{"id":9840,"date":"2020-08-30T14:15:14","date_gmt":"2020-08-30T12:15:14","guid":{"rendered":"https:\/\/www.slogi.si\/dogodki\/skupnost-deluje-sodobni-pristopi-v-gledaliscu\/"},"modified":"2024-09-13T10:02:23","modified_gmt":"2024-09-13T08:02:23","slug":"skupnost-deluje-sodobni-pristopi-v-gledaliscu","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/skupnost-deluje-sodobni-pristopi-v-gledaliscu\/","title":{"rendered":"Mednarodni simpozij Skupnost deluje! Sodobni pristopi v gledali\u0161\u010du"},"content":{"rendered":"<p>Slovenski gledali\u0161ki in\u0161titut, Gledali\u0161\u010de Glej, Akademija za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani ter Amfiteater, revija za teorijo scenskih umetnosti, prirejajo znanstveni simpozij, posve\u010den sodobnim produkcijskim modelom in pristopom v gledali\u0161\u010du. Simpozij navdihuje 50. obletnica Gledali\u0161\u010da Glej iz Ljubljane.<\/p>\n<p>The Glej Theater is the oldest non-institutional theater in Slovenia (and one of the first theaters of its kind in the former Yugoslavia), which boasts bold performances, (re)thinks interesting production models, non-hierarchical forms of work in the theater and is based on collective and socially engaged work. Based on Gleja&#039;s 50 years of practice in the theater, we want to explore the possibilities of contemporary theater in relation to collective theatrical creation, community and the various forms that the concepts of collective and community can encompass.<\/p>\n<p>At a time when the social and political climate in Europe, especially on its periphery, is becoming more and more difficult, and social inequalities are deepening, art has responded not only by exposing the oppression of certain groups in our society, but often also with an engaged attitude to change the situation. What role can contemporary theater play in building theater communities? Is that even his job? How do new political and economic circumstances affect production models in contemporary theatre?<\/p>\n<h4><\/h4>\n<h4>Program of the symposium<\/h4>\n<h5>\u010cetrtek, 8. 10. 2020<\/h5>\n<p>13.00<br \/>\nOpening<\/p>\n<p>Mateja Dem\u0161i\u010d, vodja oddelka za kulturo Mestna ob\u010dina Ljubljana<br \/>\nToma\u017e Guben\u0161ek, dekan AGRFT<br \/>\nMojca Jan Zoran, direktorica Slovenskega gledali\u0161kega in\u0161tituta<br \/>\nInga Remeta, predsednica Dru\u0161tva Gledali\u0161\u010de Glej<\/p>\n<p><strong>Uvodno predavanje<\/strong><br \/>\n13.30\u201314.10<i><br \/>\nToma\u017e Topori\u0161i\u010d: <i><em>Kolektivi, skupnosti in ne-hierarhi\u010dno ustvarjanja med leti 1970 in 2020<\/em><\/i><\/i><\/p>\n<p>14.10\u201314.20<br \/>\nDiskusija<\/p>\n<p>14.20\u201314.50<br \/>\nOdmor<\/p>\n<p><strong>1. panel<\/strong><br \/>\nModerator: Toma\u017e Topori\u0161i\u010d<\/p>\n<p>14.50\u201315.10<br \/>\nPrimoz Jesenko: <em>Eksperimentalno gledali\u0161\u010de med letoma 1955 in 1967 ter njegove inovacije<\/em><\/p>\n<p>15.10\u201315.30<br \/>\nAlja Lobnik: <em>Koncept \u010dasa in status eksperimenta Gledali\u0161\u010da Glej<\/em><\/p>\n<p>15.30\u201315.50<br \/>\nAndreja Kopa\u010d: <em>Teritorij skupnostnega delovanja: od Betontanca do Beton.Ltd<\/em><\/p>\n<p>15.50\u201316.10<br \/>\nBranko Jordan: <em>Beton.Ltd: \u0161tudija primera<\/em><\/p>\n<p>16.10\u201316.40<br \/>\nDiskusija<\/p>\n<p>16:40\u201317:00<br \/>\nOdmor<\/p>\n<p><strong>2. panel<\/strong><br \/>\nModeratorka: Andreja Kopa\u010d<\/p>\n<p>17:00\u201317:20<br \/>\nPromise Nyatepeh Nyatuame in Akosua Abdallah: <em>Mladinsko gledali\u0161\u010de in opolnomo\u010denje skupnosti v Gani<\/em><\/p>\n<p>17.20\u201317.40<br \/>\nDiskusija<\/p>\n<h5>Petek, 9. 10. 