{"id":15156,"date":"2024-12-19T10:03:05","date_gmt":"2024-12-19T09:03:05","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&#038;p=15156"},"modified":"2026-01-15T12:12:17","modified_gmt":"2026-01-15T11:12:17","slug":"amphitheatre-journal-for-the-theory-of-performing-arts-volume-12-issue-2","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2\/","title":{"rendered":"Amfiteater, Journal of Performing Arts Theory, Volume 12, Number 2"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\">The volume starts with a thematic block entitled \"<em>Contributions to the Theory of New Media Art<\/em>\" and discussions on some of the key themes in the theory of new media art. The authors of discussions understand new media art more broadly, through its social contexts and implications, as well as through its relations with other social, political, philosophical, cultural and artistic issues and phenomena, such as the challenges of the anthropocene, gaming, social media, activism and artificial intelligence. The authors of the discussions are Janez Strehovec, PhD, Ale\u0161 Vaupoti\u010d, PhD, and Narvika Bovcon, PhD; a longer introduction was written by Maja Murnik, PhD.<\/p>\r\n<p class=\"translation-block\">In addition to the thematic block, the number brings an essay on the comic in the theatre for children and young people and five book reviews.<\/p>\r\n<p>The issue was edited by dr. Maja Murnik.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_kolofon.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Colophon<\/a><br \/><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_kazalo_contents.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Contents<\/a><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_web.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><small>Amphitheater 12\/2<\/small><\/a><\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n<h4 class=\"wp-block-heading\">Contributions to the Theory of New Media Art<\/h4>\r\n<h5>Maja Murnik<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_uvodnik-v-tematski-blok.pdf\" target=\"_blank\" rel=\"noopener\">Introduction to the thematic block &quot;Contributions to the Theory of New Media Art&quot;<\/a><\/p>\r\n<h5>Janez Strehovec<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_01_Strehovec_SI.pdf\" target=\"_blank\" rel=\"noopener\">The social and philosophical framework of new media art: new media art projects in the world of games, social media, artificial intelligence and activism<\/a><\/p>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_01_Strehovec_AN.pdf\" target=\"_blank\" rel=\"noopener\">The Social and Philosophical Foundations of New Media Art: New Media Art Projects in the World of Gaming, Social Media, Artificial Intelligence and Activism<\/a><\/p>\r\n<h5>Ale\u0161 Vaupoti\u010d<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_02_Vaupotic_SI.pdf\" target=\"_blank\" rel=\"noopener\">Art genres as a framework for research and long-term preservation of new media art<\/a><\/p>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_02_Vaupotic_AN.pdf\" target=\"_blank\" rel=\"noopener\">Genre Rules as a Framework for the Study and Sustainable Preservation of New Media Art<\/a><\/p>\r\n<h5>Narvika Bovcon<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_03_Bavcon_SI.pdf\" target=\"_blank\" rel=\"noopener\">Game actions in new media artworks<\/a><\/p>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_NOVOMEDIJSKA_03_Bavcon_AN.pdf\" target=\"_blank\" rel=\"noopener\">Game Actions and New Media Artworks<\/a><\/p>\r\n<h4>Essay \/ Essay<\/h4>\r\n<h5>Martina Pe\u0161taj, Benjamin Zajc<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_ESEJ_01_Pestaj_Zajc_SI.pdf\" target=\"_blank\" rel=\"noopener\">Comic in art for children and young people: how children and young people perceive and respond to the elements of humor<\/a><\/p>\r\n<h4>Reviews \/ Book Reviews<\/h4>\r\n<h5>Tajda Lipicer<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_REC_01_Lipicer.pdf\" target=\"_blank\" rel=\"noopener\">Slovenian drama of non-absoluteness (T. Topori\u0161i\u010d: <em>Dramatic fonts of the century<\/em>)<\/a><\/p>\r\n<h5>Jakob Ribic<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_REC_02_Ribic.pdf\" target=\"_blank\" rel=\"noopener\">Breaks with tradition: between innovations and excesses (B. Orel: <em>Breaks with tradition in Slovenian performing arts 1966\u20132006<\/em>)<\/a><\/p>\r\n<h5>Nik \u017dnidar\u0161i\u010d<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_REC_03_Znidarsic.pdf\" target=\"_blank\" rel=\"noopener\">The State of Eastern European Filmmaking (K. Stefanova, M. Carlson, eds.:<em> 20 Ground-Breaking Directors of Eastern Europe<\/em>e)<\/a><\/p>\r\n<h5>Karlo Pavlovi\u0107<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_REC_04_Pavlovic.pdf\" target=\"_blank\" rel=\"noopener\">Again and again: why doesn&#039;t Antigone want to leave us alone? (G. Moder: <em>Antigone<\/em>)<\/a><\/p>\r\n<h5>Tomaz Krpic<\/h5>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/01\/Amfiteater_12_2_REC_05_Krpic.pdf\" target=\"_blank\" rel=\"noopener\">Phenomenological discussions on performance art (TJ Bacon: <em>An Introduction to the Phenomenology of Performance