{"id":16382,"date":"2025-05-16T12:30:10","date_gmt":"2025-05-16T10:30:10","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&#038;p=16382"},"modified":"2025-11-28T13:20:35","modified_gmt":"2025-11-28T12:20:35","slug":"theater-as-a-museum","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/gledalisce-kot-muzej\/","title":{"rendered":"Theatre as a Museum"},"content":{"rendered":"<p><strong>Museum Institute<\/strong>, who made a decisive contribution to the introduction of visual arts and contemporary dance into Slovenian performing arts in the 1990s, <strong>celebrates its 30th anniversary<\/strong>In addition, the Slovenian Theatre Institute and the Muzeum Institute co-published the book by director, producer and curator Barbara Novakovi\u010d. <strong>publication<\/strong> with a title <strong><em>Theatre as a Museum<\/em><\/strong>, ki jo je pospremila pregledna razstava <strong><em><a href=\"https:\/\/www.slogi.si\/en\/events\/furioso-archive-retrospective-exhibition\/\" target=\"_blank\" rel=\"noopener\">Arhiv furioso<\/a>.<\/em><\/strong><\/p>\n<p style=\"text-align: right;\"><em>&quot;Looking back establishes a field of anchors and thought gradually assembles them into familiar images. Imprinted in a thousand pieces, the images travel to their starting point \u2013 memory. The objective world outlines the sensory direction of consciousness and paves the way for meaning in relation to the infinity of numbers, steps, feelings, gestures and words.&quot;<\/em><br \/>\nBarbara Novakovic, from the book <em>Theatre as a Museum<\/em><\/p>\n<p>The extensive book, spanning over 500 pages, draws on the Muzeum Theatre&#039;s rich, extensive archive of documents and references, and the photographic material \u2013 the book includes 313 photographs and sketches \u2013 is the work of numerous, 41 photographers to be exact. The whole encompasses a precise inventory and an encyclopedic, impressive in scope collection of the Muzeum Institute&#039;s performance (theatre and dance), exhibition and publishing opus. Given the changed times, context and symptoms of society, it is already possible to outline a synthesis. The authors&#039; contributions in the publication (Dr. Bla\u017e Lukan, Dr. Toma\u017e Topori\u0161i\u010d, Jana Pavli\u010d, Barbara Novakovi\u010d, Dr. Zala Dobov\u0161ek) follow the Muzeum Theatre phenomenon, initially a conceptual project that was (after the first performance <em>Cricket in fist<\/em> in 1994) is designed as a study of the relationships between image-word, space-time, movement-gesture, music \u2013 and the transformations of this stage aesthetics (aesthetic) and iconography, as revealed by the structure and, ultimately, the table of contents of the publication. The synthesis, which always also means a carefully considered selection, was prepared by Barbara Novakovi\u010d.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/KAZALO_Gledalisce-kot-muzej.pdf\" target=\"_blank\" rel=\"noopener\">Contents &gt;&gt;<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-large wp-image-17703\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-1024x585.jpg\" alt=\"\" width=\"800\" height=\"457\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-1024x585.jpg 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-300x171.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-768x438.jpg 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-1536x877.jpg 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2-18x10.jpg 18w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/Gledalisce-kot-muzej_2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<div id='gallery-1' class='gallery galleryid-16382 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-4.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Publication Theatre as a Museum. Photo: SLOGI.\" aria-describedby=\"gallery-1-16355\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16355'>\n\t\t\t\tPublication Theatre as a Museum. Photo: SLOGI.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-3.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Publication Theatre as a Museum. Photo: SLOGI.\" aria-describedby=\"gallery-1-16354\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16354'>\n\t\t\t\tPublication Theatre as a Museum. Photo: SLOGI.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/Gledalisce-kot-muzej_knjiga-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Publication Theatre as a Museum. Photo: SLOGI.\" aria-describedby=\"gallery-1-16352\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16352'>\n\t\t\t\tPublication Theatre as a Museum. Photo: SLOGI.