2020<\/h5>\n<p><strong>Uvodno predavanje<\/strong><br \/>\n9:00\u20139:40<br \/>\nVisnja Kacic Rogosic:\u00a0<em>Dr\u017eati obljubo skupnosti<\/em><\/p>\n<p>9.40\u20139.50<br \/>\nDiskusija<\/p>\n<p><strong>3. panel<\/strong><br \/>\nModerator: Ga\u0161per Troha<\/p>\n<p>9.50\u201310.10<br \/>\nMaja Murnik:\u00a0<em>Vloga ob\u010dinstva v dru\u017ebenoanga\u017eiranih uprizoritvah na Slovenskem<\/em><\/p>\n<p>10.10\u201310.30<br \/>\nAna Vrtovec Beno:\u00a0<em>Brez (podpore) skupnosti ni ljudskega gledali\u0161\u010da<\/em><\/p>\n<p>10:30\u201311:00<br \/>\nDiskusija<\/p>\n<p>11:00\u201311:30<br \/>\nOdmor<\/p>\n<p>11.30\u201311.50<br \/>\nNika Leskovsek:\u00a0<em>Participacija in politi\u010dno pri Kapelj in Semeni\u010d v sestavljanju<\/em><\/p>\n<p>11.50\u201312.10<br \/>\nAldo Milohnic:\u00a0<em>Od skupinskega do snovalnega na\u010dina ustvarjanja v slovenskem gledali\u0161\u010du<\/em><\/p>\n<p>12.10\u201312.30<br \/>\nDiskusija<\/p>\n<p>12:30\u201314:30<br \/>\nOdmor<\/p>\n<p><strong>4. panel<\/strong><br \/>\nModeratorka: Nika Leskov\u0161ek<\/p>\n<p>14.30\u201314.50<br \/>\nThe Intelektrur\u00e1ln\u011b collective<em>: Praga ni \u010de\u0161ka: Umetni\u0161ki projekt kot javna storitev<\/em> &#8211; performativno predavanje \/ predstavitev znamke<\/p>\n<p>14.50\u201315.10<br \/>\nMartina \u010curdov\u00e1: <em>Gledali\u0161\u010de kot prostor transformacije: \u010de\u0161ko-nem\u0161ka \u010dezmejna izku\u0161nja<\/em><\/p>\n<p>15.10\u201315.40<br \/>\nDiskusija<\/p>\n<p>15.40\u201316.00<br \/>\nOdmor<\/p>\n<p>16:00\u201316:20<br \/>\nMarina Pallar\u00e8s\u2013Elias:\u00a0<em>Gledali\u0161\u010de Da-ja: Lepota kot os sprememb za transformacijo skupnosti prek njihovih lastnih zgodb<\/em><\/p>\n<p>16.20\u201316.40<br \/>\nCaspar Nieuwenhuis:\u00a0<em>Predruga\u010diti morate svojo umetnost!<\/em><\/p>\n<p>16:40\u201317:40<br \/>\n<strong>Zaklju\u010dna diskusija<\/strong><br \/>\nModeratorka: Alma R. Selimovi\u0107<\/p>\n<p>18.00\u201318.30 (Gledali\u0161\u010de Glej, Gregor\u010di\u010deva 3, Ljubljana)<br \/>\nLea Kukovi\u010di\u0107:\u00a0<em>Neznano zna<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2020\/10\/programski-list_Skupnost-deluje-1.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>PROGRAMSKA KNJI\u017dICA<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/channel\/UCizPvtTWtc0eD9su8F6OumA\/featured\" target=\"_blank\" rel=\"noopener noreferrer\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>VIDEOS SYMPOSIUM<\/small><\/button><\/a><\/p>\n<h6>8. oktober<\/h6>\n<p><iframe title=\"Community works! \/ Community works! - Day One\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/HwFLswj7Sg0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<h6>9. oktober<\/h6>\n<p><iframe title=\"Community works! \/ Community works! - Day Two\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/xPi-LRolyFQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"Community works! - Day Two, Part Two\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TYoEZks7IM0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"The community works! \/ Community works! - Day Two, Part Three\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z2ckvOpHqJY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The working language of the symposium is English. In accordance with the provisions of Article 25 of the Act on the Public Use of the Slovenian Language, Slovenian is provided at the informational level.<\/p>\n<p>Zaradi spo\u0161tovanja navodil NIJZ glede javnega zbiranja in prepre\u010devanja \u0161irjenja oku\u017ebe COVID-19 je \u0161tevilo prostih mest na simpoziju omejeno.<\/p>\n<p>&nbsp;<\/p>\n<p>Symposium leader: Ga\u0161per Troha<\/p>\n<p>Preparatory committee: Amadea Karin Ilic, Primo\u017e Jesenko, Andreja Kopa\u010d, Jure Novak, Tja\u0161a Pureber, Inga Remeta, Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha, Mojca Jan Zoran<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Slovenian Theatre Institute (SLOGI)<\/strong> is a national public institution, founded in 2014 as the legal successor of the Slovenian Theater Museum. The institute&#039;s mission is the development of theater culture and the promotion of theater art, which is realized through research, study, interpretation, promotion, preservation, documentation and presentation of Slovenian theater culture, theater heritage and theater art in the Slovenian and international space.<\/p>\n<p><strong>Theater Glej<\/strong> is the oldest independent theater in Slovenia, founded in 1970 with the aim of creating and enabling an artistic space for creations that arise from the needs of our environment, but do not have an adequate structure to perform them professionally. Glej has a rich history of experimental theater practices and has evolved into a contemporary performative theater that experiments with a non-hierarchical form of organizing artistic production.