{"id":17854,"date":"2025-12-19T09:28:45","date_gmt":"2025-12-19T08:28:45","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&p=17854"},"modified":"2026-01-15T12:16:28","modified_gmt":"2026-01-15T11:16:28","slug":"amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-13-stevilka-2","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-13-stevilka-2\/","title":{"rendered":"Amfiteater, Journal of Performing Arts Theory, Volume 13, Number 2"},"content":{"rendered":"

<\/p>\r\n

The second volume of the thirteenth year of the Amfiteater<\/em> journal introduces two discussions from the \u2018Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre\u2019 symposium theme, which was the focus of the previous issue of the journal (1\/2025). The first article advocates for the re-evaluation and recognition of Eastern European art in the canon of world art history. The second article discusses the development of futuristic dance and the role of dancer Giannina Censi.<\/p>\r\n

Three more discussions follow: the first tackles engaged theater using the example of two productions by \u017diga Divjak, the second interprets hybridity in literature with a focus on Handke's play Still Storm<\/em>, and the third analyzes school drama in post-war Slovenia through the work of Marija Vida Kova\u010di\u010d.<\/p>\r\n

The authors of the essays are: prof. dr. Aleksandra Jovi\u0107evi\u0107, mag. Manca Lipoglav\u0161ek, doc. dr. Bla\u017e Lukan, mag. Mi\u0161a Gli\u0161i\u010d, and prof. dr. Milena Mileva Bla\u017ei\u0107.<\/span><\/p>\r\n

The issue concludes with two book reviews: in the first, Tajda Lipicer analyzes Ga\u0161per Troha's book Slovenska dramatika in tuji vplivi po letu 2000<\/em> (Slovenian Drama and Foreign Influences after 2000<\/em>), while in the second, Nik \u017dnidar\u0161i\u010d reviews the anthology Theatre Censorship in Contemporary Europe: Silence and Protest<\/em>, edited by Anne Etienne and Chris Megson.<\/p>\r\n

The issue was edited by dr. Maja Murnik.<\/span><\/p>\r\n

<\/p>\r\n\r\n\r\n\r\n

Colophon<\/a>
Contents<\/a><\/p>\r\n\r\n\r\n\r\n

Amfiteater 13\/2<\/small><\/a><\/p>\r\n\r\n\r\n\r\n

 <\/p>\r\n

Editorial<\/a><\/p>\r\n

<\/h4>\r\n

Avantgardna umetnost, gledali<\/span>\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem, II. del \/ Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre, Part II <\/span><\/h4>\r\n
Aleksandra Jovi\u0107evi\u0107<\/span><\/h5>\r\n

The Cold War Is Over, and It Made Us Even Colder: Art and Artists Between Eastern and Western Europe from 1945 until 2025 <\/span><\/a><\/p>\r\n

Hladna vojna je kon\u010dana, nas pa je naredila \u0161e hladnej\u0161e: umetnost in umetniki med Vzhodno in Zahodno Evropo v letih od 1945 do 2025 <\/span><\/a><\/p>\r\n

Manca Lipoglav\u0161ek<\/span><\/h5>\r\n

Futuristi\u010dni aeroples in Giannina Censi <\/span><\/a><\/p>\r\n

Futurist Aerodance and Giannina Censi <\/span><\/a><\/p>\r\n

Articles<\/span><\/h4>\r\n
Bla\u017e Lukan<\/span><\/h5>\r\n

Anga\u017ema v gledali\u0161\u010du: dve uprizoritvi v re\u017eiji \u017dige Divjaka <\/span><\/a><\/p>\r\n

Engagement in Theatre: Two Productions Directed by \u017diga Divjak <\/span><\/a><\/p>\r\n

Mi\u0161a Gli\u0161i\u010d<\/span><\/h5>\r\n

Hibridnost kot poeti\u010dni postopek v drami Still a storm<\/em> Petra Handkeja<\/a> <\/span><\/p>\r\n

Hybridity as a Poetic Process in Peter Handke\u2019s Drama Storm Still<\/em>\u00a0<\/span><\/a><\/p>\r\n

Milena Mileva Blazi\u0107<\/span><\/h5>\r\n

Primerjalna \u0161tudija <\/span>\u00bbdrobne dramatike\u00ab v priro<\/span>\u010dnikih Marije Vide Kova\u010di\u010d: pedago\u0161ki koncepti skozi letni koledar <\/span><\/a><\/p>\r\n

