{"id":14274,"date":"2024-09-15T10:24:46","date_gmt":"2024-09-15T08:24:46","guid":{"rendered":"https:\/\/www.slogi.si\/?post_type=dogodki&#038;p=14274"},"modified":"2024-11-15T11:01:54","modified_gmt":"2024-11-15T10:01:54","slug":"amfiteater-symposium-2024-2","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/amfiteatrov-simpozij-2024\/","title":{"rendered":"Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre \/ Amfiteater Journal International Academic Symposium"},"content":{"rendered":"<p style=\"text-align: center;\">Amfiteater Journal of Performing Arts Theory<br \/>\nInternational Symposium<\/p>\n<h1 style=\"text-align: center;\">Connecting Avant-Gardes and Theatre: How to Revolutionise the Relationship between the Periphery and the Centre<\/h1>\n<p style=\"text-align: center;\">9-11 October 2024<br \/>\nSlovenian Theatre Institute, Ljubljana<\/p>\n<p>&nbsp;<\/p>\n<p>The UL AGRFT research group is together with the scientific journal <em>Amfiteater<\/em>, the Slovenian Theater Institute and the Slovenian Society of Aesthetics, within the framework of the UL AGRFT research program Theatrical and Interartistic Research (P6-0376), prepared an international scientific symposium in which more than 25 foreign and domestic experts and artists will participate. The aim of the symposium will be to map the various geographical and historical attempts to revolutionize the relationship between the periphery and the center in Europe and beyond. First during the historical avant-garde of the 1920s, then the neo-avant-garde of the 1960s and 1970s, the post-avant-garde at the turn of the millennium, and finally the contemporary radical stage practices after the turn of the millennium. We will check whether, in different national, political and aesthetic contexts, neo-avant-garde, post-avant-garde and contemporary engaged art have revived some basic ideas of constructivist, futurist, expressionist, surrealist, suprematist and other utopian visions.<\/p>\n<p>Some of the topics that we will be addressing:<\/p>\n<p>\u2022 How do we conceptualise the European theatrical avant-garde from today\u2019s perspective?<\/p>\n<p>\u2022 In what ways have avant-gardes resisted the asymmetry of international artistic forces and revolutionised the relationship between periphery and centre, both historically and in contemporary contexts?<\/p>\n<p>\u2022 What is the current state of research on Eastern European and Central European avant-gardes?<\/p>\n<p>\u2022 Has the map of European theatrical avant-gardes shifted significantly in recent decades? How and to what extent?<\/p>\n<p>\u2022 What about the autonomy of art in the relationship between the avant-garde and society?<\/p>\n<p>\u2022 How are the aesthetic avant-gardes connected to social movements as well as the past, present and future?<\/p>\n<p>We invite theatre researchers, practitioners, students, and interested individuals to join us in sharing their perspectives at the international academic symposium that will take place in Ljubljana. The working languages of the symposium will be Slovenian and English.<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"program\"><\/a><strong>PROGRAMME<\/strong><\/p>\n<h5>Wednesday, 9 October 2024<\/h5>\n<p>1:30 p.m.: <strong>Opening of the symposium<\/strong><br \/>\n<strong>prof. M.Sc. \u017danina Mir\u010devska<\/strong>, Academy of Theatre, Radio, Film and Television, University of Ljubljana<br \/>\n<strong>Ga\u0161per Troha, PhD<\/strong>, Slovenian Theatre Institute<\/p>\n<p>14.00<br \/>\n<strong>Plenary lecture<\/strong><br \/>\n<strong>Aleksandra Jovi\u0107evi\u0107<\/strong>: <em>Where Do You Come From?