{"id":19336,"date":"2026-09-12T13:33:46","date_gmt":"2026-09-12T11:33:46","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=dogodki&#038;p=19336"},"modified":"2026-10-23T14:30:18","modified_gmt":"2026-10-23T12:30:18","slug":"international-amfiteater-symposium_speech-on-the-dark-times-brechts-thought-then-and-now","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/amfiteatrov-mednarodni-znanstveni-simpozij-govor-o-mracnem-casu-brechtova-misel-nekoc-in-danes\/","title":{"rendered":"The International Amfiteater Symposium: Speech on the (Dark) Times: Brecht\u2019s Thought Then and Now"},"content":{"rendered":"<p><strong><em>Amfiteatrov<\/em> mednarodni znanstveni simpozij<\/strong><\/p>\n<h1><span style=\"color: #ff0000;\">GOVOR O (MRA\u010cNEM) \u010cASU: BRECHTOVA MISEL NEKO\u010c IN DANES<\/span><\/h1>\n<p><strong>6.\u20139. oktober 2026<\/strong><br \/>\n<strong>Ljubljana, Slovenski gledali\u0161ki in\u0161titut<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Bertolt Brecht je v kratkem, a izjemno pronicljivem fragmentu iz <em>Kupovanja medenine<\/em>, ki ga je poimenoval \u00bbGovor o \u010dasu\u00ab, podal natan\u010dno analizo tedanje \u2013 ne le nem\u0161ke, marve\u010d tudi globalne \u2013 dru\u017ebene situacije. V njej lik z generi\u010dnim imenom Filozof ugotavlja, da so \u00bbnepopisno zatiranje in izkori\u0161\u010danje \u010dloveka po \u010dloveku, klanja v vojnah in vsakovrstna poni\u017eanja v miru po vsem planetu postali \u017ee skoraj nekaj naravnega\u00ab. Kljub \u010dasovni oddaljenosti ta misel \u0161e vedno zveni kot izjemno aktualen komentar sodobnega \u010dasa, ki ga zaznamujejo kapitalisti\u010dno izkori\u0161\u010danje, nasilje nad (ne samo \u010dlove\u0161kimi) \u017eivljenji, vojna in podnebna kriza. \u017divimo v \u010dasu, ko so \u010dedalje bolj popularne in celo tudi institucionalizirane \u0161tevilne regresivne, avtoritarne (mikro)politike, ki spominjajo na mra\u010dne sile preteklih dob in ki temeljijo na rasizmu, \u0161ovinizmu, nacionalizmu, ksenofobiji, transfobiji, homofobiji, seksizmu, razredni diskriminaciji, brezobzirni eksploataciji, (neo)kolonializmu, verskemu fundamentalizmu, degradaciji okolja, militarizmu itn.<\/p>\n<p>\u00bb\u010ce na\u0161 dana\u0161nji svet ne ustreza ve\u010d drami,\u00ab je Brecht pred stotimi leti povedal svoji sodelavki Elisabeth Hauptmann, \u00bbpotem tudi drama ne ustreza ve\u010d svetu.\u00ab Zdi se torej, da je njegov projekt epskega (dialekti\u010dnega) gledali\u0161\u010da \u017ee od samega za\u010detka zasnovan kot poskus, da se gledali\u0161\u010de zmore odzvati na svoj najneposrednej\u0161i zgodovinski trenutek in vanj celo tudi pose\u010di. Simpozij bo prilo\u017enost za premislek, kak\u0161en bi bil lahko u\u010dinkovit gledali\u0161ki in\/ali brechtovski odziv na na\u0161 \u010das, zaznamovan z neoliberalizmom in vzponom avtoritarnih politik. Na simpoziju bomo tako raziskovali razmerja med umetnostjo (gledali\u0161\u010dem, dramatiko, literaturo \u2026) in sodobnim dru\u017ebenim in politi\u010dnim kontekstom ter odkrivali potencialne gledali\u0161ke in druge taktike, ki bi zmogle slediti Brechtovi maksimi iz <em>Ukrepa<\/em> (in <em>Kupovanja medenine<\/em>): \u00bbSpremenite svet, svet to potrebuje!\u00ab Namen simpozija je, da ob Brechtu in ob vpra\u0161anjih, ki jih odpira \u00bbGovor o \u010dasu\u00ab, premislimo ne le o njegovem, temve\u010d tudi o na\u0161em, sodobnem, \u00bbmra\u010dnem \u010dasu\u00ab.<\/p>\n<p>O tem bo svoje poglede predstavilo \u0161tirideset doma\u010dih in tujih udele\u017eencev simpozija; vabimo tudi vas, da se nam pridru\u017eite v razpravah po predavanjih in predstavitvah. Delovni jezik simpozija je angle\u0161\u010dina.