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<div id='gallery-2' class='gallery galleryid-16382 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0000.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0000-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0001.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0001-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0003.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0003-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0004.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0004-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0005.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0005-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0006.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/11\/IMG-20251126-WA0006-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><strong>Barbara Novakovic and the Museum<\/strong><\/p>\n<p>\u00bbArtistic signature of <strong>Barbara Novakovic<\/strong>, director, performer, producer and curator, has always been recognized in the Slovenian art scene as subversive, rich in references, humanistically focused and at the same time based on analytical knowledge of Slovenian and world art history. She has always stepped onto the scene in her own rhythm and with themes that, despite their historical relevance for contemporary times, often represented a risk and, so to speak, the &quot;edge of the invisible&quot;, which, due to the complexity of the material, could not always be reflected on immediately, but only showed its influence over time. Her constant and close connection with the institute <strong>Museum<\/strong>, which she founded in 1996, she established a permanent but constantly evolving idea of infiltrating art history throughout her theatrical work and vice versa. On the Slovenian performance scene, she was also synonymous with &quot;philosophical theater&quot;, which, as a concept creator and author of performances, she understands in an extremely complex and interdisciplinary way. Philosophical implications, which are evident in both approaches to content and performance formats, enter her expressions in a layered manner, on the one hand textually (literally), on the other as a substance, a kind of ineffable atmosphere. Philosophy as a raw reality, as a hard word, but at the same time also as a constantly present but invisible ring around our existences - on stage and in the audience.<\/p>\n<p>The astonishingly extensive oeuvre of Barbara Novakovi\u010d and the Muzeum Institute reveals its political nature not only at the level of content or format, but is also reflected in the duality of the persistence of &quot;women in the non-governmental sector&quot;, where hierarchies are duplicated, and vulnerability and (occasional) uncertainties can extend not only to the space of creation, but also to existence. It is also necessary to highlight the interdisciplinarity of her work, which has constantly moved between the visual (art history, material theatre), the performing (theatre, movement) and the philosophical (theoretical). The latter is read from an external perspective as a territory of specific inter-genre research, but we must not forget that the transition between different areas or artistic fields is still quite demanding; due to the combination of different aesthetic fields, it is necessary to constantly question the mechanisms, logic and even the obviousness of the other field and optimally place them in one&#039;s own language and expressive goal. &quot;To put it very simply: we are not aware of the privilege of a common frame of reference until we step out of it and into another. Perhaps only then does the research truly begin. In fact, this is where the fundamental seeds of the experiment lie.&quot;<\/p>\n<p style=\"text-align: right;\">Zala Dobov\u0161ek, PhD, dramaturge, theatrologue<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Theatre as a Museum<\/em><\/strong><br \/>\nDocuments of the Slovenian Theatre Institute, Volume LXII, No. 108<\/p>\n<p>Published by: Slovenian Theatre Institute, Ljubljana, represented by: Ga\u0161per Troha<br \/>\nThe book was co-published with the Muzeum Institute, an institute for artistic production, mediation and publishing, Ljubljana, represented by: Barbara Novakovi\u010d<\/p>\n<p>Editors: Primo\u017e Jesenko, Barbara Novakovi\u010d<\/p>\n<p>Photographers: Igor Andjeli\u0107, Ur\u0161ka Boljkovac, Jeff Bickert, Bojan Brecelj, Miha Erman, Tja\u0161a Gnezda, Mojca Gorjan, Dejan Habicht, Nika H\u00f6lcl Praper, Leonora