<\/em><\/p>\n<p>14.40: discussion<\/p>\n<p>15.00: coffee break<\/p>\n<p>15.15<br \/>\n<strong>First session<\/strong><br \/>\nModerator: Ga\u0161per Troha<\/p>\n<p><del><strong>Hanna Veselovska<\/strong>: <em>From Generation to Generation: Avant-garde and Neo-Avant-garde Visionaries of the Ukrainian Theatre<\/em><\/del><\/p>\n<p><strong>Kristina Pranji\u0107<\/strong>: <em>Decentring the Avant-Garde and the Yugo-Dada Network<\/em><\/p>\n<p><strong>Mojca Puncer<\/strong>: <em>The Noordung Project and the Care of Avant-Garde Heritage: Changing the Relationship Between Periphery and Centre<\/em><\/p>\n<p>16.15: discussion<\/p>\n<p>16.30: coffee break<\/p>\n<p>17.00<br \/>\n<strong>Second session<\/strong><br \/>\nModerator: Maja Murnik<\/p>\n<p><del><strong>Valentina Chechyk<\/strong>: <em>Avant-Garde Scenography of Ukraine: Vadym Meller\u2019s Version<\/em><\/del><\/p>\n<p><strong>Narvika Bovcon<\/strong>, <strong>Ale\u0161 Vaupoti\u010d<\/strong>: <em>Did the Avant-Garde Become Materialised in New Media? Techno-Performance and Socialisation<\/em><\/p>\n<p><strong>Tery \u017de\u017eelj<\/strong>: <em>Ephemeral Practices of the Periphery: Bogdanka Poznanovi\u0107\u2019s Artistic Practice and Networking Through the Perspective of the River<\/em><\/p>\n<p>17.40: discussion and coffee break<\/p>\n<p>18:00\u201318:45<br \/>\n<strong>Panel: book presentation<\/strong><br \/>\nPolona Tratnik (ed.): <strong><em>The European Avant-Garde \u2013 A Hundred Years Later<\/em><\/strong> (Brill, 2024)<\/p>\n<h5>Thursday, 10 October 2024<\/h5>\n<p>09.30<br \/>\n<strong>Plenary lecture<\/strong><br \/>\n<strong>Dariusz Kosi\u0144ski<\/strong>: <em>Uprizarjanje pu\u0161\u010davni\u0161tva: taktike politike periferije in sredi\u0161\u010da pri Jerzyju Grotowskem<\/em><\/p>\n<p>10.10: discussion<\/p>\n<p>10.20: <strong>Book presentation:<\/strong><br \/>\nDariusz Kosi\u0144ski (ed.): <strong><em>A Lexicon of the Central-Eastern European Interwar Theater Avant-Garde<\/em><\/strong> (Performance Research Books, 2024)<\/p>\n<p>10.45: coffee break<\/p>\n<p>11.00<br \/>\n<strong>Third session<\/strong><br \/>\nModerator: Toma\u017e Topori\u0161i\u010d<\/p>\n<p><strong>Lada \u010cale Feldman<\/strong>: <em>Exalted Periphery: The Confusing Case of the Lero Student Theatre in Dubrovnik, Croatia<\/em><\/p>\n<p><strong>Valentina Hribar Sor\u010dan<\/strong>: <em>Atmosphere in Avant-Garde Theatre<\/em><\/p>\n<p><strong>Ana Kocjan\u010di\u010d<\/strong>: <em>The Reflections of Modern Art Movements and Theatrical Historical Avant-Gardes in the Scenography of Vasily Ulyanischchev at the Professional Theatres in Slovenia<\/em><\/p>\n<p>12.00: discussion<\/p>\n<p>12.15\u201313.30: coffee break<\/p>\n<p>13.30<br \/>\n<strong>Fourth session<\/strong><br \/>\nModerator: Barbara Orel<\/p>\n<p><strong>Maja Murnik<\/strong>: <em>The Issue of Space in Post-Avant-Garde Art: A Discussion of Several Examples<\/em><\/p>\n<p><strong>Nika Leskov\u0161ek<\/strong>: <em>Towards War and Violence and Away: A Violent Echoing of the (Historical) Avant-Gardes in Yugoslav Performing Arts and Their Alternatives in Feminist Performance Art<\/em><\/p>\n<p><strong>Knut Ove Arntzen<\/strong>: <em>From the Historical to the Post-Avant-Garde in Norway and Scandinavia, 1920\u20132010<\/em><\/p>\n<p>14.30: discussion<\/p>\n<p>15.00: coffee break<\/p>\n<p>15.15<br \/>\n<strong>Fifth session<\/strong><br \/>\nModerator: Ga\u0161per Troha<\/p>\n<p><strong>Barbara Orel:<\/strong> <em>Fran \u017di\u017eek\u2019s Independent Theatre: A Dialogue with the Prague Avant-Garde<\/em><\/p>\n<p><strong>Nenad Jelesijevi\u0107:<\/strong> <em>Eksotika avantgarde<\/em><\/p>\n<p><strong>Only Oleami:<\/strong> <em>How We Went Looking for the Neo-Avant-Garde and Missed It<\/em><\/p>\n<p>16.15: discussion<\/p>\n<p>16.30: coffee break<\/p>\n<p>17.00<br \/>\n<strong>Sixth session<\/strong><br \/>\nModerator: Aldo Milohni\u0107<\/p>\n<p><strong>Darko Strajn<\/strong>: <em>Discontinuity, Disruption and Subversion as Theatrical Gestures<\/em><\/p>\n<p><strong>Lela Angela Mr\u0161ek Bajda:<\/strong> <em>The Avant-Garde and Subculture in the Subversion of the Periphery and the Centre<\/em><\/p>\n<p><strong>Gasper Troha:<\/strong> <em>Peter Bo\u017ei\u010d and the Question of the Authentic Theatrical Avant-Garde in Slovenia in the Second Half of the 20th Century<\/em><\/p>\n<p>18.00: discussion<\/p>\n<p>18.30: coffee break<\/p>\n<p>19.00: final discussion of the second day<\/p>\n<h5>Friday, 11 October 2024<\/h5>\n<p>09.30<br \/>\n<strong>Plenary lecture<\/strong><br \/>\n<strong>Toma\u017e Topori\u0161i\u010d:<\/strong> <em>How to Revolutionise the Periphery-Centre Relationship: Three Historical Avant-Garde Cycles Between East, West, South and North<\/em><\/p>\n<p>10.10: discussion<\/p>\n<p>10.30: coffee break<\/p>\n<p>10.45<br \/>\n<strong>Seventh session<\/strong><br \/>\nModerator: Jakob