A Comparative Study of \u201cMicro-Drama\u201d in the Teaching Manuals of Marija Vida Kova<\/span>\u010di\u010d<\/span><\/span><\/a><\/p>\r\n

Book Reviews<\/span><\/h4>\r\n
Tajda Lipicer<\/span><\/h5>\r\n

Bele\u017eenje razvojnih linij slovenske dramatike ob prelomu tiso\u010dletja (Ga\u0161per Troha: Slovenska dramatika in tuji vplivi po letu 2000<\/em>) <\/span><\/a><\/p>\r\n

Nik \u017dnidar\u0161i\u010d<\/span><\/h5>\r\n

Izmuzljivost sodobne cenzure (A. Etienne, C. Megson, ur.: Theatre Censorship in Contemporary Europe<\/em>) <\/span><\/a><\/p>\r\n

 <\/p>\r\n

Navodila za avtorje<\/a> \/ Submission Guidelines<\/a>
Call for Papers<\/a><\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n\r\n\r\n\r\n

Editor-in-Chief:<\/strong>\u00a0Maja Murnik, PhD<\/p>\r\n\r\n\r\n\r\n

Editorial Board:<\/strong> Zala Dobov\u0161ek, PhD (University of Ljubljana), Jure Gantar, PhD (Dalhousie University, CA), Primo\u017e Jesenko, MA (Slovenian Theatre Institute), Matic Kocijan\u010di\u010d, PhD (Slovenian Theatre Institute), Bojana Kunst, PhD, Prof. (Justus-Liebig University Gie\u00dfen, DE), Bla\u017e Lukan, PhD, Assist. Prof. (University of Ljubljana), Aldo Milohni\u0107, PhD, Assoc. Prof. (University of Ljubljana), Barbara Orel, PhD, Prof. (University of Ljubljana), Mateja Pezdirc Bartol, PhD, Prof. (University of Ljubljana), Maja \u0160orli, PhD (University of Ljubljana), Toma\u017e Topori\u0161i\u010d, PhD, Prof. (University of Ljubljana), Ga\u0161per Troha, PhD (Slovenian Theatre Institute)<\/p>\r\n\r\n\r\n\r\n

International Editorial Board:<\/strong>\u00a0Mark Amerika, MFA (University of Colorado, US), izr. prof. dr. Marin Bla\u017eevi\u0107 (Sveu\u010dili\u0161te u Zagrebu, HR), Ramsay Burt, PhD (De Montfort University, GB), prof. dr. Lada \u010cale Feldman (Sveu\u010dili\u0161te u Zagrebu, HR), Joshua Edelman, PhD (Manchester Metropolitan University, GB),\u00a0 Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), prof. dr. Mi\u0161ko \u0160uvakovi\u0107 (Univerzitet Singidunum, RS), prof. Stephen Elliot Wilmer (Trinity College Dublin, IE)<\/p>\r\n\r\n\r\n\r\n

Co-Publisher:<\/strong>\u00a0Slovenian Theater Institute (represented by Ga\u0161per Troha, director) and University of Ljubljana Press (reprezented by Gregor Majdi\u010d, the Rector of the University of Ljubljana)<\/p>","protected":false},"excerpt":{"rendered":"

Drugi zvezek trinajstega letnika Amfiteatra uvajata razpravi iz simpozijske tematike \u00bbAvantgardna umetnost, gledali\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem\u00ab, ki ji je bila sicer natan\u010dno posve\u010dena prej\u0161nja \u0161tevilka revije (1\/2025). V nadaljevanju so objavljene \u0161e tri razprave, \u0161tevilko sklepata knji\u017eni recenziji.<\/p>","protected":false},"author":6,"featured_media":17875,"template":"","categories":[7],"tags":[],"avtor":[602],"izpostavljamo":[],"letnik":[615],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-17854","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","avtor-maja-murnik-urednica","letnik-615","zbirka-amfiteater"],"acf":[],"yoast_head":"\nAmfiteater, Revija za teorijo scenskih umetnosti, Letnik 13, \u0160tevilka 2 - SLOGI<\/title>\n<meta name=\"description\" content=\"Drugi zvezek trinajstega letnika Amfiteatra uvajata razpravi iz simpozijske tematike \u00bbAvantgardna umetnost, gledali\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem\u00ab, ki ji je bila sicer natan\u010dno posve\u010dena prej\u0161nja \u0161tevilka revije (1\/2025). 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