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As a thoroughbred theater man par excellence, he Prof. Dr. Lado Kralj<\/strong> developed numerous forms of work related to theatre. The experience of his postgraduate stay in the centre of the spiritually flexible performing avant-garde in New York in the early 1970s determined a series of stages in his activity: he co-founded EG Glej, as well as the Pekarna Theatre, which he spiritually and aesthetically directed, for a short time he was the artistic director of the Drama of the SNG Ljubljana, and later he was significantly involved in the operation of theatre festivals in Yugoslavia and Slovenia. In the course of transitions between practice and theory, he lectured on the history of drama and its theory for two decades at the Department of Comparative Literature and Literary Theory at the Faculty of Arts in Ljubljana, formed a sense for the historical avant-gardes of the twentieth century in young intellectuals and, among other things, led a seminar on theatre criticism. In addition to his literary work, Lado Kralj is also a master of selected, dense formulations in his scientific and research work, always working on a specific micro-level, which is crucial and so very rare. With his literary-historical and literary-theoretical research, included in numerous scientific articles and publications, he laid the foundations of drama theory.<\/em><\/p>\n <\/p>\nVladimir Kralj Award for Achievements in the Field of Theatre Criticism and Theatrology for the Period 2018\u20132019 to Rok Vevar<\/h5>\n