Amfiteater, Journal of Performing Arts Theory, Volume 12, Number 2
The volume begins with a thematic block entitled “Contributions to the Theory of New Media Art,” in which the authors discuss some key themes in the theory of new media art. They understand new media art more broadly, through its social contexts and implications, as well as through its relationships with other social, political, philosophical, cultural, and artistic issues and phenomena, such as the challenges of the Anthropocene, play, social media, activism, and artificial intelligence.
Amphitheater, Journal of Performing Arts Theory, Volume 12, Number 1
The main part of the first issue of the 12th volume is represented by discussions prepared on the basis of contributions to the Amphitheatre Symposium, which took place on 5 and 6 October 2023 on the topic of "The Survival of Comedy" in the hall of the Slovenian Theatre Institute (SLOGI) in Ljubljana. After centuries of crisis of "pure" dramatic genres (at least on a declarative level) and the dominance of mixed genres, the time has come...
Amphitheater, Journal of Performing Arts Theory, Volume 11, Number 2
The second issue of the eleventh annual of Amfiteatar brings a diverse conglomerate of texts, both in terms of topics and genres. The volume is introduced by four essays, the topics of which range from a reflection on the avant-garde through the prism of the relations between the center and the periphery of Central and Eastern Europe (Prof. Dr. Tomaž Toporišič) to an analysis of the diverse multilingual theatrical activity of Carinthian Slovenes as a theatrical and cultural-sociological phenomenon (Prof. Dr. Andrej Leben) to theatrical pedagogy (Dr. Irina Lešnik Jeras) and an analysis of the youth drama of Andrej Rozman Roza (Prof. Dr. Milena Mileva Blažić).
Amphitheater, Journal of Performing Arts Theory, Volume 11, Number 1
The majority of the first issue of the 11th year of the Amphitheater is represented by discussions prepared on the basis of contributions at the Amphitheater Symposium, which was held in autumn 2022 at the Slovenian Theater Institute (SLOGI) in Ljubljana on the topic "Theatre Experiment in Slovenia (1966-1986) and its Echoes".
Amphitheater, Journal of Performing Arts Theory, Volume 10, Number 2
The second issue of the tenth volume of Amfiteater brings together themes we have been exploring over the last two years. The first theme deals with the changes in playwriting and theatre in the 21st century; the second addresses the question of community in the performing arts. Both themes were discussed at the Amfiteater symposia …
Amphitheater, Journal of Performing Arts Theory, Volume 10, Number 2
Izšla je druga letošnja številka znanstvene revije Amfiteater, edine slovenske znanstvene revije za področje teatrologije in študijev scenskih umetnosti. Tokrat prinaša temi, ki ju raziskujemo v zadnjih dveh letih. Prva so spremembe v dramski pisavi in gledališču po letu 2000, druga pa vprašanje skupnosti v uprizoritvenih umetnostih. O obeh smo diskutirali na Amfiteatrovih simpozijih v …
Amphitheater, Journal of Performing Arts Theory, Volume 10, Number 1
Prva številka revije Amfiteater za leto 2022 prinaša obsežen tematski blok Sodobna dramatika po l. 2000. Tematski del zaokrožujeta razpravi, ki vsaka na svoj način dopolnjujeta to temo. Matic Kocijančič analizira uprizoritve Sofoklejeve Antigone na slovenskih poklicnih odrih, Luka Benedičič pa s poskusom povezati Brechtov pojem Gestusa z ritualom in tabujem ponovno odpira temo etične …
Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 2
The focus of this Amfiteater issue presents essays of the prominent scholars and artists from theatre sciences, anthropology, philosophy and psychology of art as well as from sensorial theatre practices. The scholars and artists try to define how the sensorial method activates the process of self-examination by unlocking images, memories and associations; and how it …
Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 2
The focus of this Amfiteater issue presents essays of the prominent scholars and artists from theatre sciences, anthropology, philosophy and psychology of art as well as from sensorial theatre practices. The scholars and artists try to define how the sensorial method activates the process of self-examination by unlocking images, memories and associations; and how it …
Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 2
Druga številka devetega letnika prinaša obsežen tematski blok o senzorialnem gledališču, ki sta ga uredila dr. Tomaž Toporišič in Barbara Pia Jenič. Dopolnjujejo ga tri aktualne razprave o slovenskem in mednarodnem gledališkem dogajanju ter recenzija Rapsodije za gledališče francoskega filozofa Alaina Badiouja. Cilj številke je predstaviti eseje uglednih znanstvenikov in umetnikov s področij uprizoritvenih ved, …
Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 1
The first number of the ninth year of the Amfiteater is dedicated to the theme of community in theatre. How does theatre shape the community? Does it have any impact on the wider society? How is the community inscribed in the dramatic text itself? These are just some of the questions that our and foreign …
Amphitheater, Journal of Performing Arts Theory, Volume 9, Number 1
Prva številka devetega letnika je posvečena temi skupnosti v gledališču. Kako gledališče oblikuje skupnost? Ima na širšo družbo kak vpliv? Kako je skupnost vpisana v samo dramsko besedilo? To so le nekatera vprašanja, ki se jih lotevajo domači in tuji avtorji ob analizi primerov iz gledališke zgodovine 20. in 21. stoletja. Številko je spodbudila 50-letnica …
Amphitheater, Journal of Performing Arts Theory, Volume 8, Number 2
The theatre of the 1960s and 1970s brought about a paradigmatic turn that was later called the performative turn (Erika Fischer-Lichte), the end of the theatre of text (Veno Taufer). Its further development is known as postdramatic theatre (Hans-Thies Lehmann) and transformative aesthetics (Fischer-Lichte). These changes set up new challenges for theatre writing as well. …
Amphitheater, Journal of Performing Arts Theory, Volume 8, Number 2
Gledališče je v šestdesetih in sedemdesetih letih 20. stoletja doživelo paradigmatski prelom, ki v veliki meri določa njegov razvoj še dandanes. Kot oder postavlja dramska besedila v nove vloge, tako nove dramske pisave postavljajo gledališče pred nove izzive. Prav te prehode in širjenje ustvarjalnih možnosti prevprašujejo razprave v tokratni številki Amfiteatra. Anna Maria Monteverdi se …
Amphitheater, Journal of Performing Arts Theory, Volume 8, Number 1
The first issue of the eighth volume of Amfiteater is devoted entirely to the theme of amateur theatre. The latter is not often the subject of scientific research, neither in Slovenia nor abroad. Given the rich history of amateur theatre in Slovenia and elsewhere in Europe, we have approached this field from various perspectives. Some …
Amphitheater, Journal of Performing Arts Theory, Volume 8, Number 1
Prva številka osmega letnika Amfiteatra je v celoti posvečena temi ljubiteljskega gledališča. Slednje ni pogosto predmet znanstvenih raziskav tako pri nas kot v tujini. Ljubiteljskega gledališča smo se lotili z različnih vidikov, saj ima pri nas in drugod po Evropi bogato zgodovino. Nekaj ključnih obdobij v razvoju slovenskega gledališča so analizirali Aldo Milohnič (Delavski oder …
Amphitheater, Journal of Performing Arts Theory, Volume 7, Number 2
The Amfiteater’s second number of the seventh volume is dedicated to the work of Simona Semenič. It includes six articles by: Mateja Pezdirc Bartol, Mia Hočevar, Eva Pori, Ivana Zajc, Kristof Jacek Kozak and Maja Murnik, as well as essays by Kristina Hagström-Ståhl and Ljudmil Dimitrov on staging the performance 5fantkov.si in Sweden and Bulgaria. …
Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 7, Številka 2
Druga številka sedmega letnika je v celoti posvečena delu Simone Semenič. Obsega šest razprav avtoric_jev: Mateje Pezdirc Bartol, Mie Hočevar, Eve Pori, Ivane Zajc, Krištofa Jaceka Kozaka in Maje Murnik, ter eseja Kristine Hagström-Ståhl ter Ljudmila Dimitrova o uprizoritvah 5fantkov.si na Švedskem in v Bolgariji. Tematski blok dopolnjujejo esej Kim Komljanec o pogojih za uprizarjanje …
Amfiteater, Journal of Performing Arts Theory, Volume 7, Number 1
This issue draws on the international symposium The Art of Kamishibai: The Word of the Image and the Image of the Word, which took place in May 2018 at the Slovenian Theatre Institute in Ljubljana. The thematic section of the issue is introduced with an essay by Igor Cvetko, who examines the wider context of …
Amphitheatre, Journal of Performing Arts Theory, Volume 7, Issue 1
Prva številka sedmega letnika črpa iz tridnevnega mednarodnega simpozija Umetnost kamišibaja: Beseda podobe in podoba besede, ki je potekal v Slovenskem gledališkem inštitutu maja 2018. Tematski sklop začnemo z esejem Igorja Cvetka, ki široko kontekstualizira slovenski kamišibaj. Temu sledi razprava Tare McGowan, ki umesti kamišibaj v svetovno avdiovizualno zgodovino. Julia Gerster analizira načine uporabe kamišibaja …
Amfiteater, Journal of Performing Arts Theory, Volume 6, Number 2
The present issue is a joint edition of two journals of performing arts, namely, the Slovenian journal Amfiteater and the Macedonian journal Ars Academica. The motive behind this decision was the bilateral research project Macedonian-Slovenian Theater Relations (from 1990 until the Present), carried out during 2017 and 2018 by the Faculty of Dramatic Arts, Skopje...