<\/p>\n<p>Simpozij se bo za\u010del v torek, 6. oktobra 2026, ob 18. uri, ko bo v Slovenskem gledali\u0161kem in\u0161titutu odprtje razstave <a href=\"https:\/\/www.slogi.si\/dogodki\/gledalisko-delo-brecht-na-slovenskih-odrih-razstava\/\" target=\"_blank\" rel=\"noopener\"><em>Gledali\u0161ko delo: Brecht na slovenskih odrih<\/em><\/a>, ki je posve\u010dena uprizoritvam Brechtovih besedil v slovenskem gledali\u0161\u010du.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/10\/Amfiteater-tiskovina-SI-2026_final.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small> POVZETKI IN BIOGRAFIJE<\/small><\/button><\/a><\/p>\n<p><a id=\"program\"><\/a><strong>PROGRAM<\/strong><\/p>\n<h3>Torek, 6. oktober<\/h3>\n<p>18.00 <span style=\"color: #00ccff;\"><strong><span style=\"color: #ff0000;\">Odprtje razstave <\/span><a style=\"color: #00ccff;\" href=\"https:\/\/www.slogi.si\/dogodki\/gledalisko-delo-brecht-na-slovenskih-odrih-razstava\/\" target=\"_blank\" rel=\"noopener\"><em><span style=\"color: #ff0000;\">Gledali\u0161ko delo: Brecht na slovenskih odrih<\/span><\/em><\/a><\/strong><\/span> (Slovenski gledali\u0161ki in\u0161titut, Mestni trg 17, Ljubljana)<br \/>\nProdukcija: Slovenski gledali\u0161ki in\u0161titut (SLOGI) v sodelovanju z Akademijo za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani (UL AGRFT)<br \/>\nAvtorji: Aldo Milohni\u0107, Jakob Ribi\u010d (oba UL AGRFT), Ana Perne (SLOGI)<br \/>\nPozdravni nagovori: Vesna Jurca Tadel (v. d. generalne direktorice Direktorata za ustvarjalnost, Ministrstvo za kulturo RS), Ga\u0161per Troha (direktor SLOGI), \u017danina Mir\u010devska (dekanja UL AGRFT), Lena Prents (direktorica Goethe-Instituta Ljubljana), avtorji razstave<br \/>\nUmetni\u0161ka nastopa: Sofija Zavratnik Kain bo zapela songa Bertolta Brechta in Kurta Weilla; Anthony Squiers bo prebral odlomek iz svojega novega angle\u0161kega prevoda Brechtove pesmi <em>Die drei Soldaten<\/em> (Trije vojaki)<br \/>\nSprejem ob neformalnem dru\u017eenju<\/p>\n<h3>Sreda, 7. oktober<\/h3>\n<p>8.30\u20139:00 Registracija udele\u017eencev<\/p>\n<p>9.00\u20139.40 <span style=\"color: #ff0000;\"><strong>Prvo osrednje predavanje<\/strong><\/span><br \/>\n<strong>Markus Wessendorf<\/strong> (Univerza na Havajih v M\u0101noi, ZDA): <em>Sodobno prevrednotenje eseja \u00bbPet te\u017eav pri pisanju resnice\u00ab<\/em><br \/>\n9.40\u201310.00 Razprava<\/p>\n<p>10.00\u201310.10 Kratek odmor<\/p>\n<p>10.10\u201310.55 <span style=\"color: #ff0000;\"><strong>Prvo zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Sodobni pogovori o <em>Pogovorih beguncev<\/em> (in onkraj njih)<\/strong><\/span><br \/>\nModerator: Jakob Ribi\u010d<br \/>\n<strong>Aleksandra Jovi\u0107evi\u0107<\/strong> (Univerza v Rimu \u00bbLa Sapienza\u00ab, Italija): <em>Pregnanci in emigranti, neko\u010d in danes<\/em><br \/>\n<strong>Lara Tarbuk<\/strong> (Tehni\u0161ka univerza v Dresdnu, Nem\u010dija): <em>Z roba jezika: pregnanstvo in pogovor pri Bertoltu Brechtu in Senthuranu Varatharajahu<\/em><br \/>\n<strong>Mi\u0161a Gli\u0161i\u010d<\/strong> (Univerza v Ljubljani, Slovenija): <em>Begunec kot arhitekt tretjega prostora: ponovni premislek Brechtove dialektike skozi Bhabho in Welscha<\/em><br \/>\n10.55\u201311.20 Razprava<\/p>\n<p>11.20\u201311.40 Odmor za kavo<\/p>\n<p>11.40\u201312.25 <span style=\"color: #ff0000;\"><strong>Drugo zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Vojna in mirovni\u0161tvo v \u00bbmra\u010dnih \u010dasih\u00ab \u2013 neko\u010d in danes<\/strong><\/span><br \/>\nModerator: Aldo Milohni\u0107<br \/>\n<strong>Kristopher Imbrigotta<\/strong> (Univerza Puget Sound, Tacoma, ZDA): <em>Zavzemanje stali\u0161\u010d v mra\u010dnih \u010dasih: odpor, avtoritarizem in politika gledanja v Brechtovem<\/em> Vojnem berilu<br \/>\n<strong>Milena Mileva Bla\u017ei\u0107<\/strong> (Univerza v Ljubljani, Slovenija) in <strong>Hans Zollner<\/strong> (In\u0161titut za antropologijo, Pape\u0161ka univerza Gregoriana, Rim, Italija): Antipravljica: <em>Brechtov <\/em>Otro\u0161ki kri\u017earski pohod 1939<em> in hamelinska pripovedka<\/em><br \/>\n<strong>Milena Massalongo<\/strong> (Univerza v Mantovi, Italija): \u00bb<em>\u010cesar ne razumete, je <\/em>tehnika<em>.