{"id":9836,"date":"2020-06-15T11:56:23","date_gmt":"2020-06-15T09:56:23","guid":{"rendered":"https:\/\/www.slogi.si\/dogodki\/amfiteater_8_1\/"},"modified":"2024-09-13T10:02:23","modified_gmt":"2024-09-13T08:02:23","slug":"amfiteater_8_1","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/amfiteater_8_1\/","title":{"rendered":"Amfiteater, revija za teorijo scenskih umetnosti, letnik 8, \u0161tevilka 1, predstavitev"},"content":{"rendered":"

Prva leto\u0161nja \u0161tevilka Amfiteatra je v celoti posve\u010dena temi ljubiteljskega gledali\u0161\u010da<\/strong>. The latter is not often the subject of scientific research either in Slovenia or abroad. We have approached amateur theatre from different perspectives, as it has a rich history in Slovenia and elsewhere in Europe. Some key periods in the development of Slovenian theatre have been analysed by Aldo Milohni\u010d (The Workers' Stage under Bratko Kreft and Ferd Delak), Toma\u017e Topori\u0161i\u010d (the connection of Slovenian avant-garde movements from the late 1960s to the contemporary American avant-garde) and Barbara Orel (the turn towards non-acting).<\/p>\n

Of course, Slovenian amateur theatre is still a vital part of the theatre landscape today. By comparing the current situation in Malta, Estonia and Slovenia, we have tried to place it in a European context.<\/p>\n

The issue is complemented by studies of various cases of amateur theatres and projects in Slovenia and abroad, and two reviews of current book editions (Katarina Podbev\u0161ek and Nina \u017davbi, eds.: Speech in pedagogical practice<\/em> and Florence Dupont: Aristotle or the Vampire of Western Theater<\/em>).<\/p>\n