{"id":19336,"date":"2026-09-12T13:33:46","date_gmt":"2026-09-12T11:33:46","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=dogodki&#038;p=19336"},"modified":"2026-10-12T07:20:28","modified_gmt":"2026-10-12T05:20:28","slug":"international-amfiteater-symposium_speech-on-the-dark-times-brechts-thought-then-and-now","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/amfiteatrov-mednarodni-znanstveni-simpozij-govor-o-mracnem-casu-brechtova-misel-nekoc-in-danes\/","title":{"rendered":"The International Amfiteater Symposium: Speech on the (Dark) Times: Brecht\u2019s Thought Then and Now"},"content":{"rendered":"<p class=\"translation-block\"><strong>The International <em>Amfiteater<\/em> Symposium<\/strong><\/p>\n<h1><span style=\"color: #ff0000;\">SPEECH ON THE (DARK) TIMES: BRECHT\u2019S THOUGHT THEN AND NOW<\/span><\/h1>\n<p><strong>6\u20139 October 2026<\/strong><br \/>\n<strong>Ljubljana, Slovenian Theatre Institute<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p class=\"translation-block\">In a brief yet extraordinarily lucid fragment from <em>Buying Brass<\/em>, entitled \u201cSpeech on Our Times\u201d (Rede \u00fcber die Zeit), Bertolt Brecht offers a precise analysis of the social conditions shaping his historical moment, not merely in Germany but globally. In the fragment, a character bearing the generic name Philosopher observes that \u201cthe monstrous oppression and exploitation of human beings by other human beings, the wartime slaughters and peacetime degradations of every sort taking place across the planet have almost come to seem natural to us\u201d. Despite the historical distance, this observation still resonates as an uncannily accurate commentary on the conditions of our contemporary moment, marked by capitalist exploitation, violence against human and non-human life, war and the climate crisis. We live in a time in which numerous regressive, increasingly popular and even institutionalised forms of authoritarian (micro-)politics are gaining ground, recalling the dark forces of past eras. These politics are rooted in racism, chauvinism, nationalism, xenophobia, transphobia, homophobia, sexism, class discrimination, ruthless exploitation, (neo-)colonialism, religious fundamentalism, environmental degradation, militarism and more.<\/p>\n<p class=\"translation-block\">\u201cIf our present-day world no longer fits drama,\u201d Brecht told his collaborator Elisabeth Hauptmann one hundred years ago, \u201cthen drama no longer fits the world.\u201d Thus, from its very beginning, Brecht\u2019s project of the epic (dialectical) theatre appears to have been conceived as an attempt to enable theatre to respond to \u2013 and even intervene in \u2013 its historical moment. The symposium will provide an opportunity to reflect on what an effective theatrical and\/or Brechtian response to our time might look like today \u2013 a time marked by neoliberalism and the rise of authoritarian politics. At the symposium, we will thus explore the relationships between art (theatre, playwriting, literature, etc.) and the contemporary social and political context and seek potential theatrical and other tactics capable of following Brecht\u2019s maxim in <em>The Measures Taken<\/em> (and <em>Buying Brass<\/em>): \u201cChange the world, it needs it!\u201d The symposium aims to reflect, through Brecht and the questions raised by \u201cSpeech on Our Times\u201d, on the \u201cdark times\u201d of his era as well as our own.<\/p>\n<p>Forty symposium participants will present their views on the subject; we also invite you to join the discussions following the lectures and presentations. The working language of the symposium is English.