Art<\/em>)<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_navodila-za-avtorje.pdf\" target=\"_blank\" rel=\"noopener\">Navodila za avtorje<\/a> \/ <a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_Submission-Guidelines.pdf\" target=\"_blank\" rel=\"noopener\">Submission Guidelines<\/a><\/p>\r\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2_vabilo-k-razpravam_call-for-papers.pdf\" target=\"_blank\" rel=\"noopener\">Call for Papers<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Editor-in-Chief:<\/strong>\u00a0Maja Murnik, PhD<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Editorial Board:<\/strong>\u00a0dr. Zala Dobov\u0161ek (University of Ljubljana), prof. dr. Jure Gantar (Dalhousie University, CA), M.Sc. Primo\u017e Jesenko (Slovenian Theater Institute), dr. Matic Kocijan\u010di\u010d (Slovenian Theater Institute), prof. dr. Bojana Kunst (Justus-Liebig-Universit\u00e4t Gie\u00dfen, DE), assistant professor dr. Bla\u017e Lukan (University of Ljubljana), Assoc. prof. dr. Aldo Milohni\u0107 (University of Ljubljana), Ph.D. Ga\u0161per Troha (SLOGI), editor. prof. dr. Barbara Orel (University of Ljubljana), editor. prof. dr. Mateja Pezdirc Bartol (University of Ljubljana), Ph.D. Maja \u0160orli (University of Ljubljana), Ed. prof. dr. Toma\u017e Topori\u0161i\u010d (University of Ljubljana)<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>International Editorial Board:<\/strong>\u00a0Mark Amerika, MFA (University of Colorado, US), Assoc. prof. dr. Marin Bla\u017eevi\u0107 (University of Zagreb, HR), Ramsay Burt, PhD (De Montfort University, GB), Joshua Edelman, PhD (Manchester Metropolitan University, GB), Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), prof. dr. Mi\u0161ko \u0160uvakovi\u0107 (Singidunum University, RS), prof. Stephen Elliot Wilmer (Trinity College Dublin, IE)<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Co-Publisher:<\/strong>\u00a0Slovenian Theater Institute (represented by Ga\u0161per Troha, director) and University of Ljubljana Press (reprezented by Gregor Majdi\u010d, the Rector of the University of Ljubljana)<\/p>","protected":false},"excerpt":{"rendered":"<p>The volume begins with a thematic block entitled \u201cContributions to the Theory of New Media Art,\u201d in which the authors discuss some key themes in the theory of new media art. They understand new media art more broadly, through its social contexts and implications, as well as through its relationships with other social, political, philosophical, cultural, and artistic issues and phenomena, such as the challenges of the Anthropocene, play, social media, activism, and artificial intelligence.<\/p>","protected":false},"author":6,"featured_media":15164,"template":"","categories":[7],"tags":[],"avtor":[602],"izpostavljamo":[],"letnik":[389],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-15156","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","avtor-maja-murnik-urednica","letnik-389","zbirka-amfiteater"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 2 - SLOGI<\/title>\n<meta name=\"description\" content=\"Zvezek pri\u010denja tematski blok z naslovom \u00bbPrispevki k teoriji novomedijske umetnosti\u00ab, v katerem avtorji razpravljajo o nekaterih klju\u010dnih tematikah iz teorije novomedijske umetnosti. Umetnost novih medijev razumejo \u0161ir\u0161e, skozi njene dru\u017ebene kontekste in implikacije, pa tudi skozi njena razmerja z drugimi dru\u017ebenimi, politi\u010dnimi, filozofskimi, kulturnimi in umetnostnimi vpra\u0161anji ter fenomeni, kot so na primer izzivi antropocena, igra, dru\u017ebeni mediji, aktivizem in umetna inteligenca.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amphitheatre-journal-for-the-theory-of-performing-arts-volume-12-issue-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 2 - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Zvezek pri\u010denja tematski blok z naslovom \u00bbPrispevki k teoriji novomedijske umetnosti\u00ab, v katerem avtorji razpravljajo o nekaterih klju\u010dnih tematikah iz teorije novomedijske umetnosti. Umetnost novih medijev razumejo \u0161ir\u0161e, skozi njene dru\u017ebene kontekste in implikacije, pa tudi skozi njena razmerja z drugimi dru\u017ebenimi, politi\u010dnimi, filozofskimi, kulturnimi in umetnostnimi vpra\u0161anji ter fenomeni, kot so na primer izzivi antropocena, igra, dru\u017ebeni mediji, aktivizem in umetna inteligenca.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/amphitheatre-journal-for-the-theory-of-performing-arts-volume-12-issue-2\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-15T11:12:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/12\/Amfiteater_12_2-ovitek.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1004\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2\\\/\",\"name\":\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 2 - SLOGI\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/Amfiteater_12_2-ovitek.jpg\",\"datePublished\":\"2024-12-19T09:03:05+00:00\",\"dateModified\":\"2026-01-15T11:12:17+00:00\",\"description\":\"Zvezek pri\u010denja tematski blok z naslovom \u00bbPrispevki k teoriji novomedijske umetnosti\u00ab, v katerem avtorji razpravljajo o nekaterih klju\u010dnih tematikah iz teorije novomedijske umetnosti. 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