\u00ab Kje stojimo danes, merjeno z Brechtom <\/em>[ODPOVEDANO]<br \/>\n12.25\u201312.50 Razprava<\/p>\n<p>12.50\u201314.20 Odmor za kosilo<\/p>\n<p>14.20\u201315.05 <span style=\"color: #ff0000;\"><strong>Tretje zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Puntila, Matti in Sveta Ivana v go\u0161\u010davi kapitalizma<\/strong><\/span><br \/>\nModerator: Toma\u017e Topori\u0161i\u010d<br \/>\n<strong>Jure Gantar<\/strong> (Univerza Dalhousie, Halifax, Kanada): <em>Brecht ter dialektika gospodarja in hlapca<\/em><br \/>\n<strong>Eva Kra\u0161evec<\/strong> (Slovensko narodno gledali\u0161\u010de, Ljubljana, Slovenija): <em>Puntila in Matti v turbokapitalizmu<\/em><br \/>\n<strong>Agata Tom\u0161i\u010d<\/strong> (ErosAntEros, Ravena, Italija): <em>Zakaj uprizoriti Brechta v dobi <\/em>kapitalisti\u010dnega realizma<em>? Dva prakti\u010dna primera, ki sku\u0161ata \u00bbspremeniti svet\u00ab skozi gledali\u0161\u010de in mo\u010d imaginacije<\/em><br \/>\n15.05 \u201315.30 Razprava<\/p>\n<p>15.30\u201315.50 Odmor za kavo<\/p>\n<p>15.50\u201316.35 <span style=\"color: #ff0000;\"><strong>\u010cetrto zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>(Post)brechtovske dramaturgije in politi\u010dno anga\u017eirano sodobno gledali\u0161\u010de<\/strong><\/span><br \/>\nModerator: Maja Murnik<br \/>\n<strong>Toma\u017e Topori\u0161i\u010d<\/strong> (Univerza v Ljubljani, Slovenija): <em>Po sledeh Brechtovih temeljnih reform dramaturgije v sodobnih uprizoritvenih umetnostih<\/em><br \/>\n<strong>Matko Boti\u0107<\/strong> (Univerza v Splitu, Hrva\u0161ka): <em>Dvom kot usoda: <\/em>Bratje Karamazovi<em> Oliverja Frlji\u0107a kot odmev brechtovskega epskega gledali\u0161\u010da<\/em><br \/>\n<strong>Milorad Mi\u0107i\u0107<\/strong> (Univerza v Ljubljani, Slovenija): <em>Od potujitve do konfrontacije: postbrechtovsko gledali\u0161\u010de Oliverja Frlji\u0107a<\/em><br \/>\n16.35\u201317.00 Razprava<\/p>\n<p>18.00 <span style=\"color: #ff0000;\"><strong>Odprtje razstave <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.nuk.uni-lj.si\/dogodki\/brechtovi-poskusi-versuche-2026-09-09\" target=\"_blank\" rel=\"noopener\"><em>Brechtovi poskusi (Versuche) \u2013 slovenski prevodi, prve nem\u0161ke izdaje in dokumenti iz Arhiva Bertolta Brechta pri Akademiji umetnosti v Berlinu<\/em><\/a><\/span><\/strong><\/span> (Narodna in univerzitetna knji\u017enica, Turja\u0161ka ulica 1, Ljubljana)<br \/>\nProdukcija: Narodna in univerzitetna knji\u017enica (NUK) v sodelovanju z Akademijo za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani<br \/>\nAvtorji: Aldo Milohni\u0107, Jakob Ribi\u010d (oba UL AGRFT), Barbara Jesenovec (NUK)<br \/>\nSvetovalca za arhivsko gradivo: Iliane Thiemann in Noah Willumsen (oba Arhiv Bertolta Brechta pri Akademiji umetnosti, Berlin \u2013 BBA\/AdK)<br \/>\nPozdravni nagovori: Jana Kolar (ravnateljica NUK), Iliane Thiemann in Noah Willumsen (oba BBA\/AdK), Sylvia Groneick (veleposlanica Zvezne republike Nem\u010dije v Sloveniji), avtorji razstave<br \/>\nUmetni\u0161ka nastopa: Sofija Zavratnik Kain bo zapela songa Bertolta Brechta in Kurta Weilla; Nata\u0161a Barbara Gra\u010dner bo prebrala odlomke iz Brechtovega <em>Galileija<\/em>, uprizorjenega pred tridesetimi leti v Veliki \u010ditalnici NUK<\/p>\n<h3>\u010cetrtek, 8. oktober<\/h3>\n<p>9.00\u20139.40 <span style=\"color: #ff0000;\"><strong>Drugo osrednje predavanje<\/strong><\/span><br \/>\n<strong>Tom Kuhn<\/strong> (Univerza v Oxfordu, Zdru\u017eeno kraljestvo): <em>\u00bbBratje, ko bi bil le zdaj z vami \u2026\u00ab: Brecht, vojna in empatija<\/em><br \/>\n09.40\u201310.00 Razprava<\/p>\n<p>10.00\u201310.10 Kratek odmor<\/p>\n<p>10.10\u201310.55 <span style=\"color: #ff0000;\"><strong>Peto zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>U\u010denje in u\u010dni komad v distopi\u010dnih \u010dasih<\/strong><\/span><br \/>\nModerator: Aleksandra Jovi\u0107evi\u0107<br \/>\n<strong>Aldo Milohni\u0107<\/strong> (Univerza v Ljubljani, Slovenija): <em>Brechtovo \u00bbgledali\u0161\u010de znanstvene dobe\u00ab v distopi\u010dnih \u010dasih<\/em><br \/>\n<strong>Sergio Lo Gatto<\/strong> (Univerza Link Campus, Rim, Italija): <em>Dedi\u0161\u010dina <\/em>Lehrst\u00fccka<em> v sodobni italijanski dramatiki: primer <\/em>Classroom Plays<em> Davida Carnevalija<\/em><br \/>\n<strong>Francesco Puccio<\/strong> (Univerza eCampus, Rim, Italija): <em>Prevrednotenje ru\u0161evin: Sofoklejeva <\/em>Antigona<em> kot brechtovski <\/em>Lehrst\u00fcck<em> v arheolo\u0161kih prostorih<\/em><br \/>\n10.55\u201311.20 Razprava<\/p>\n<p>11.20\u201311.40 Odmor za kavo<\/p>\n<p>11.40\u201312.25 <span style=\"color: #ff0000;\"><strong>\u0160esto zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>U\u010dni komad kot metafora: politika, cenzura in brechtovske strategije<\/strong><\/span><br \/>\nModerator: Lada \u010cale Feldman<br \/>\n<strong>Elena Knopov\u00e1<\/strong> (Slova\u0161ka akademija znanosti, Bratislava, Slova\u0161ka): <em>Ponovno pretresanje \u017ee znanega: brechtovske strategije v sodobnem slova\u0161kem gledali\u0161\u010du<\/em><br \/>\n<strong>Sebastijan Horvat<\/strong> (Univerza v Ljubljani, Slovenija): <em>Intervju Jo\u017eeta Mo\u017eine s Tonetom Kerinom na RTV Slovenija kot primer u\u010dnega komada<\/em><br \/>\n<strong>Rita Agatina Di Leo<\/strong> (Univerza v Bariju \u00bbAldo Moro\u00ab in Univerza v Rimu \u00bbLa Sapienza\u00ab, Italija): <em>Arhipelag izjem: ko vidnost postane nekaj, kar je mogo\u010de cenzurirati \u2013 zapiski iz sodobne Italije<\/em><br \/>\n12.25\u201312.50 Razprava<\/p>\n<p>12.50\u201314.20 Odmor za kosilo<\/p>\n<p>14.20\u201315.05 <span style=\"color: #ff0000;\"><strong>Sedmo zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Nova branja \u00bbklasi\u010dnega\u00ab antagonizma med Brechtom in Aristotelom<\/strong><\/span><br \/>\nModerator: Goran Sergej Prista\u0161<br \/>\n<strong>Anthony Squiers<\/strong> (AMDA College and Conservatory of the Performing Arts, Los Angeles, ZDA): <em>Onkraj estetike: Brechtov ontolo\u0161ki prelom z Aristotelom<\/em><br \/>\n<strong>Kri\u0161tof Jacek Kozak<\/strong> (Univerza na Primorskem, Koper, Slovenija): <em>O tem, kako se je neki Bertolt B. pustil uloviti lastni senci<\/em><br \/>\n<strong>Vid Milakovi\u0107<\/strong> (Univerza v Ljubljani, Slovenija): <em>Aristotel in Brecht v sodobnem gledali\u0161\u010du \u2013 kdo bo koga? <\/em>[ODPOVEDANO]<br \/>\n15.05\u201315.30 Razprava<\/p>\n<p>15.30\u201315.50 Odmor za kavo<\/p>\n<p>15.50\u201317.00 <span style=\"color: #ff0000;\"><strong>Okrogla miza o izdajah in prevodih Brechtovih besedil<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><em><strong>Brechtova dedi\u0161\u010dina sedemdeset let pozneje<\/strong><\/em><\/span><br \/>\nModerator: Jakob Ribi\u010d (Univerza v Ljubljani, Slovenija; urednik najnovej\u0161e izdaje slovenskih prevodov Brechtovih spisov)<br \/>\nUdele\u017eenci v pogovoru:<br \/>\n<strong>Tom Kuhn<\/strong> (Univerza v