{"id":19069,"date":"2026-07-03T10:19:32","date_gmt":"2026-07-03T08:19:32","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&p=19069"},"modified":"2026-07-08T11:14:43","modified_gmt":"2026-07-08T09:14:43","slug":"amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-14-stevilka-1","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-14-stevilka-1\/","title":{"rendered":"Amfiteater, Journal of Performing Arts Theory, Volume 14, Number 1"},"content":{"rendered":"

The first issue of the fourteenth volume of Amfiteater: Journal of Performing Arts Theory<\/em>, is largely devoted to articles developed from papers presented at the journal's international symposium, \"Ecology and the Performing Arts,\" held in the autumn of 2025 at the Slovenian Theatre Institute in Ljubljana.<\/p>\r\n

The aim of the Amfiteater<\/em> Autumn Symposium was to explore ecology and climate change in relation to drama, theatre, the performing arts, and hybrid artistic practices (such as performance art, new media art, and intermedia art). Questions of how to respond to the impending ecological crisis, and what role art can play in advancing the green transition, have become increasingly prominent within contemporary artistic practice.<\/p>\r\n

The symposium was conceived by Janez Strehovec, philosopher and theorist of new media art and its contexts, who in recent years also published several in-depth studies on ecological issues in contemporary art and society. This issue is dedicated to his memory.<\/p>\r\n

The thematic section of the first issue of this year's Amfiteatra<\/em> comprises thirteen articles in Slovenian and English. The contributors are Prof. Dr. Lada \u010cale Feldman, Dr. Ga\u0161per Troha, Prof. Dr. Mateja Pezdirc Bartol, Dr. Petra Je\u017ekov\u00e1, Assist. Prof. Dr. Giada Cipollone, Assistant Bruna Bonanno, Maria Paola Zedda, M.A., Anja Dimitrijevi\u0107, M.A., Prof. Dr. Narvika Bovcon, Prof. Dr. Ale\u0161 Vaupoti\u010d, Assist. Prof. Dr. Kaja Kraner, Tery \u017de\u017eelj, M.A., and Jatun Risba, M.A.<\/p>\r\n

In addition to the thematic section, the issue includes three further articles: Uro\u0161 Trefalt examines the transformations of traditional puppet characters in the Central European cultural space; Eva Kra\u0161evec discusses comedy at the beginning of the twentieth century; and Helena Valerija Krieger explores the authorial ballet choreographies of The Dying Swans Project<\/em> in virtual space.<\/p>\r\n

The issue was edited by dr. Maja Murnik. \u00a0<\/p>\r\n\r\n\r\n\r\n

Colophon<\/a><\/p>\r\n

Contents<\/a><\/p>\r\n\r\n\r\n\r\n

Amfiteater 14\/1<\/small><\/a><\/p>\r\n\r\n\r\n\r\n

 <\/p>\r\n

Editorial<\/a><\/p>\r\n

<\/h4>\r\n

Ekologija in uprizoritvene umetnosti \/ Ecology and the Performing Arts<\/h4>\r\n

Lada \u010cale Feldman<\/h5>\r\n

The Deliberative Ecology of Kyoto<\/a><\/p>\r\n

Posvetovalna ekologija v drami Kyoto<\/em><\/a><\/p>\r\n

Ga\u0161per Troha<\/h5>\r\n

Nonhuman Actors in Slovenian Drama<\/a><\/p>\r\n

Nonhuman Actors in Slovenian Drama<\/a><\/p>\r\n

Mateja Pezdirc Bartol<\/h5>\r\n

The Secret Life of Trees in the Theatre Productions of \u017diga Divjak<\/a><\/p>\r\n

The Secret Life of Trees in the Theatre Productions of \u017diga Divjak<\/a><\/p>\r\n