Ribi\u010d<\/p>\n<p><strong>Kristof Jacek Kozak:<\/strong> <em>The Fatal Woman of Slovenian Dramatic Modernism<\/em><\/p>\n<p><strong>Sanita Duka:<\/strong>\u00a0Fl\u00e2nerstvo<em> as a strategy for transmitting the revolutionary ideas of the avant-garde: the creative co-authorship of Asja L\u0101cis and Walter Benjamin<\/em><\/p>\n<p><strong>Petra Je\u017ekov\u00e1:<\/strong>\u00a0<em>Scrapbook of One of Them as an Original Source of Research on the Czech Theatrical Avant-Garde<\/em><\/p>\n<p><strong>Aldo Milohni\u0107:<\/strong>\u00a0<em>V\u00e1clav Vl\u010dek, Lidija Wisiak and Prampolini&#039;s futuristic theater<\/em><\/p>\n<p>12.00: discussion<\/p>\n<p>12.30: final discussion of the symposium<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/10\/Amfiteatrov-simpozij_SI_2024.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small> POVZETKI IN BIOGRAFIJE<\/small><\/button><\/a><\/p>\n<p><a href=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/10\/Amfiteater-Symposium_EN_2024.pdf\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small> ABSTRACTS AND BIOGRAPHIES<\/small><\/button><\/a><\/p>\n<p>&nbsp;<\/p>\n<h5>Archival videos of the symposium<\/h5>\n<p>&nbsp;<\/p>\n<p><iframe title=\"ALEKSANDRA JOVI\u0106EVI\u0106, plenary lecture, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/nFT-LHPfeEM?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"KRISTINA PRANJI\u0106, first session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JjPs2ssqsAY?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MOJCA PUNCER, first session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/a5VlvgO05c0?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"NARVIKA BOVCON, ALE\u0160 VAUPOTI\u010c, second session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/c42iMrX281I?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"TERY \u017dE\u017dELJ, second session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/h3QQoIyhOXM?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"The European Avant-Garde, book presentation, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/btbza4d89Ns?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"DARIUSZ KOSI\u0143SKI, plenary lecture, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/p2MeQ45Dk6U?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"A Lexicon of the Central-Eastern European Interwar Theater Avant-Garde\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/w3pMmyJDRFM?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"LADA \u010cALE FELDMAN, third session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/uHGZB1WUvfU?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"VALENTINA HRIBAR SOR\u010cAN, third session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/eL56j8sNdoo?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ANA KOCJAN\u010cI\u010c, third session, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/BidCRZTpgvc?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"MAJA MURNIK, fourth session, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/o2iikg00sPY?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"NIKA LESKOV\u0160EK, fourth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KkttRR57BcA?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"KNUT OVE ARNTZEN, fourth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Vh9_3RS-PKM?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"BARBARA OREL, fifth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/p7HQjOOEDnE?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"NENAD JELESIJEVI\u0106, fifth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/k4bX530p6Zc?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ONLY OLEAMI, fifth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/bTAxTQiWPFo?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"DARKO \u0160TRAJN, sixth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/iqD9W_oU8Kc?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"LELA ANGELA MR\u0160EK BAJDA, sixth session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/5IfEnf0Ax-o?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"GA\u0160PER TROHA, sixth session, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TAaVfBPZpg4?