<\/p>\n<p class=\"translation-block\">The symposium will begin on Tuesday, 6 October 2026, at 6 p.m., with the opening of the exhibition <a href=\"https:\/\/www.slogi.si\/en\/events\/theatre-work-brecht-on-slovenian-stages_exhibition\/\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em>Theatre Work: Brecht on Slovenian Stages<\/em><\/a> at the Slovenian Theatre Institute; the exhibition is dedicated to productions of Brecht\u2019s plays in Slovenian theatre.<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/10\/Amfiteater-tiskovina-EN-2026_final.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small> ABSTRACTS AND BIOGRAPHIES<\/small><\/button><\/a><\/p>\n<p><a id=\"program\"><\/a><strong>PROGRAMME<\/strong><\/p>\n<h3>Tuesday, 6 October<\/h3>\n<p class=\"translation-block\">18:00 <span style=\"color: #00ccff\"><strong><span style=\"color: #ff0000\">Opening of the Exhibition <\/span><a style=\"color: #00ccff\" href=\"https:\/\/www.slogi.si\/en\/events\/theatre-work-brecht-on-slovenian-stages_exhibition\/\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em><span style=\"color: #ff0000\">Theatre Work: Brecht on Slovenian Stages<\/span><\/em><\/a><\/strong><\/span> (Slovenian Theatre Institute, Mestni trg 17, Ljubljana)<br>\nProduction: Slovenian Theatre Institute (SLOGI) in collaboration with the Academy of Theatre, Radio, Film and Television of the University of Ljubljana (UL AGRFT)<br>\nAuthors: Aldo Milohni\u0107, Jakob Ribi\u010d (both UL AGRFT), Ana Perne (SLOGI)<br>\nOpening Speeches: Vesna Jurca Tadel (Acting Director-General of the Creativity Directorate, Ministry of Culture of the Republic of Slovenia), Ga\u0161per Troha (Director of SLOGI), \u017danina Mir\u010devska (Dean of UL AGRFT), Lena Prents (Director of Goethe-Institut Ljubljana), authors of the exhibition<br>\nShort Opening Performances: Sofija Zavratnik Kain sings two songs by Bertolt Brecht and Kurt Weill; Anthony Squiers reads excerpts from his new translation of the poem <em>Die drei Soldaten<\/em> (The Three Soldiers) by Bertolt Brecht<br>\nFollowed by a welcome reception<\/p>\n<h3>Wednesday, 7 October<\/h3>\n<p>8:30\u20139:00 Registration<\/p>\n<p class=\"translation-block\">9:00\u20139:40 <span style=\"color: #ff0000\"><strong>First Keynote Lecture<\/strong><\/span><br>\n<strong>Markus Wessendorf<\/strong> (University of Hawai\u02bbi at M\u0101noa, USA): <em>A Contemporary Reassessment of \u201cFive Difficulties in Writing the Truth\u201d<\/em><br>\n9:40\u201310:00 Discussion<\/p>\n<p>10:00\u201310:10 Short Break<\/p>\n<p>10.10\u201310.55 <span style=\"color: #ff0000;\"><strong>First Panel<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Contemporary Conversations about <em>Refugee Conversations<\/em> (and beyond)<\/strong><\/span><br \/>\nModerator: Jakob Ribi\u010d<br \/>\n<strong>Aleksandra Jovi\u0107evi\u0107<\/strong> (University of Rome \u201cLa Sapienza\u201d, Italy): <em>Exiles and \u00c9migr\u00e9s, Then and Now<\/em><br \/>\n<strong>Lara Tarbuk<\/strong> (Dresden University of Technology, Germany): <em>From the Margins of Language: Exile and Conversation in Bertolt Brecht and Senthuran Varatharajah<\/em><br \/>\n<strong>Mi\u0161a Gli\u0161i\u010d<\/strong> (University of Ljubljana, Slovenia): <em>The Refugee as the Architect of the Third Space: Rethinking Brecht\u2019s Dialectics through Bhabha and Welsch<\/em><br \/>\n10:55\u201311:20 Discussion<\/p>\n<p>11:20\u201311:40 Coffee Break<\/p>\n<p>11.40\u201312.25 <span style=\"color: #ff0000;\"><strong>Second Panel<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>War and Pacifism in \u201cDark Times\u201d: Then and Now<\/strong><\/span><br \/>\nModerator: Aldo Milohni\u0107<br \/>\n<strong>Kristopher Imbrigotta<\/strong> (University of Puget Sound, Tacoma, USA): <em>Taking Positions in Dark Times: Resistance, Authoritarianism and the Politics of Seeing in Brecht\u2019s<\/em> War Primer<br \/>\n<strong>Milena Mileva Bla\u017ei\u0107<\/strong> (University of Ljubljana, Slovenia) and <strong>Hans Zollner<\/strong> (Institute of Anthropology, Pontifical Gregorian University, Rome, Italy): Antim\u00e4rchen: <em>Brecht\u2019s <\/em>Children\u2019s Crusade 1939<em> and the Hameln Legend<\/em><br \/>\n<strong>Milena Massalongo<\/strong> (University of Mantua, Italy):<em>\u201cWhat you don\u2019t understand is the <\/em>technique<em>\u201d: Where We Stand Now, Measured against Brecht<\/em><br \/>\n12:25\u201312:50 Discussion<\/p>\n<p>12:50\u201314:20 Lunch Break<\/p>\n<p>14.20\u201315.05 <span style=\"color: #ff0000;\"><strong>Third Panel<\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong>Puntila, Matti and Saint Joan in the Jungle of Capitalism<\/strong><\/span><br \/>\nModerator: Toma\u017e Topori\u0161i\u010d<br \/>\n<strong>Jure Gantar<\/strong> (Dalhousie University, Halifax, Canada): <em>Brecht and the Master-Servant Dialectic<\/em><br \/>\n<strong>Eva Kra\u0161evec<\/strong> (Slovenian National Theatre, Ljubljana, Slovenia): <em>Puntila and Matti in Turbocapitalism<\/em><br \/>\n<strong>Agata Tom\u0161i\u010d<\/strong> (ErosAntEros, Ravenna, Italy): <em>Why Stage Brecht in the Age of <\/em>Capitalist Realism<em>? Two Practical Examples that Seek to \u201cChange the World\u201d through Theatre and the Power of Imagination<\/em><br \/>\n15:05\u201315:30 Discussion<\/p>\n<p>15:30\u201315:50 Coffee Break<\/p>\n<p class=\"translation-block\">15:50\u201316:35  <span style=\"color: #ff0000\"><strong>Fourth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>(Post)Brechtian Dramaturgies in Politically Committed Contemporary Theatre<\/strong><\/span><br>\nModerator: Maja Murnik<br>\n<strong>Toma\u017e Topori\u0161i\u010d<\/strong> (University of Ljubljana, Slovenia): <em>In the Footsteps of Brecht\u2019s Fundamental Reforms of Dramaturgy in Contemporary Performing Arts<\/em><br>\n<strong>Matko Boti\u0107<\/strong> (University of Split, Croatia): <em>Doubt as Destiny: Oliver Frlji\u0107\u2019s <\/em>The Brothers Karamazov<em> as an Echo of Brechtian Epic Theatre<\/em><br>\n<strong>Milorad Mi\u0107i\u0107<\/strong> (University of Ljubljana, Slovenia): <em>From Estrangement to Confrontation: The Post-Brechtian Theatre of Oliver Frlji\u0107<\/em><br>\n16:35\u201317:00 Discussion<\/p>\n<p class=\"translation-block\">18:00 <span style=\"color: #ff0000\"><strong>Opening of the Exhibition <span style=\"color: #ff0000\"><a style=\"color: #ff0000\" href=\"https:\/\/www.nuk.uni-lj.si\/en\/event\/brecht-s-attempts-and-experiments-versuche-2026-09-09\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em>Brecht\u2019s Attempts and Experiments (Versuche) \u2013 Slovenian Translations, First German Editions and Documents from the Bertolt Brecht Archive of the Academy of Arts, Berlin<\/em><\/a><\/span><\/strong><\/span> (National and University Library, Turja\u0161ka ulica 1, Ljubljana)<br>\nProduction: National and University Library (NUK) in collaboration with the Academy of Theatre, Radio, Film and Television of the University of Ljubljana (UL AGRFT)<br>\nAuthors: Aldo Milohni\u0107, Jakob Ribi\u010d (both UL AGRFT), Barbara Jesenovec (NUK)<br>\nArchival Material Consultants: Iliane Thiemann, Noah Willumsen (both Bertolt Brecht Archive of the Academy of Arts, Berlin \u2013 