{"id":13167,"date":"2024-06-13T15:10:19","date_gmt":"2024-06-13T13:10:19","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=publikacija&p=13167"},"modified":"2026-01-15T12:13:36","modified_gmt":"2026-01-15T11:13:36","slug":"amphitheater-magazine-for-the-theory-of-performing-arts-volume-12-number-1","status":"publish","type":"publikacija","link":"https:\/\/www.slogi.si\/en\/publikacije\/amfiteater-12-1\/","title":{"rendered":"Amphitheater, Journal of Performing Arts Theory, Volume 12, Number 1"},"content":{"rendered":"

The majority of the first issue of the 12th year is represented by discussions prepared on the basis of contributions to\u00a0Amphitheater<\/em>\u00a0to the symposium, which is about "The Survival of Comedy \/ The Survival of Comedy<\/em><\/a>" held on October 5 and 6, 2023 in the hall of the Slovenian Theater Institute (SLOGI) in Ljubljana. After centuries of the crisis of "pure" dramatic genres (at least on the declarative level) and the dominance of mixed genres, the time has come for a renewed theoretical shake-up of the question of what is actually happening with comedy. Even a cursory glance at the repertoires of drama theaters shows that the story is by no means finished with comedy, as it is still somehow "alive", agile. The authors of the articles thus asked themselves the questions of what comedy is today, what are the types of comedy and its forms - both in the sense of dramatic and theatrical genres - and what is the socio-political context that fundamentally defines it. The issue thus brings eight original articles on this topic; three are published in both Slovenian and English.<\/p>\r\n\r\n\r\n\r\n

Lada \u010cala Feldman's discussion asks this question while analyzing Philippe Le Guay's film\u00a0Alcest on a bicycle<\/em>\u00a0(2013), which is intertextually related to Moli\u00e8re's\u00a0The hypocrite<\/em>, while at the same time re-contextualizing the comedy genre and restoring its original subversive effect.<\/p>\r\n\r\n\r\n\r\n

Jure Gantar undertakes an analysis of unsuccessful comedies by top writers from roughly the same historical period (Flaubert, Henry James, Chekhov). The plays he deals with have failed on the stage in their time. Gantar analyzes the causes of such a fate.<\/p>\r\n\r\n\r\n\r\n

Radka Kunderov\u00e1 discusses the interconnectedness of the political and the comic in Czech theater at the beginning of the 1990s. The first years of transition marked Czech society and directed its interests. Take a closer look at the high-profile show\u00a0Our our furians<\/em>\u00a0(Our Arrogants) by Peter L\u00e9ble from 1994.<\/p>\r\n\r\n\r\n\r\n

Mateja Pezdirc Bartol deals with special aspects of comedy, namely the depiction of gender relations. It analyzes the social constructions of genders, roles and professions in some cases of contemporary Slovenian comedy, especially those in which a woman plays the main role, and in doing so notes the playing with traditional patterns and their subversion.<\/p>\r\n\r\n\r\n\r\n

At the core of Toma\u017e Topori\u0161i\u010d's discussion are the mixed genres of Slovenian comedy, especially those that reach the absurd and the grotesque. The author examines a series of examples of complex or hybrid comedy machines from Emil Filip\u010di\u010d to Iva \u0160. Slosar, focusing on the destabilized subjectivity in them.<\/p>\r\n\r\n\r\n\r\n

Ga\u0161per Troha tackles the topical issue of ecological disaster. Through two examples of contemporary Slovenian theater - Divjakova\u00a0The heat<\/em>\u00a0and Zupan\u010di\u010devo\u00a0This game will be over<\/em>\u00a0- explores two approaches to the mentioned topic, serious and comic.<\/p>\r\n\r\n\r\n\r\n

In her article, Ana Kocjan\u010di\u010d deals with the unknown but extremely interesting Ljubljana performances of Audran's operetta\u00a0La Mascotte<\/em>, which was directed by Bratko Kreft with comic-avant-garde elements between the two wars.<\/p>\r\n\r\n\r\n\r\n

The contribution of Ma\u0161a Rada Buh and Niko \u017dnidar\u0161i\u010d discusses the relationship between the culture of cancellation ("cancel culture") with its command of political correctness and comedy and places this relationship in a socio-political context. He also wonders if there is actually a paradox between them, but resolves this question in another way.<\/p>\r\n\r\n\r\n\r\n