Jakovljevi\u0107, JA\u0160A, Aleksandra Kajbi\u010d, Egon Ka\u0161e, \u017diga Koritnik, Iztok Kurnik, Andrej Lamut, Matija Luki\u0107, Kata Moln\u00e1r, Mare Muti\u0107, Rok Oman, Matev\u017e Paternoster, Marko Pleterski, Katja Rosa, Uro\u0161 Rustja, Nejc Saje, Bojan Salaj, Janez Skobe, Tone Stojko, Barbara Stupica, Matic Sonnenwald, Jo\u017ee Suhadolnik, Miha \u0160kerlep, Darja \u0160travs Tisu, Margareta Tomi\u0107, Atej Tutta, Peter Uhan, Aleksandra Vajd, Petra Veber, Sandra Vrh, Denis Zupan, Nada \u017dgank<br \/>\nSketches, drawings and models: Aljo\u0161a Kolenc, Nina De\u0161man, Vlatka Ljubanovi\u0107, Barbara Stupica, Jaka \u0160imenc, Uro\u0161 Rustja, son:DA, Sa\u0161a Vale, Ur\u0161a Vidic, Elica Georgieva, Barbara Novakovi\u010d, Petra Petan, Dana \u010cuk and Valentin Dowhyj<br \/>\nSelection of visual material and index: Barbara Novakovi\u010d<br \/>\nArchive cards: Helena Pivec, Barbara Novakovi\u010d<br \/>\nSlovenian Language Editing: Andra\u017e Polon\u010di\u010d Rupar\u010di\u010d<br \/>\nTranslation and language editing of the English summary: Jana Ren\u00e9e Wilcoxen<br \/>\nDesign and preparation for printing: Dana \u010cuk, Vlatka Ljubanovi\u0107<\/p>\n<p>We would like to thank Ga\u0161per Troha, Aljo\u0161a Dobovi\u0161ek, Dana and Luka Ka\u0161et, Andrej Ovsec, Renata \u0160olar,<br \/>\nAna Kolenc, Meta Kojc, Matej Filip\u010di\u010d, Maret Muti\u0107 and Mojca Gorjan.<\/p>\n<p>The publication of the book was co-financed by the Ministry of Culture of the Republic of Slovenia.<\/p>","protected":false},"excerpt":{"rendered":"<p>The Muzeum Institute, which made a decisive contribution to the introduction of visual arts and contemporary dance into Slovenian performing arts in the 1990s, is celebrating its 30th anniversary. The publication Theatre as a Museum was co-published by the Slovenian Theatre Institute and the Muzeum Institute, directed by Barbara Novakovi\u010d, a producer and curator.<\/p>","protected":false},"author":6,"featured_media":16384,"template":"","categories":[7],"tags":[],"avtor":[],"izpostavljamo":[],"letnik":[615],"naslov":[],"prevajalec":[],"zbirka":[199],"class_list":["post-16382","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","letnik-615","zbirka-dokumenti"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gledali\u0161\u010de kot muzej - SLOGI<\/title>\n<meta name=\"description\" content=\"Zavod Muzeum, ki je odlo\u010dilno prispeval k uvajanju vizualnih umetnosti in sodobnega plesa v slovenske performativne umetnosti 90-ih let prej\u0161njega stoletja, praznuje 30-letnico delovanja. Ob tem je v sozalo\u017eni\u0161tvu Slovenskega gledali\u0161kega in\u0161tituta in zavoda Muzeum re\u017eiserke, producentke in kustosinje Barbare Novakovi\u010d nastala publikacija z naslovom Gledali\u0161\u010de kot muzej\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/theater-as-a-museum\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gledali\u0161\u010de kot muzej - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Zavod Muzeum, ki je odlo\u010dilno prispeval k uvajanju vizualnih umetnosti in sodobnega plesa v slovenske performativne umetnosti 90-ih let prej\u0161njega stoletja, praznuje 30-letnico delovanja. Ob tem je v sozalo\u017eni\u0161tvu Slovenskega gledali\u0161kega in\u0161tituta in zavoda Muzeum re\u017eiserke, producentke in kustosinje Barbare Novakovi\u010d nastala publikacija z naslovom Gledali\u0161\u010de kot muzej\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/theater-as-a-museum\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-28T12:20:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/05\/01_muzeum-NASLOVNICA-07-05-20251-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2199\" \/>\n\t<meta property=\"og:image:height\" content=\"1359\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/gledalisce-kot-muzej\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/gledalisce-kot-muzej\\\/\",\"name\":\"Gledali\u0161\u010de kot muzej - SLOGI\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/gledalisce-kot-muzej\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/gledalisce-kot-muzej\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/01_muzeum-NASLOVNICA-07-05-20251-1.jpg\",\"datePublished\":\"2025-05-16T10:30:10+00:00\",\"dateModified\":\"2025-11-28T12:20:35+00:00\",\"description\":\"Zavod Muzeum, ki je odlo\u010dilno prispeval k uvajanju vizualnih umetnosti in sodobnega plesa v slovenske performativne umetnosti 90-ih let prej\u0161njega stoletja, praznuje 30-letnico delovanja. 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