Oxfordu, Zdru\u017eeno kraljestvo) [DODANO]<br \/>\n<strong>Aldo Milohni\u0107<\/strong> (Univerza v Ljubljani, Slovenija; urednik najnovej\u0161e izdaje slovenskih prevodov Brechtovih spisov)<br \/>\n<strong>Darko Suvin<\/strong> (zaslu\u017eni profesor na Univerzi McGill, Montr\u00e9al, Kanada)<br \/>\n<strong>Noah Willumsen<\/strong> (direktor Arhiva Bertolta Brechta, Akademija umetnosti, Berlin, Nem\u010dija) [ODPOVEDANO]<br \/>\n<strong>Erdmut Wizisla<\/strong> (direktor Arhiva Walterja Benjamina, Akademija umetnosti, Berlin, Nem\u010dija)<\/p>\n<p>18.00 <strong><span style=\"color: #ff0000;\">Vodeni ogled razstave <a style=\"color: #ff0000;\" href=\"https:\/\/www.cd-cc.si\/kultura\/razstave\/kozmos-kosovel\" target=\"_blank\" rel=\"noopener\"><em>Kozmos Kosovel<\/em><\/a><\/span><\/strong> \u2013 razstava ob 100-letnici smrti Sre\u010dka Kosovela (Cankarjev dom, Pre\u0161ernova cesta 10, Ljubljana)<br \/>\nVodita: Marijan Rupert (NUK, kustos razstave) in Kristina Pranji\u0107 (ZRC SAZU in Univerza v Novi Gorici, \u010dlanica programskega odbora razstave)<\/p>\n<h3>Petek, 9. oktober<\/h3>\n<p>9.00\u20139.40 <span style=\"color: #ff0000;\"><strong>Tretje osrednje predavanje<\/strong><\/span><br \/>\n<strong>Bojana Kunst<\/strong> (Univerza Justusa Liebiga, Giessen, Nem\u010dija): <em>Ko ne moremo ve\u010d govoriti niti o drevju: Brecht in tveganje izrekanja resnice<\/em><br \/>\n9.40\u201310.00 Razprava<\/p>\n<p>10.00\u201310.10 Kratek odmor<\/p>\n<p>10.10\u201310.55 <span style=\"color: #ff0000;\"><strong>Osmo zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Potujitev in politika pogleda, zaznavanja in gledalstva<\/strong><\/span><br \/>\nModerator: Ga\u0161per Troha<br \/>\n<strong>Goran Sergej Prista\u0161<\/strong> (Univerza v Zagrebu, Hrva\u0161ka): <em>Kompozitni pogled in ranljiva zborovanja<\/em><br \/>\n<strong>Jakob Ribi\u010d<\/strong> (Univerza v Ljubljani, Slovenija): <em>\u00bbPogled tujca\u00ab: kak\u0161na bi lahko bila sodobna oblika potujitvenega u\u010dinka?<\/em><br \/>\n<strong>Yujia Zheng<\/strong> (Univerza v Ljubljani, Slovenija): <em>Potujitev hipergledalca: Brecht po Ranci\u00e8ru<\/em><br \/>\n10.55\u201311.20 Razprava<\/p>\n<p>11.20\u201311.40 Odmor za kavo<\/p>\n<p>11.40\u201312.25 <span style=\"color: #ff0000;\"><strong>Deveto zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Nasprotja v institucionalnih in alternativnih pristopih k (post)brechtovskemu gledali\u0161\u010du<\/strong><\/span><br \/>\nModerator: Noah Willumsen<br \/>\n<strong>Agata Juniku<\/strong> (Univerza v Zagrebu, Hrva\u0161ka): <em>Z margine do svobode, sredi\u0161\u010du v izogib: dva primera<\/em><br \/>\n<strong>Ana Kocjan\u010di\u010d<\/strong> (Univerza v Ljubljani, Slovenija): <em>Scenografski minimalizem ali brechtovski vplivi v zgodnjih postavitvah Nike Matula<\/em><br \/>\n<strong>Ana Perne<\/strong> (Slovenski gledali\u0161ki in\u0161titut, Ljubljana, Slovenija): <em>Brechtova teorija kot dejavnik preoblikovanja igralskih praks na Slovenskem<\/em><br \/>\n12.25\u201312.50 Razprava<\/p>\n<p>12.50\u201314.20 Odmor za kosilo<\/p>\n<p>14.20\u201315.05 <span style=\"color: #ff0000;\"><strong>Deseto zasedanje<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Brecht in (ne)pri\u010dakovana razmerja med pisanjem, glasbo in glasom<\/strong><\/span><br \/>\nModerator: Jure Gantar<br \/>\n<strong>Lada \u010cale Feldman<\/strong> (Univerza v Zagrebu, Hrva\u0161ka): <em>Krle\u017ea skozi brechtovsko potujitev: o skupni umetni\u0161ki, spoznavni in politi\u010dni vrednosti dveh modernisti\u010dnih klasikov<\/em><br \/>\n<strong>Gregor Pompe<\/strong> (Univerza v Ljubljani, Slovenija): <em>Brechtova ideja epskega gledali\u0161\u010da v opernem kontekstu \u010dasa<\/em><br \/>\n<strong>Jasmina Godec<\/strong> (Univerza v Ljubljani, Slovenija): Potujitev na radiu: <em>Brecht, poslu\u0161anje in reprezentacija norosti<\/em><br \/>\n15.05\u201315.30 Razprava<\/p>\n<p>15.30\u201315.40 Kratek odmor<\/p>\n<p>15.40\u201316.00 <span style=\"color: #ff0000;\"><strong>Zaklju\u010dni akord: glasbeno-performativna prezentacija<\/strong><\/span><br \/>\n<strong>Jani Kova\u010di\u010d<\/strong> (pevec in glasbenik, Ljubljana, Slovenija): <em>Nas je Brecht kaj nau\u010dil? O nekaterih Brechtovih \u00bbSt\u00fccke und Lieder\u00ab<\/em><\/p>\n<p>18.30 Organizirani odhod v Novo mesto<br \/>\n20.00 <strong><span style=\"color: #ff0000;\">Ogled predstave <a style=\"color: #ff0000;\" href=\"https:\/\/www.antonpodbevsekteater.si\/si\/dogodek\/zivljenje-in-casi-bertolta-brechta\/\" target=\"_blank\" rel=\"noopener\"><em>\u017divljenje in \u010dasi Bertolta Brechta<\/em><\/a><\/span><\/strong> (Anton Podbev\u0161ek Teater, Pre\u0161ernov trg 3, Novo mesto)<br \/>\n22.00 Poslovilni sprejem<br \/>\n23.00 Organizirana vrnitev v Ljubljano<\/p>\n<p>&nbsp;<\/p>\n<h4>Arhivski video posnetki simpozija<\/h4>\n<p><iframe title=\"MARKUS WESSENDORF, prvo osrednje predavanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/GmY2NIDuLFM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ALEKSANDRA JOVI\u0106EVI\u0106, prvo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/r2nI-_yJ4W0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"LARA TARBUK, prvo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/SvJvVn5AJ88?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MI\u0160A GLI\u0160I\u010c, prvo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Ej7B4cczcGk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"KRISTOPHER IMBRIGOTTA, drugo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/xUL0wY52HxU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MILENA MILEVA BLA\u017dI\u0106 in HANS ZOLLNER, drugo zasedanje, Amfiteatrov mednarodni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/vAsQCD79kOg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"JURE GANTAR, tretje zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/IU0FwzQmTsM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"EVA KRA\u0160EVEC, tretje zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/soymING1PQc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"AGATA TOM\u0160I\u010c, tretje zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/4Gx8Hhexfak?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"TOMA\u017d TOPORI\u0160I\u010c, \u010detrto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3tYGZu9LuHg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MATKO BOTI\u0106, \u010detrto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/0yAXaXQ8KvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MILORAD MI\u0106I\u0106, \u010detrto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/YtCF4HOxM7g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"TOM KUHN, drugo osrednje predavanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/NV64TJL9Gxk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ALDO MILOHNI\u0106, peto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8chrgr1NQes?