Outside the thematic block, an extensive and detailed study by Primo\u017e Jesenko on the white spot of Slovenian theater criticism of the 19th century is published. With a careful analysis of the German records of Leopold Korde\u0161 from the time when theater production in Slovenia was still emerging from amateurism, he creates a broader picture of the cultural landscape in Slovenia at that time.<\/p>\r\n\r\n\r\n\r\n

Educator Du\u0161an Bre\u0161ar has prepared a valuable overview of the theatrical creativity of the blind and partially sighted from the beginning after the end of the First World War to the present day. The testimonies of the participants give the article even more weight.<\/p>\r\n\r\n\r\n\r\n

Maja Murnik, chief and responsible editor<\/p>\r\n\r\n\r\n\r\n

Colophon<\/a>
Index<\/a>
Editorial<\/a><\/p>\r\n\r\n\r\n\r\n

Amphitheater 12\/1<\/small><\/a><\/p>\r\n\r\n\r\n\r\n

The Survival of Comedy \/ The Survival of Comedy<\/h4>\r\n\r\n\r\n\r\n
Lada \u010cale Feldman<\/h5>\r\n\r\n\r\n\r\n

Alceste \u00e0 bicyclette\u00a0and Moli\u00e8re's Melancholic Comedy - Rejuvenation or Burial?<\/em><\/a>
Alceste \u00e0 bicyclette\u00a0and Moli\u00e8re's Melancholic Comedy: A Rejuvenation or a Turn Off?<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Jure Gantar<\/h5>\r\n\r\n\r\n\r\n

Anatomy of a fiasco<\/em><\/a>
The Anatomy of Failure<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Radka Kunderov\u00e1<\/h5>\r\n\r\n\r\n\r\n

Comedy and politics in the Czech theater after 1989<\/em><\/a>
The Comic and the Political in the Czech Theater After 1989<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Mateja Pezdirc Bartol<\/h5>\r\n\r\n\r\n\r\n

Transcending gender stereotypes in contemporary Slovenian comedy (Ditka \u2013 Milena \u2013 Bogdana)<\/em><\/a>
Going Beyond Gender Stereotypes in Contemporary Slovenian Comedy (Ditka\u2013Milena\u2013Bogdana)<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Toma\u017e Topori\u0161i\u010d<\/h5>\r\n\r\n\r\n\r\n

Paratactic absurdism and (no longer) dramatic comedy from Jesih to Semeni\u010d and beyond<\/em><\/a>
Paratactic Absurdism and (No Longer) Dramatic Comedy from Jesih to Semeni\u010d and Beyond<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Ga\u0161per Troha<\/h5>\r\n\r\n\r\n\r\n

Socially critical potential of comedy on the topic of ecological disaster<\/em><\/a>
The Social-Critical Potential of Comedy and the Issue of Ecological Catastrophe<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Ana Kocjan\u010di\u010d<\/h5>\r\n\r\n\r\n\r\n

Operetta\u00a0<\/em>La Mascotte\u00a0(<\/em>Lucky girl) directed by Bratko Kreft<\/em><\/a>
Operetta\u00a0<\/em>La Mascotte\u00a0(<\/em>The Girl of Happiness), directed by Bratko Kreft<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Ma\u0161a Radi Buh, Nik \u017dnidar\u0161i\u010d<\/h5>\r\n\r\n\r\n\r\n

Where are the boundaries?<\/em><\/a>
Where Are the Boundaries?<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Article<\/h4>\r\n\r\n\r\n\r\n
Primo\u017e Jesenko<\/h5>\r\n\r\n\r\n\r\n

Proto-critic Leopold Korde\u0161 between conception and impossibility<\/em><\/a>
Protocritic Leopold Korde\u0161 Between Inception and Impossibility<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Essay \/ Essay<\/h4>\r\n\r\n\r\n\r\n
Du\u0161an Bre\u0161ar<\/h5>\r\n\r\n\r\n\r\n

In the dark glow of stage lights<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

Call for articles: About work in theater and performance<\/a>
Call for Articles: On Labor in Theater and Performance<\/a><\/p>\r\n\r\n\r\n\r\n