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"TOMA\u017d TOPORI\u0160I\u010c, plenary lecture, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/HgTKDxD-5AE?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"KRI\u0160TOF JACEK KOZAK, seventh session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/sqX5cK12Buw?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"SANITA DUKA, seventh session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JrWxshK5vgA?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"PETRA JE\u017dKOV\u00c1, seventh session, Amphitheatre International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/PW-zTGY-fQI?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"ALDO MILOHNI\u0106, seventh session, Amphitheater International Scientific Symposium 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/EZBcwL7P-j8?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.slogi.si\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Head of the symposium:<\/strong> Toma\u017e Topori\u0161i\u010d<\/p>\n<p><strong>Organising committee:<\/strong> Toma\u017e Topori\u0161i\u010d, Ga\u0161per Troha, Polona Tratnik, Aldo Milohni\u0107, Barbara Orel and Maja Murnik.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The symposium is organised by:<\/strong><\/p>\n<p class=\"translation-block\"><strong>The Slovenian Theater Institute<\/strong> (SLOGI) is a national public institution founded in 2014\nas the legal successor of the Slovenian Theater Museum. The institute's mission is the development of theater culture and the promotion of theater art, which is realized through research, study, interpretation, promotion, preservation, documentation and presentation of Slovenian theater culture, theater heritage and theater art in the Slovenian and international space.<\/p>\n<p class=\"translation-block\"><strong>The Academy of Theatre, Radio, Film and Television of the University of Ljubljana<\/strong> (UL AGRFT) performs educational, artistic and research work in the fields of theatre, radio, film and television. From its founding in 1945 to 1975, it operated as an independent higher education institution with a rector and then became a member of the University of Ljubljana.<\/p>\n<p class=\"translation-block\"><strong><em>Amfiteater \u2013 Journal of Performing Arts Theory<\/em><\/strong> is an academic journal that publishes original articles on performing arts with a broad spectrum from dramatic theatre, drama, dance, performance and hybrid art forms. Authors can analyse the forms and content of artwork and art phenomena from the field of performing arts, their history, their present and their future, as well as their relationship to other art forms and the broader (social, cultural, political \u2026) context.<\/p>\n<p><strong>Slovenian Society of Aesthetics<\/strong> was established in 1983. The organisation focuses on research into avant-garde formations in culture, its main theoretical references. It is a member of the International Association for Aesthetics (IAA\/AIE) and organises regular international colloquia.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter wp-image-9291\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red_web.png\" alt=\"\" width=\"227\" height=\"120\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red_web.png 710w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/01\/Amfiteater-6-1logo_red_web-300x158.png 300w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-13475\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/UL_AGRFT_logoHOR-RGB_barv-705x107-1.png\" alt=\"\" width=\"494\" height=\"75\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/UL_AGRFT_logoHOR-RGB_barv-705x107-1.png 705w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/UL_AGRFT_logoHOR-RGB_barv-705x107-1-300x46.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/UL_AGRFT_logoHOR-RGB_barv-705x107-1-18x3.png 18w\" sizes=\"(max-width: 494px) 100vw, 494px\" \/><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-13476\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/slogi-slovenski-gledaliski-institut.png\" alt=\"\" width=\"233\" height=\"87\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/slogi-slovenski-gledaliski-institut.