Petra Je\u017ekov\u00e1<\/h5>\r\n

Trees as a Dramatic and Performative Metaphor<\/a><\/p>\r\n

Drevesa kot dramska in performativna metafora<\/a><\/p>\r\n

Giada Cipollone<\/h5>\r\n

Island Studies and Performance Studies<\/a><\/p>\r\n

Oto\u0161ki \u0161tudiji in uprizoritveni \u0161tudiji<\/a><\/p>\r\n

Bruna Bonanno<\/h5>\r\n

Spinning Extraterritorial Yarns: Notes Towards Pirate Dramaturgy<\/a><\/p>\r\n

Razpredanja o ekstrateritorialnosti: zapiski o piratski dramaturgiji<\/a><\/p>\r\n

Maria Paola Zedda<\/h5>\r\n

Performance as Necrowriting: Necropolitics, Resonances and Artistic Research in the Haunted Mediterranean \u2013 A Sardinian Genealogy<\/a><\/p>\r\n

Performans kot nekropisava: nekropolitika, rezonance in umetni\u0161ko raziskovanje v Sredozemlju prikazni \u2013 sardinska genealogija<\/a><\/p>\r\n

Anja Dimitrijevi\u0107<\/h5>\r\n

Digital Space, Environment and Performance in the Venetian Context<\/a><\/p>\r\n

Digitalni prostor, okolje in uprizarjanje v bene\u0161kem kontekstu<\/a><\/p>\r\n

Narvika Bovcon<\/h5>\r\n

Umetni\u0161ko modeliranje trajnostnega ravnovesja med \u010dlove\u0161kimi in ne\u010dlove\u0161kimi akterji: festival Ars Electronica, umetnika Paul Ryan in Pierre Huyghe<\/a><\/p>\r\n

Artistic Modelling of a Sustainable Balance between Human and Non-Human Agents: Ars Electronica Festival, Artists Paul Ryan and Pierre Huyghe<\/a><\/p>\r\n

Ale\u0161 Vaupoti\u010d<\/h5>\r\n

Novomedijska umetnost in etika infosfere<\/a><\/p>\r\n

New Media Art and the Ethics of the Infosphere<\/a><\/p>\r\n

Kaja Kraner<\/h5>\r\n

Space as Protagonist: Ecological Aspects of Neja Tom\u0161i\u010d\u2019s Performative Works<\/a><\/p>\r\n

Prostor kot protagonist: ekolo\u0161ki vidiki performativnih del Neje Tom\u0161i\u010d<\/a><\/p>\r\n

Tery \u017de\u017eelj<\/h5>\r\n

Arboreal Analysis: Towards a Site-Responsive Approach in Analysing Site-Specific Art<\/a><\/p>\r\n

Arboristi\u010dna analiza: o prostorsko odzivnem pristopu k analizi prostorsko specifi\u010dne umetnosti<\/a><\/p>\r\n

Jatun Risba<\/h5>\r\n

Vital Materiality in the Art Film Series A Tree Doesn\u2019t Fall Far From the Mountain <\/em><\/a><\/p>\r\n

Vital Materiality in the Art Film Series A Tree Doesn\u2019t Fall Far From the Mountain<\/em><\/a><\/p>\r\n

Articles<\/h4>\r\n
Uro\u0161 Trefalt<\/h5>\r\n

Decline and Emergence: Puppet Types from Tradition to Modern Reinterpretations<\/a><\/p>\r\n

Zaton in vznik: tipi lutk od tradicije do sodobnih reinterpretacij<\/a><\/p>\r\n

Eva Kra\u0161evec<\/h5>\r\n

Komedija na za\u010detku dvajsetega stoletja, njena strast do realnega in vpliv na razvoj \u017eanra<\/a><\/p>\r\n

Comedy at the Beginning of the 20th Century: Its Passion for the Real and Influence on Genre Development<\/a><\/p>\r\n

Helena Valerija Krieger<\/h5>\r\n

Heterotopije digitalne transformacije: prostorska analiza Dying Swans Project<\/em> v pandemijskem in postpandemijskem kontekstu<\/a><\/p>\r\n