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"SERGIO LO GATTO, peto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_ujkUW0G3pk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"FRANCESCO PUCCIO, peto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/hVsiqymdljk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ELENA KNOPOV\u00c1, \u0161esto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/emXabzpZIDE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"SEBASTIJAN HORVAT, \u0161esto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ttNGdjqzJZQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"RITA AGATINA DI LEO, \u0161esto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Lu8ytribKuM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ANTHONY SQUIERS, sedmo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/nH507ibZFB0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"KRI\u0160TOF JACEK KOZAK, sedmo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/87m_G4_ebrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"Okrogla miza o izdajah in prevodih Brechtovih besedil, Amfiteatrov mednarodni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/LCjwNR96HNg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"BOJANA KUNST, tretje osrednje predavanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/nWBvhBMWYF0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"GORAN SERGEJ PRISTA\u0160, osmo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/aObM0hlJU78?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"JAKOB RIBI\u010c, osmo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Gl2wQTyfdyk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"YUJIA ZHENG, osmo zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_fmGkNF2IZg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"LADA \u010cALE FELDMAN, deseto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KhjV-t8jklw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"GREGOR POMPE, deseto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/81JFEpb6vhY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"JASMINA GODEC, deseto zasedanje, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_GGuKQI3RWA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"JANI KOVA\u010cI\u010c, zaklju\u010dni akord, Amfiteatrov mednarodni znanstveni simpozij 2026\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KkCL83pIrwQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000;\">Vodji simpozija:<\/span><\/strong> Aldo Milohni\u0107 in Jakob Ribi\u010d<\/p>\n<p><span style=\"color: #000000;\"><strong>Pripravljalni odbor:<\/strong><\/span> Aldo Milohni\u0107, Maja Murnik, Jakob Ribi\u010d, Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha, Markus Wessendorf in Noah Willumsen<\/p>\n<p><span style=\"color: #000000;\"><strong>Simpozij organizirajo: <\/strong><\/span><br \/>\n<a href=\"http:\/\/www.slogi.si\" target=\"_blank\" rel=\"noopener\">Slovenski gledali\u0161ki in\u0161titut<\/a><br \/>\n<a href=\"https:\/\/www.agrft.uni-lj.si\/\" target=\"_blank\" rel=\"noopener\">Akademija za gledali\u0161\u010de, radio, film in televizijo Univerze v Ljubljani<\/a><br \/>\n<a href=\"https:\/\/www.slogi.si\/amfiteater-revija\/\" target=\"_blank\" rel=\"noopener\"><em>Amfiteater<\/em>, revija za teorijo scenskih umetnosti<\/a><\/p>\n<p><span style=\"color: #000000;\"><strong>V sodelovanju z: <\/strong><\/span><br \/>\n<a href=\"https:\/\/adk.de\/archiv-der-kuenste\/abteilungen-fachbereiche\/bertolt-brecht-archiv\" target=\"_blank\" rel=\"noopener\">Bertolt-Brecht-Archiv (Akademie der K\u00fcnste, Berlin)<\/a><br \/>\n<a href=\"https:\/\/ibs.wildapricot.org\" target=\"_blank\" rel=\"noopener\">International Brecht Society<\/a><br \/>\n<a href=\"https:\/\/www.goethe.de\/ins\/si\/sl\/index.html\" target=\"_blank\" rel=\"noopener\">Goethe-Institut Ljubljana<\/a><br \/>\n<a href=\"https:\/\/www.nuk.uni-lj.si\" target=\"_blank\" rel=\"noopener\">Narodna in univerzitetna knji\u017enica<\/a><br \/>\n<a href=\"https:\/\/www.zalozbacf.si\/\" target=\"_blank\" rel=\"noopener\">Zalo\u017eba \/*cf.