Navodila za avtorje<\/a>
Submission Guidelines<\/a><\/p>\r\n\r\n\r\n\r\n

Invitation to discussions\/Call for papers<\/a><\/p>\r\n\r\n\r\n\r\n

Editor-in-Chief:<\/strong>\u00a0Maja Murnik, PhD<\/p>\r\n\r\n\r\n\r\n

Editorial Board:<\/strong>\u00a0dr. Zala Dobov\u0161ek (University of Ljubljana), prof. dr. Jure Gantar (Dalhousie University, CA), M.Sc. Primo\u017e Jesenko (Slovenian Theater Institute), dr. Matic Kocijan\u010di\u010d (Slovenian Theater Institute), prof. dr. Bojana Kunst (Justus-Liebig-Universit\u00e4t Gie\u00dfen, DE), assistant professor dr. Bla\u017e Lukan (University of Ljubljana), Assoc. prof. dr. Aldo Milohni\u0107 (University of Ljubljana), Ph.D. Ga\u0161per Troha (SLOGI), editor. prof. dr. Barbara Orel (University of Ljubljana), editor. prof. dr. Mateja Pezdirc Bartol (University of Ljubljana), Ph.D. Maja \u0160orli (University of Ljubljana), Ed. prof. dr. Toma\u017e Topori\u0161i\u010d (University of Ljubljana)<\/p>\r\n\r\n\r\n\r\n

International Editorial Board:<\/strong>\u00a0Mark Amerika, MFA (University of Colorado, US), Assoc. prof. dr. Marin Bla\u017eevi\u0107 (University of Zagreb, HR), Ramsay Burt, PhD (De Montfort University, GB), Joshua Edelman, PhD (Manchester Metropolitan University, GB), Anna Maria Monteverdi, PhD (Universit\u00e0 degli Studi di Milano, IT), Janelle Reinelt, PhD (The University of Warwick, GB), Anneli Saro, PhD (Tartu \u0170likool, EE), prof. dr. Mi\u0161ko \u0160uvakovi\u0107 (Singidunum University, RS), prof. Stephen Elliot Wilmer (Trinity College Dublin, IE)<\/p>\r\n\r\n\r\n\r\n

Co-Publisher:<\/strong>\u00a0Slovenian Theater Institute (represented by Ga\u0161per Troha, director) and University of Ljubljana Press (reprezented by Gregor Majdi\u010d, the Rector of the University of Ljubljana)<\/p>","protected":false},"excerpt":{"rendered":"