BBA\/AdK)<br>\nOpening Speeches: Jana Kolar (Director of NUK), Iliane Thiemann and Noah Willumsen (BBA\/AdK), Sylvia Groneick (German Ambassador to Slovenia), authors of the exhibition<br>\nShort Opening Performances: Sofija Zavratnik Kain sings two songs by Bertolt Brecht and Kurt Weill; Nata\u0161a Barbara Gra\u010dner \u201cre-enacts\u201d excerpts from Brecht\u2019s <em>Galileo<\/em>, staged 30 years ago in NUK<\/p>\n<h3>Thursday, 8 October<\/h3>\n<p>9:00\u20139:40 <span style=\"color: #ff0000;\"><strong>Second Keynote Lecture<\/strong><\/span><br \/>\n<strong>Tom Kuhn<\/strong> (University of Oxford, UK): <em>\u201cBrothers, if I were with you now\u2026\u201d: Brecht, War and Empathy<\/em><br \/>\n9:40\u201310:00 Discussion<\/p>\n<p>10:00\u201310:10 Short Break<\/p>\n<p class=\"translation-block\">10:10\u201310:55 <span style=\"color: #ff0000\"><strong>Fifth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>Learning and the Learning-Play in the Dystopian Times<\/strong><\/span><br>\nModerator: Aleksandra Jovi\u0107evi\u0107<br>\n<strong>Aldo Milohni\u0107<\/strong> (University of Ljubljana, Slovenia): <em>Brecht\u2019s \u201cTheatre for the Scientific Age\u201d in the Dystopian Times<\/em><br>\n<strong>Sergio Lo Gatto<\/strong> (Link Campus University, Rome, Italy):  <em>The Legacy of the <\/em>Lehrst\u00fcck<em> in Contemporary Italian Playwriting: The Case of Davide Carnevali\u2019s<\/em> Classroom Plays<br>\n<strong>Francesco Puccio<\/strong> (eCampus University, Rome, Italy): <em>Reassessing the Ruins: Sophocles\u2019 <\/em>Antigone<em> as a Brechtian <\/em>Lehrst\u00fcck<em> in Archaeological Spaces<\/em><br>\n10:55\u201311:20 Discussion<\/p>\n<p>11:20\u201311:40 Coffee Break<\/p>\n<p class=\"translation-block\">11:40\u201312:25 <span style=\"color: #ff0000\"><strong>Sixth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>Learning-Play as a Metaphor: Politics, Censorship and Brechtian Strategies<\/strong><\/span><br>\nModerator: Lada \u010cale Feldman<br>\n<strong>Elena Knopov\u00e1<\/strong> (Slovak Academy of Sciences, Bratislava, Slovakia): <em>Unsettling the Familiar Again: Brechtian Strategies in Contemporary Slovak Theatre<\/em><br>\n<strong>Sebastijan Horvat<\/strong> (University of Ljubljana, Slovenia): <em>Jo\u017ee Mo\u017eina\u2019s Interview with Tone Kerin on RTV Slovenia as an Example of a Learning-Play<\/em><br>\n<strong>Rita Agatina Di Leo<\/strong> (University of Bari \u201cAldo Moro\u201d and University of Rome \u201cLa Sapienza\u201d, Italy): <em>Archipelago of Exceptions: When Visibility Becomes Censorable \u2013 Notes from Contemporary Italy<\/em><br>\n12:25\u201312:50 Discussion<\/p>\n<p>12:50\u201314:20 Lunch Break<\/p>\n<p class=\"translation-block\">14:20\u201315:05 <span style=\"color: #ff0000\"><strong>Seventh Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>New Readings of the \u201cClassic\u201d Brecht-Aristotle Antagonism<\/strong><\/span><br>\nModerator: Goran Sergej Prista\u0161<br>\n<strong>Anthony Squiers<\/strong> (AMDA College and Conservatory of the Performing Arts, Los Angeles, USA): <em>Beyond Aesthetics: Brecht\u2019s Ontological Break with Aristotle<\/em><br>\n<strong>Kri\u0161tof Jacek Kozak<\/strong> (University of Primorska, Koper, Slovenia): <em>On How a Certain Bertolt B. Let Himself Be Ensnared by His Own Shadow<\/em><br>\n<strong>Vid Milakovi\u0107<\/strong> (University of Ljubljana, Slovenia): <em>Aristotle and Brecht in Contemporary Theatre \u2013 Clash of the Titans<\/em><br>\n15:05\u201315:30 Discussion<\/p>\n<p>15:30\u201315:50 Coffee Break<\/p>\n<p class=\"translation-block\">15:50\u201317:00 <span style=\"color: #ff0000\"><strong>Roundtable Discussion on Editions and Translations of Brecht\u2019s Writings<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><em><strong>Brecht\u2019s Legacy 70 Years On<\/strong><\/em><\/span><br> \nModerator: Jakob Ribi\u010d (University of Ljubljana, Slovenia; editor of the recent Slovenian translations of Brecht\u2019s writings)<br>\nSpeakers:<br>\n<strong>Aldo Milohni\u0107<\/strong> (University of Ljubljana, Slovenia; editor of the recent Slovenian translations of Brecht\u2019s writings)<br>\n<strong>Darko Suvin<\/strong> (Emeritus Professor, McGill University, Montr\u00e9al, Canada)<br>\n<strong>Noah Willumsen<\/strong> (Director of Bertolt-Brecht-Archiv, Akademie der K\u00fcnste, Berlin, Germany)<br>\n<strong>Erdmut Wizisla<\/strong> (Director of Walter Benjamin Archiv, Akademie der K\u00fcnste, Berlin, Germany)<\/p>\n<p class=\"translation-block\">18:00 <strong><span style=\"color: #ff0000\">Guided Tour of the Exhibition <a style=\"color: #ff0000\" href=\"https:\/\/www.cd-cc.si\/en\/culture\/exhibitions\/cosmos-kosovel\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em>Cosmos Kosovel<\/em><\/a><\/span><\/strong> \u2013 an exhibition marking the 100th anniversary of the death of the Slovenian avant-garde poet, writer and artist Sre\u010dko Kosovel (Cankarjev dom, Pre\u0161ernova cesta 10, Ljubljana)<br>\nGuides: Marijan Rupert (NUK, exhibition curator) and Kristina Pranji\u0107 (ZRC SAZU and University of Nova Gorica, member of the exhibition Programme Committee)<\/p>\n<h3>Friday, 9 October<\/h3>\n<p class=\"translation-block\">9:00\u20139:40 <span style=\"color: #ff0000\"><strong>Third Keynote Lecture<\/strong><\/span><br>\n<strong>Bojana Kunst<\/strong> (Justus-Liebig-Universit\u00e4t Giessen, Germany): <em>When We Can No Longer Even Speak of Trees: Brecht and the Risk of Speaking the Truth<\/em><br>\n9:40\u201310:00 Discussion<\/p>\n<p>10:00\u201310:10 Short Break<\/p>\n<p class=\"translation-block\">10:10\u201310:55 <span style=\"color: #ff0000\"><strong>Eighth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>Estrangement and the Politics of Gaze, Perception and Spectatorship<\/strong><\/span><br>\nModerator: Ga\u0161per Troha<br>\n<strong>Goran Sergej Prista\u0161<\/strong> (University of Zagreb, Croatia): <em> Composite Gaze and Vulnerable Assemblies<\/em><br>\n<strong>Jakob Ribi\u010d<\/strong> (University of Ljubljana, Slovenia): <em> \u201cThe Eyes of the Stranger\u201d: What Might Be the Contemporary Form of Verfremdung?<\/em><br>\n<strong>Yujia Zheng<\/strong> (University of Ljubljana, Slovenia): <em> Estranging the Hyper-Spectator: Brecht after Ranci\u00e8re<\/em><br>\n10:55\u201311:20 Discussion<\/p>\n<p>11:20\u201311:40 Coffee Break<\/p>\n<p class=\"translation-block\">11:40\u201312:25 <span style=\"color: #ff0000\"><strong>Ninth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>Oppositions in Institutional and Alternative Approaches to (Post)Brechtian Theatre<\/strong><\/span><br>\nModerator: Noah Willumsen<br>\n<strong>Agata Juniku<\/strong> (University of Zagreb, Croatia): <em>From Margins to Freedom, Centre to Avoid: Two Cases<\/em><br>\n<strong>Ana Kocjan\u010di\u010d<\/strong> (University of Ljubljana, Slovenia): <em>Brechtian Spatial Principles and Scenographic Minimalism in the Early Work of Niko Matul<\/em><br>\n<strong>Ana Perne<\/strong> (Slovenian Theatre Institute, Ljubljana, Slovenia): <em>Brecht\u2019s Theory as a Factor in the Transformation of Acting Practices in Slovenia<\/em><br>\n12:25\u201312:50 Discussion<\/p>\n<p>12:50\u201314:20 Lunch Break<\/p>\n<p class=\"translation-block\">14:20\u201315:05 <span style=\"color: #ff0000\"><strong>Tenth Panel<\/strong><\/span><br>\n<span style=\"color: #ff0000\"><strong>Brecht and (Un)expected Relations through Writings, Music and Voice<\/strong><\/span><br>\nModerator: Jure Gantar<br>\n<strong>Lada \u010cale Feldman<\/strong> (University of Zagreb, Croatia): <em>Krle\u017ea through Brechtian Estrangement: On the Shared Artistic, Cognitive and Political Value of Two Modernist Classics<\/em><br>\n<strong>Gregor Pompe<\/strong> (University of Ljubljana, Slovenia): <em>Brecht\u2019s Idea of Epic Theatre in the Operatic Context of His Time<\/em><br>\n<strong>Jasmina Godec<\/strong> (University of Ljubljana, Slovenia): <em>Estrangement on Radio: Brecht, Listening and the Representation of Madness<\/em><br>\n15:05\u201315:30 Discussion<\/p>\n<p>15:30\u201315:40 Short Break<\/p>\n<p class=\"translation-block\">15:40\u201316:00 <span style=\"color: #ff0000\"><strong>Closing Chord: a Music\/Performative Presentation<\/strong><\/span><br>\n<strong>Jani Kova\u010di\u010d<\/strong> (Singer and musician, Ljubljana, Slovenia): <em>Did Brecht Teach Us Anything? On Some of Brecht\u2019s \u201cSt\u00fccke und Lieder\u201d<\/em><\/p>\n<p class=\"translation-block\">18:30 Bus Transfer to Novo Mesto<br>\n20:00 <strong><span style=\"color: #ff0000\">Performance: <a style=\"color: #ff0000\" href=\"https:\/\/www.antonpodbevsekteater.si\/si\/dogodek\/zivljenje-in-casi-bertolta-brechta\/\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em>The Life and Times of Bertolt Brecht<\/em><\/a><\/span><\/strong> (Anton Podbev\u0161ek Teater, Pre\u0161ernov trg 3, Novo Mesto)<br>\n22:00 Farewell Reception<br>\n23:00 Bus Transfer to Ljubljana<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"translation-block\"><strong><span style=\"color: #000000\">Heads of the symposium: <\/span><\/strong> Aldo Milohni\u0107 and Jakob Ribi\u010d<\/p>\n<p class=\"translation-block\"><span style=\"color: #000000\"><strong>Organising committee:<\/strong><\/span> Aldo Milohni\u0107, Maja Murnik, Jakob Ribi\u010d, Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha, Markus Wessendorf and Noah Willumsen<\/p>\n<p class=\"translation-block\"><span style=\"color: #000000\"><strong>The symposium is organised by: <\/strong><\/span><br>\n<a href=\"https:\/\/www.slogi.si\/en\/\" target=\"_blank\" rel=\"noopener\" role=\"link\">The Slovenian Theatre Institute<\/a><br>\n<a href=\"https:\/\/www.agrft.uni-lj.si\/en\/\" target=\"_blank\" rel=\"noopener\" role=\"link\">The Academy of Theatre, Radio, Film and Television of the University of Ljubljana<\/a><br>\n<a href=\"https:\/\/www.slogi.si\/en\/amfiteater-journal\/\" target=\"_blank\" rel=\"noopener\" role=\"link\"><em>Amfiteater<\/em>, Journal of Performing Arts Theory<\/a><\/p>\n<p class=\"translation-block\"><span style=\"color: #000000\"><strong>In collaboration with: <\/strong><\/span><br>\n<a href=\"https:\/\/adk.de\/archiv-der-kuenste\/abteilungen-fachbereiche\/bertolt-brecht-archiv\" target=\"_blank\" rel=\"noopener\" role=\"link\">Bertolt-Brecht-Archiv (Akademie der K\u00fcnste, Berlin)<\/a><br>\n<a href=\"https:\/\/ibs.wildapricot.org\" target=\"_blank\" rel=\"noopener\" role=\"link\">International Brecht Society<\/a><br>\n<a href=\"https:\/\/www.goethe.de\/ins\/si\/sl\/index.html\" target=\"_blank\" rel=\"noopener\" role=\"link\">Goethe-Institut Ljubljana<\/a><br>\n<a href=\"https:\/\/www.nuk.uni-lj.si\/en\/\" target=\"_blank\" rel=\"noopener\" role=\"link\">National and University Library<\/a><br>\n<a href=\"https:\/\/www.zalozbacf.si\/index.php\/english\" target=\"_blank\" rel=\"noopener\" role=\"link\">Zalo\u017eba \/*cf. Press<\/a><br>\n<a