The Amfiteater’s second number of the seventh volume is dedicated to the work of Simona Semenič. It…
This issue draws on the international symposium The Art of Kamishibai: The Word of the Image and the Image of the Word, which took place in May 2018 at the Slovenian Theatre Institute in Ljubljana. The thematic section of the issue is introduced with an essay by Igor Cvetko, who examines the wider context of kamishibai in Slovenia, followed by Tara McGowan’s article positioning kamishibai into the global audio-visual history. Julia Gerster analyses how kamishibai was used after the tsunami and nuclear accident on 11 March 2011. Another practical use of kamishibai, that is, as a tool to preserve an endangered language, is described by Yosuke Miki. The thematic part devoted to kamishibai is rounded off by a review of the first Slovenian kamishibai handbook written by Jelena Sitar.
Besides kamishibai-related articles, this issue also brings three articles by Nika Leskovšek, Tasos Angelopoulos and Miha Marek. In addition to the review of the kamishibai handbook, the issue features three other book reviews by Lana Zdravković, Eva Pori and Eva Kučera Šmon.
Kamišibaj v znamenju kakovosti in umetnosti (Jelena Sitar: Umetnost kamišibaja: Priročnik za ustvarjanje)
Koža kot meja med ontološko in civilizacijsko skonstruiranim Jazom (Tina Kolenik: Koža kot kostum: Oblačenje in slačenje v vsakdanjem življenju in umetniškem ustvarjanju)
Ugledališčena nomadskost kot plastenje pogleda, raznolikih umetniških kreacij in energij (Tomaž Toporišič: Medmedijsko in medkulturno nomadstvo: O vezljivosti medijev in kultur v sodobnih uprizoritvenih praksah)
Premeščanje užitka zaradi uživanja (Robert Pfaller: Interpasivnost: Radosti delegiranega uživanja)
Editor-in-Chief: Maja Šorli
Editorial Board: Bojana Kunst, Barbara Orel, Primož Jesenko, Blaž Lukan, Aldo Milohnić, Tomaž Toporišič, Gašper Troha
International Editorial Board: Mark Amerika (University of Colorado, US), Marin Blažević (Sveučilište u Zagrebu, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu Űlikool, EE), Miško Šuvaković (Univerzitet Singidunum, RS), S. E. Wilmer (Trinity College Dublin, IE)
Published by: Slovenian Theatre Institute (represented by Mojca Jan Zoran, Director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (represented by Tomaž Gubenšek, Dean)
This work is published under Attribution 4.0 International (CC BY 4.0) Licence.
Publishers: Sloveninan Theatre Institute and University in Ljubljana, Academy of Theatre, Radio, Film and Television
ISSN: 1855-4539 (Printed Edition), 1855-850X (Digital Edition)
Paperback, 206 pages; 17cm x 24 cm; Slovenian/English Language.
The journal is published twice annually. Price of a single issue: 10 EUR. Price of a double issue: 18 EUR. Annual subscription: 16 EUR for individuals, 13 EUR for students, 18 EUR for institutions. Postage and handling not included.
The journal is included in: MLA International Bibliography (Directory of Periodicals).
The publishing of Amfiteater is supported by the Slovenian Research Agency and the Ministry of Culture of the Republic of Slovenia.