The main part of the first issue of the 12th volume is represented by discussions prepared on the basis of contributions to the Amphitheatre Symposium, which took place on 5 and 6 October 2023 on the topic of "The Survival of Comedy" in the hall of the Slovenian Theatre Institute (SLOGI) in Ljubljana. After centuries of crisis of "pure" dramatic genres (at least on a declarative level) and the dominance of mixed genres, the time has come...<\/p>","protected":false},"author":4,"featured_media":13168,"template":"","categories":[7],"tags":[],"avtor":[602],"izpostavljamo":[],"letnik":[389],"naslov":[],"prevajalec":[],"zbirka":[242],"class_list":["post-13167","publikacija","type-publikacija","status-publish","has-post-thumbnail","hentry","category-publikacije","avtor-maja-murnik-urednica","letnik-389","zbirka-amfiteater"],"acf":[],"yoast_head":"\nAmfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1 - SLOGI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/publications\/amphitheater-magazine-for-the-theory-of-performing-arts-volume-12-number-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1 - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Prete\u017eni del prve \u0161tevilke 12. letnika predstavljajo razprave, pripravljene na podlagi prispevkov na\u00a0Amfiteatrovem\u00a0simpoziju, ki je na temo \u00bbPre\u017eivetje komedije \/ The Survival of Comedy\u00ab potekal 5. in 6. oktobra 2023 v dvorani Slovenskega gledali\u0161kega in\u0161tituta (SLOGI) v Ljubljani. Po stoletjih krize \u00bb\u010distih\u00ab dramskih zvrsti (vsaj na deklarativni ravni) in prevladi me\u0161anih \u017eanrov je nastopil \u010das ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/publications\/amphitheater-magazine-for-the-theory-of-performing-arts-volume-12-number-1\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-15T11:13:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/07\/Amfiteater_12_1-ovitek-scaled-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1813\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/\",\"name\":\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1 - SLOGI\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Amfiteater_12_1-ovitek-scaled-1.jpg\",\"datePublished\":\"2024-06-13T13:10:19+00:00\",\"dateModified\":\"2026-01-15T11:13:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Amfiteater_12_1-ovitek-scaled-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Amfiteater_12_1-ovitek-scaled-1.jpg\",\"width\":1813,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/publikacije\\\/amfiteater-12-1\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.slogi.si\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#website\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"name\":\"SLOGI\",\"description\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\"},\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.slogi.si\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#organization\",\"name\":\"SLOGI\",\"alternateName\":\"Slovenski Gledali\u0161ki In\u0161titut\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"contentUrl\":\"https:\\\/\\\/www.slogi.si\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/favicon.svg\",\"width\":100,\"height\":100,\"caption\":\"SLOGI\"},\"image\":{\"@id\":\"https:\\\/\\\/www.slogi.si\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Amphitheater, Journal of Theory of the Performing Arts, Volume 12, Number 1 - SLOGI","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.slogi.si\/en\/publications\/amphitheater-magazine-for-the-theory-of-performing-arts-volume-12-number-1\/","og_locale":"en_GB","og_type":"article","og_title":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1 - SLOGI","og_description":"Prete\u017eni del prve \u0161tevilke 12. letnika predstavljajo razprave, pripravljene na podlagi prispevkov na\u00a0Amfiteatrovem\u00a0simpoziju, ki je na temo \u00bbPre\u017eivetje komedije \/ The Survival of Comedy\u00ab potekal 5. in 6. oktobra 2023 v dvorani Slovenskega gledali\u0161kega in\u0161tituta (SLOGI) v Ljubljani. Po stoletjih krize \u00bb\u010distih\u00ab dramskih zvrsti (vsaj na deklarativni ravni) in prevladi me\u0161anih \u017eanrov je nastopil \u010das ...","og_url":"https:\/\/www.slogi.si\/en\/publications\/amphitheater-magazine-for-the-theory-of-performing-arts-volume-12-number-1\/","og_site_name":"SLOGI","article_modified_time":"2026-01-15T11:13:36+00:00","og_image":[{"width":1813,"height":2560,"url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/07\/Amfiteater_12_1-ovitek-scaled-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/","url":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/","name":"Amphitheater, Journal of Theory of the Performing Arts, Volume 12, Number 1 - SLOGI","isPartOf":{"@id":"https:\/\/www.slogi.si\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/#primaryimage"},"image":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/#primaryimage"},"thumbnailUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/07\/Amfiteater_12_1-ovitek-scaled-1.jpg","datePublished":"2024-06-13T13:10:19+00:00","dateModified":"2026-01-15T11:13:36+00:00","breadcrumb":{"@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/#primaryimage","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/07\/Amfiteater_12_1-ovitek-scaled-1.jpg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/07\/Amfiteater_12_1-ovitek-scaled-1.jpg","width":1813,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/www.slogi.si\/publikacije\/amfiteater-12-1\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.slogi.si\/"},{"@type":"ListItem","position":2,"name":"Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 12, \u0160tevilka 1"}]},{"@type":"WebSite","@id":"https:\/\/www.slogi.si\/#website","url":"https:\/\/www.slogi.si\/","name":"SLOGI","description":"Slovenian Theatre Institute","publisher":{"@id":"https:\/\/www.slogi.si\/#organization"},"alternateName":"Slovenski Gledali\u0161ki In\u0161titut","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.slogi.si\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.slogi.si\/#organization","name":"SLOGI","alternateName":"Slovenski Gledali\u0161ki In\u0161titut","url":"https:\/\/www.slogi.si\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/","url":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","contentUrl":"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/favicon.svg","width":100,"height":100,"caption":"SLOGI"},"image":{"@id":"https:\/\/www.slogi.si\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija\/13167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/publikacija"}],"about":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/types\/publikacija"}],"author":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/users\/4"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media\/13168"}],"wp:attachment":[{"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/media?parent=13167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/categories?post=13167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/tags?post=13167"},{"taxonomy":"avtor","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/avtor?post=13167"},{"taxonomy":"izpostavljamo","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/izpostavljamo?post=13167"},{"taxonomy":"letnik","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/letnik?post=13167"},{"taxonomy":"naslov","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/naslov?post=13167"},{"taxonomy":"prevajalec","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/prevajalec?post=13167"},{"taxonomy":"zbirka","embeddable":true,"href":"https:\/\/www.slogi.si\/en\/wp-json\/wp\/v2\/zbirka?post=13167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}