The original purpose of theatrical photography is to document theatrical art. But when does photography transcend this purpose and become independent, becoming a work of art itself? What does theatrical photography tell us about the performance and what about the photographer, about his subjective point of view? How does theatrical photography differ from, for example, reportage photography? What demands, what approach does it make of the photographer?
\nWhat happens when two arts intertwine, when one depicts the other? How to combine the here and now, the unique and unrepeatable happening of a performance, and the eternal capture of the moment in photography?<\/p>\n
V sredo, 2. oktobra 2024, bomo ob 19. uri odprli razstavo Tone Stojko, Theater Photography<\/em><\/a>. Pospremili ga bomo s pogovorom o gledali\u0161ki fotografiji \u2013 z avtorjem To Tone Stojko<\/strong> se bo pogovarjala Marija Sko\u010dir, PhD<\/strong>, vodja in kustosinja Galerije Jakopi\u010d ter dobra poznavalka Stojkovega opusa.<\/p>\n Free entry!<\/p>\n <\/p>\nArhivski posnetek pogovora<\/h5>\n