href=\"https:\/\/www.antonpodbevsekteater.si\" target=\"_blank\" rel=\"noopener\" role=\"link\">Anton Podbev\u0161ek Teater<\/a><br>\n<a href=\"https:\/\/www.cd-cc.si\/en\" target=\"_blank\" rel=\"noopener\" role=\"link\">Cankarjev dom<\/a><\/p>\n<p><img decoding=\"async\" class=\"wp-image-18701 aligncenter\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red_web.png\" alt=\"\" width=\"227\" height=\"120\" \/><img decoding=\"async\" class=\"aligncenter wp-image-16025 size-large\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en.png\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en.png 2062w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-300x23.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-1024x77.png 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-768x58.png 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-1536x115.png 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-2048x154.png 2048w, https:\/\/www.slogi.si\/wp-content\/uploads\/2025\/03\/SLOGI-AGRFT_en-18x1.png 18w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png\"><img decoding=\"async\" class=\"aligncenter wp-image-18127\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png\" alt=\"\" width=\"592\" height=\"40\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS.png 1540w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-300x20.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-1024x69.png 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-768x52.png 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-1536x104.png 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/AdK_BBA_GI_IBS-18x1.png 18w\" sizes=\"(max-width: 592px) 100vw, 592px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-19346 size-large\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1024x69.jpg\" alt=\"\" width=\"800\" height=\"54\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1024x69.jpg 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-300x20.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-768x52.jpg 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-1536x104.jpg 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd-18x1.jpg 18w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/09\/nuk_cf_apr_cd.jpg 1540w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>The symposium is organised within the framework of the research programme UL AGRFT Theatre and Interart Studies (P6-0376), co-financed by the Slovenian Research and Innovation Agency (ARIS) from the state budget.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18139\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoAng.jpg\" alt=\"\" width=\"241\" height=\"50\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoAng.jpg 338w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoAng-300x62.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoAng-18x4.jpg 18w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Namen simpozija je, da ob Brechtu in ob vpra\u0161anjih, ki jih odpira \u00bbGovor o \u010dasu\u00ab, premislimo ne le o njegovem, temve\u010d tudi o na\u0161em, sodobnem, \u00bbmra\u010dnem \u010dasu\u00ab.<\/p>","protected":false},"featured_media":14522,"template":"","categories":[416,435],"tags":[],"izpostavljamo":[633,40,631],"letnik":[639],"tip":[425],"vrsta-razstave":[],"class_list":["post-19336","dogodki","type-dogodki","status-publish","has-post-thumbnail","hentry","category-dogodki","category-za-medije","izpostavljamo-featured","izpostavljamo-ne-spreglejte","izpostavljamo-slider","letnik-639","tip-simpozij"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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