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/08\/slogi-slovenski-gledaliski-institut-18x7.png 18w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14275 aligncenter\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-1024x322.png\" alt=\"\" width=\"254\" height=\"80\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-1024x322.png 1024w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-300x94.png 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-768x242.png 768w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-1536x483.png 1536w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo-18x6.png 18w, https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/sde-logo.png 1840w\" sizes=\"(max-width: 254px) 100vw, 254px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><em>The symposium is organised in cooperation with the Academy of Theatre, Radio, Film and Television, University of Ljubljana (UL AGRFT) within the framework of the research programme Theatre and Interart Studies (P6-0376), co-financed by the Slovenian Research and Innovation Agency (ARIS) from the state budget.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-13477\" src=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo.jpg\" alt=\"\" width=\"242\" height=\"50\" srcset=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo.jpg 338w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo-300x62.jpg 300w, https:\/\/www.slogi.si\/wp-content\/uploads\/2026\/02\/ARISLogoSlo-18x4.jpg 18w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The UL AGRFT research group, together with the scientific journal Amfiteater, the Slovenian Theater Institute and the Slovenian Society of Aesthetics, within the UL AGRFT research program Theater and inter-art research (P6-0376), has prepared an international scientific symposium in which more than 25 foreign and domestic experts will participate and artists. The aim of the symposium will be to map the various geographical and historical attempts to revolutionize the relationship between the periphery and the center in Europe and beyond.<\/p>","protected":false},"featured_media":14522,"template":"","categories":[416,435],"tags":[],"izpostavljamo":[40],"letnik":[389],"tip":[425],"vrsta-razstave":[],"class_list":["post-14274","dogodki","type-dogodki","status-publish","has-post-thumbnail","hentry","category-dogodki","category-za-medije","izpostavljamo-ne-spreglejte","letnik-389","tip-simpozij"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amfiteatrov mednarodni znanstveni simpozij: Avantgardna umetnost, gledali\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem - SLOGI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.slogi.si\/en\/events\/amfiteater-symposium-2024-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amfiteatrov mednarodni znanstveni simpozij: Avantgardna umetnost, gledali\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem - SLOGI\" \/>\n<meta property=\"og:description\" content=\"Raziskovalna skupina UL AGRFT je skupaj z znanstveno revijo Amfiteater, Slovenskim gledali\u0161kim in\u0161titutom ter Slovenskim dru\u0161tvom za estetiko v okviru raziskovalnega programa UL AGRFT Gledali\u0161ke in medumetnostne raziskave (P6- 0376) pripravila mednarodni znanstveni simpozij na katerem bo sodelovalo ve\u010d kot 25 tujih in doma\u010dih strokovnjakov ter umetnikov. Cilj simpozija bo mapirati razli\u010dne geografske in zgodovinske poskuse revolucioniranja razmerja med periferijo in sredi\u0161\u010dem v Evropi in zunaj nje.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.slogi.si\/en\/events\/amfiteater-symposium-2024-2\/\" \/>\n<meta property=\"og:site_name\" content=\"SLOGI\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-15T10:01:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.slogi.si\/wp-content\/uploads\/2024\/09\/Amfiteater.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.slogi.si\\\/dogodki\\\/amfiteatrov-simpozij-2024\\\/\",\"url\":\"https:\\\/\\\/www.slogi.si\\\/dogodki\\\/amfiteatrov-simpozij-2024\\\/\",\"name\":\"Amfiteatrov mednarodni znanstveni simpozij: Avantgardna umetnost, gledali\u0161\u010de in revolucioniranje razmerja med periferijo in sredi\u0161\u010dem - 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