<\/a><br \/>\n<a href=\"https:\/\/www.antonpodbevsekteater.si\" target=\"_blank\" rel=\"noopener\">Anton Podbev\u0161ek Teater<\/a><br \/>\n<a href=\"https:\/\/www.cd-cc.si\/\" target=\"_blank\" rel=\"noopener\">Cankarjev dom<\/a><\/p>\n<p><img decoding=\"async\" class=\"wp-image-18701 aligncenter\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red_web.png\" alt=\"\" width=\"227\" height=\"120\" \/><img decoding=\"async\" class=\"aligncenter wp-image-16025 size-large\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-1024x77.png\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-1024x77.png 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-300x23.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-768x58.png 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-1536x115.png 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-2048x154.png 2048w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT-18x1.png 18w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png\"><img decoding=\"async\" class=\"aligncenter wp-image-18127\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png\" alt=\"\" width=\"592\" height=\"40\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png 1540w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-300x20.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-1024x69.png 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-768x52.png 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-1536x104.png 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-18x1.png 18w\" sizes=\"(max-width: 592px) 100vw, 592px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-19346 size-large\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1024x69.jpg\" alt=\"\" width=\"800\" height=\"54\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1024x69.jpg 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-300x20.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-768x52.jpg 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1536x104.jpg 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-18x1.jpg 18w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd.jpg 1540w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>Simpozij je del raziskovalnega programa UL AGRFT Gledali\u0161ke in medumetnostne raziskave (P6- 0376), ki ga sofinancira Javna agencija za znanstvenoraziskovalno in inovacijsko dejavnost Republike Slovenije (ARIS) iz dr\u017eavnega prora\u010duna.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18139\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo.jpg\" alt=\"\" width=\"241\" height=\"50\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo.jpg 338w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo-300x62.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo-18x4.jpg 18w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Namen simpozija je, da ob Brechtu in ob vpra\u0161anjih, ki jih odpira \u00bbGovor o \u010dasu\u00ab, premislimo ne le o njegovem, temve\u010d tudi o na\u0161em, sodobnem, \u00bbmra\u010dnem \u010dasu\u00ab.<\/p>","protected":false},"featured_media":14522,"template":"","categories":[416,435],"tags":[],"izpostavljamo":[633,40,631],"letnik":[639],"tip":[425],"vrsta-razstave":[],"class_list":["post-19336","dogodki","type-dogodki","status-publish","has-post-thumbnail","hentry","category-dogodki","category-za-medije","izpostavljamo-featured","izpostavljamo-ne-spreglejte","izpostavljamo-slider","letnik-639","tip-simpozij"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteatrov mednarodni znanstveni simpozij: Govor o (mra\u010dnem) \u010dasu: Brechtova misel neko\u010d in danes - SLOGI<\/title>\n<meta name=\"description\" content=\"Namen Amfiteatrovega mednarodnega znanstvenega simpozija, ki bo potekal od 6. do 9. oktobra 2026 v Slovenskem 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