{"id":10476,"date":"2022-06-21T15:50:58","date_gmt":"2022-06-21T13:50:58","guid":{"rendered":"https:\/\/www.slogi.si\/dogodki\/generator-knjiga-dogodek-2022-2\/"},"modified":"2024-09-13T10:02:44","modified_gmt":"2024-09-13T08:02:44","slug":"generator-book-event-2022-2","status":"publish","type":"dogodki","link":"https:\/\/www.slogi.si\/en\/dogodki\/generator-knjiga-dogodek-2022-2\/","title":{"rendered":"GENERATOR:: for the production of any number of dramatic complexes - presentation of the collection at the "book = event" event"},"content":{"rendered":"

You are invited to the presentation of the proceedings Generator<\/strong><\/em> \u00a0<\/strong>as part of a joint event Slovenian theater publishers<\/strong> book = event .<\/a><\/em>\u00a0A conversation with the editor of the proceedings Blajem Lukan<\/strong> will lead Primo\u017e Jesenko<\/strong>, they will read selected passages\u00a0Anja Novak <\/strong>and Bla\u017e Chief.\u00a0<\/strong><\/p>\n

Generator::to produce any number of drama complexes<\/em><\/a>\u00a0or "a collection of Slovenian experimental dramatic and performance texts from the period of modernism (1966-1986)", published by UL AGRFT and SLOGI (2021), brought to our theatrical, literary and cultural consciousness more than 50 textual units by around 30 Slovenian authors and some of collectives who, during the mentioned period, published their texts in various Slovenian literary magazines, supplements, newspapers or other editions, some of which were even staged, and which (conditionally) can be called dramatic. Among them are also important names of contemporary Slovenian drama, such as M. Jesih, D. Jovanovi\u0107, P. Lu\u017ean, S. Makarovi\u010d, A. Rozman \u2013 Roza, F. Rudolf, V. Zupan et al. But the collection is about something more, namely an emphasis on distinctly experimental and innovative texts that play with both language and the dramatic genre, some of them are also staging proposals, concepts or scenarios, but what they have in common is that they have never been published in an independent book edition and therefore also - scattered in publications in various publications - more or less forgotten or "lost", both for theater history and for performance practice.<\/p>\n