<\/p>\n<p><strong>Academy for Theatre, Radio, Film and Television<\/strong> The University of Ljubljana carries out educational, artistic and research work in the field of theatre, radio, film and television. From its founding in 1945 until 1975, it operated as an independent higher education institution with a rector, after which it became a member of the University of Ljubljana.<\/p>\n<p class=\"translation-block\"><strong><em>Amfiteater \u2013 Journal of Performing Arts Theory<\/em><\/strong> is an academic journal that publishes original articles on performing arts with a broad spectrum from dramatic theatre, drama, dance, performance and hybrid art forms. Authors can analyse the forms and content of artwork and art phenomena from the field of performing arts, their history, their present and their future, as well as their relationship to other art forms and the broader (social, cultural, political \u2026) context.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"\/en\/?page_id=254\"><img decoding=\"async\" class=\"wp-image-2656 alignleft\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red-2.jpg\" alt=\"\" width=\"302\" height=\"70\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/en\/\"><img decoding=\"async\" class=\"alignleft wp-image-1114\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/slovenski-gledaliski-institut-logo-splet-1.png\" alt=\"\" width=\"207\" height=\"80\" \/><\/a><a href=\"https:\/\/www.glej.si\/\"><img decoding=\"async\" class=\"alignleft wp-image-20191\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Glej-1030x615-1.png\" alt=\"\" width=\"92\" height=\"55\" \/><\/a><a href=\"https:\/\/www.agrft.uni-lj.si\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11780\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/logo_agrft-1030x309-1.jpg\" alt=\"\" width=\"250\" height=\"75\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>The symposium is being prepared in cooperation with UL AGRFT within the framework of the research program Theater and inter-art research (P6-0376), which is co-financed by the Public Research Agency of the Republic of Slovenia from the state budget.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Slovenski gledali\u0161ki in\u0161titut, Gledali\u0161\u010de Glej, Akademija za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani ter Amfiteater, revija za teorijo scenskih umetnosti, prirejajo znanstveni simpozij, posve\u010den sodobnim produkcijskim modelom in pristopom v gledali\u0161\u010du. Simpozij navdihuje 50. obletnica Gledali\u0161\u010da Glej iz Ljubljane. Gledali\u0161\u010de Glej je najstarej\u0161e neinstitucionalno gledali\u0161\u010de v Sloveniji (in eno prvih tovrstnih gledali\u0161\u010d v &#8230;<\/p>","protected":false},"featured_media":9841,"template":"","categories":[416,435],"tags":[436,429,438],"izpostavljamo":[],"letnik":[346],"tip":[425,594],"vrsta-razstave":[],"class_list":["post-9840","dogodki","type-dogodki","status-publish","has-post-thumbnail","hentry","category-dogodki","category-za-medije","tag-amfiteater","tag-glej","tag-simpozij","letnik-346","tip-simpozij","tip-spletni-dogodek"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mednarodni simpozij Skupnost deluje! Sodobni pristopi v gledali\u0161\u010du - SLOGI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/events\/skupnost-deluje-sodobni-pristopi-v-gledaliscu\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mednarodni simpozij Skupnost deluje! Sodobni pristopi v gledali\u0161\u010du - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Slovenski gledali\u0161ki in\u0161titut, Gledali\u0161\u010de Glej, Akademija za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani ter Amfiteater, revija za teorijo scenskih umetnosti, prirejajo znanstveni simpozij, posve\u010den sodobnim produkcijskim modelom in pristopom v gledali\u0161\u010du. Simpozij navdihuje 50. obletnica Gledali\u0161\u010da Glej iz Ljubljane. 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