater prina\u0161a \u0161tiri razprave doma\u010dih avtoric in avtorjev ter tri knji\u017ene recenzije. &nbsp; Kolofon Kazalo Uvodnik Amfiteater 4\/1 &nbsp; Razprave Toma\u017e Krpi\u010d: Gledal\u010deva spoznavna nadomestitev odsotnega performerjevega fenomenalnega telesa The Spectator&#8217;s Cognitive Substitution of the Absent Performer&#8217;s Phenomenal Body Nenad Jelesijevi\u0107: O utele\u0161enju kritike v performansu\u00a0 &#8230;<\/p>","protected":false},"author":1,"featured_media":1162,"template":"","categories":[7],"tags":[21,22,29,31,32,23],"avtor":[],"izpostavljamo":[],"letnik":[243],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-273","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","tag-dramatika","tag-dramsko-gledalisce","tag-gledaliska-kritika","tag-sodobne-scenske-umetnosti","tag-sodobni-ples","tag-teatrologija-dramaturgija","letnik-243","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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