Amphitheater, Journal of Performing Arts Theory, Volume 6, Number 1


This work is published under Attribution 4.0 International (CC BY 4.0) License.

Publishers: Slovenian Theater Institute and University in Ljubljana, Academy of Theatre, Radio, Film and Television

ISSN: 1855-4539 (Printed Edition), 1855-850X (Digital Edition)

Paperback, 223 pages; 17cm x 24cm; Slovenian/English Language.

The journal is published twice annually. Price of a single issue: 10 EUR. Price of a double issue: 18 EUR. Annual subscription: 16 EUR for individuals, 13 EUR for students, 18 EUR for institutions. Postage and handling not included.

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The journal is included in: MLA International Bibliography (Directory of Periodicals).

The publication of Amfiteater is supported by the Slovenian Research Agency and the Ministry of Culture of the Republic of Slovenia.

The first Amfiteater symposium, organized in autumn 2017, has now yielded fruit: the thematic block here on the theme of the castration of the political and contemporary Slovenian theatre, edited and presented by Tomaž Toporišič. In addition to eight articles in Slovene, equipped with detailed English summaries, we present an exceptional investigation by Eda Čufer of Marko Peljhan's project Makrolab, which – by confronting art and war – reaffirms the idea of the avant-garde at the transition from the 20th to the 2nd century.

 

Colophon

Contents

Preface

 

Articles

Tomaž Toporišič:

Everything We Have Been Afraid to Ask about Politicality and the Castration of the (Post-)Dramatic

Lev Kreft:

The Castration of the Political, and Then the Police

Blaž Lukan:

The Powerlessness of the Political. The Power of Acting

Barbara Orel:

Towards the Politics of Perception: A Turn in the Understanding of the Politicality of Performing Arts

Tomaž Toporišič:

What has happened to the political in theatre? The Case of Oliver Frljić

Aldo Milohnić:

Brutalism and Contemporary Slovenian Theatre

Kristof Jacek Kozak:

The Realpolitical Powerlessness of Slovenian Theatre

Gasper Troha:

Understanding the Castration of the Political Using Rok Vilčnik's Play People's Democratic Circus Sakeshvili as a Case Study

Nenad Jelesijević:

Waiting for the Political. Towards Protagonism in Performance

Eda Čufer:

Feelings and Territories: Makrolab's Avant-Garde Inquiries

Book Reviews

Nika Arhar:

A personal testimony about the time of the doll (Edi Majaron: Faith in a doll. Thoughts on Puppetry) (available in Slovenian language only)

Kaja Kraner:

A hermeneutic approach to the analysis of modern aesthetic ideology (Andrew Hewitt: Social choreography. Ideology as performance in dance and everyday movement) (available in Slovenian language only)

Eva Pori:

(Ob)marginal in the center: Slovenian (modern) drama from a new point of view (Mateja Pezdirc Bartol: Conflicts of worlds: studies on Slovenian drama) (available in Slovenian language only)

 

Submission Guidelines

Call for papers

 

 

Editor-in-Chief: Maja Šorli

Editor of the Thematic Block: Tomaž Toporišič

Editorial Board: Bojana Kunst, Barbara Orel, Primož Jesenko, Blaž Lukan, Aldo Milohnić, Tomaž Toporišič, Gašper Troha

International Editorial Board: Mark Amerika (University of Colorado, US), Marin Blažević (University of Zagreb, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu Űlikool, EE), Miško Šuvaković (Singidunum University, RS), SE Wilmer (Trinity College Dublin, IE)

Published by: Slovenian Theater Institute (represented by Mojca Jan Zoran, Director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (represented by Tomaž Gubenšek, Dean)

 

Amphitheater – Journal of Performing Arts Theory was founded in 2008 by the University of Ljubljana, Academy of Theatre, Radio, Film and Television.

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