Heterotopias of Digital Transformation: A Spatial Analysis of The Dying Swans Project in Pandemic and Post-Pandemic Contexts \u00a0<\/a><\/p>\r\n

 <\/p>\r\n

Navodila za avtorje<\/a> \/ Submission Guidelines<\/a><\/p>\r\n

Call for Papers<\/a> \u00a0<\/p>\r\n\r\n\r\n\r\n

 <\/p>\r\n

Editor-in-Chief:<\/strong>\u00a0Maja Murnik, PhD<\/p>\r\n\r\n\r\n\r\n

Editorial Board:<\/strong> Zala Dobov\u0161ek, PhD (University of Ljubljana), Jure Gantar, PhD (Dalhousie University, CA), Primo\u017e Jesenko, MA (Slovenian Theatre Institute), Matic Kocijan\u010di\u010d, PhD (Slovenian Theatre Institute), Bojana Kunst, PhD, Prof. (Justus-Liebig University Gie\u00dfen, DE), Bla\u017e Lukan, PhD, Assist. Prof. (University of Ljubljana), Aldo Milohni\u0107, PhD, Assoc. Prof. (University of Ljubljana), Barbara Orel, PhD, Prof. (University of Ljubljana), Mateja Pezdirc Bartol, PhD, Prof. (University of Ljubljana), Maja \u0160orli, PhD (University of Ljubljana), Toma\u017e Topori\u0161i\u010d, PhD, Prof. (University of Ljubljana), Ga\u0161per Troha, PhD (Slovenian Theatre Institute)<\/p>\r\n\r\n\r\n\r\n

International Editorial Board:<\/strong>\u00a0Mark Amerika, MFA (University of Colorado, US), izr. prof. dr. Marin Bla\u017eevi\u0107 (Sveu\u010dili\u0161te u Zagrebu, HR), Ramsay Burt, PhD (De Montfort University, GB), prof. dr. Lada \u010cale Feldman (Sveu\u010dili\u0161te u Zagrebu, HR), Joshua Edelman, PhD (Manchester Metropolitan University, GB),\u00a0 Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), prof. dr. Mi\u0161ko \u0160uvakovi\u0107 (Univerzitet Singidunum, RS), prof. Stephen Elliot Wilmer (Trinity College Dublin, IE)<\/p>\r\n\r\n\r\n\r\n

Co-Publisher:<\/strong>\u00a0Slovenian Theater Institute (represented by Ga\u0161per Troha, director) and University of Ljubljana Press (reprezented by Gregor Majdi\u010d, the Rector of the University of Ljubljana)<\/p>","protected":false},"excerpt":{"rendered":"

The first issue of the fourteenth volume of Amfiteater: Journal of Performing Arts Theory<\/em>, is largely devoted to articles developed from papers presented at the journal's international symposium, \"Ecology and the Performing Arts,\" held in the autumn of 2025 at the Slovenian Theatre Institute in Ljubljana.<\/p>","protected":false},"author":6,"featured_media":19099,"template":"","categories":[7],"tags":[],"avtor":[],"izpostavljamo":[],"letnik":[639],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-19069","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","letnik-639","zbirka-amfiteater"],"acf":[],"yoast_head":"\nAmfiteater, Revija za teorijo scenskih umetnosti, Letnik 14, \u0160tevilka 1 - SLOGI<\/title>\n<meta name=\"description\" content=\"Prete\u017eni del prve \u0161tevilke \u0161tirinajstega letnika Amfiteatra predstavljajo razprave, pripravljene na podlagi prispevkov na Amfiteatrovem mednarodnem simpoziju, ki je na temo \u00bbEkologija in uprizoritvene umetnosti \/ Ecology and the Performing Arts\u00ab potekal jeseni 2025 v Slovenskem gledali\u0161kem in\u0161titutu v Ljubljani.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-14-stevilka-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 14, \u0160tevilka 1 - 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