Amphitheatre, Journal of Performing Arts Theory, Volume 6, Issue 2
The second issue of the sixth annual issue of Amfiteatar and the sixth issue of Ars Academica bring the results of the bilateral project Macedonian-Slovenian Theatre Ties (from 1990 to the present), which was implemented between 2017 and 2018 by the Faculty of Dramatic Arts in Skopje and the Academy of Theatre, Radio, Film and Television in Ljubljana. Colophon Index Editorial Amfiteatar 6/2 Thematic block …
Amphitheater, Journal of Performing Arts Theory, Volume 6, Number 1
The first Amfiteater symposium, organized in autumn 2017, has now yielded fruit: the thematic block here on the theme of the castration of the political and contemporary Slovenian theatre, edited and presented by Tomaž Toporišič. In addition to eight articles in Slovene, equipped with detailed English summaries, we present an exceptional investigation by Eda Čufer...
Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 6, Številka 1
Prva številka šestega letnika Amfiteatra prinaša tematski blok osmih razprav na temo kastracije slovenskega političnega gledališča, ki ga je uredil Tomaž Toporišič. Osem razprav dopolnjuje študija o projektu Marka Peljhana Makrolab. Tokratna številka prinaša tudi tri knjižne recenzije. Kolofon Kazalo Uvodnik Amfiteater 6/1 Razprave Tomaž Toporišič: Vse, česar se do sedaj nismo upali …
Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 5, Številka 2
Druga številka petega letnika Amfiteatra prinaša štiri razprave, šest recenzij knjig in tudi zgodovinsko prilogo: štiri izbrane kritike Lojzeta Smaska mednarodnih uprizoritev. Kazalo Uvodnik Amfiteater 5/2 Razprave Maja Šorli: O lezbičnem gledališču v Sloveniji Jure Gantar: Il Capitanovi številni sovražniki. Commedia dell’arte kot politični komentar Evrope v zgodnjem novem veku Il Capitano’s Many …
Amphitheatre, Journal of Performing Arts Theory Volume 5, Number 2
In the second issue of the fifth year of Amfiteater we bring you four articles, six book reviews and a historical supplement: four selected reviews of Lojze Smasek. Contents Colophon Preface Amfiteater 5/2 Articles Maja Šorli: On Lesbian Theatre in Slovenia Jure Gantar: Il Capitano’s Many Enemies: Commedia dell’Arte as a Political Commentary …
Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 5, Številka 1
Prva številka petega letnika Amfiteatra prinaša štiri razprave, ki jih dopolnjuje še kvartet recenzij knjig ter poziv za novembrski Amfiteatrov simpozij. Kolofon Kazalo Uvodnik
Amfiteater, Journal of Performing Arts Theory, Volume 5, Number 1
Our fifth year of Amfiteater starts with four articles and a quartet of book reviews to accompany them. In the first article, Anja Rošker deals with a segment of Jernej Lorenci’s opus from the perspective of intercultural performances. Until now, his performances created between 2005 and 2011 have not been considered in such a way. …
Amfiteater, Revija za teorijo scenskih umetnosti, Letnik 4, Številka 2
Druga številka četrtega letnika Revije za teorijo scenskih umetnosti Amfiteater je pod drobnogled vzela položaj osrednje gledališke institucije in analizira predstave Kralj Ubu, Generalka za generacijo, drugič in Trpeče. Prinaša štiri razprave ter tri knjižne recenzije teatroloških del mlajših slovenskih avtoric/jev. Kolofon Kazalo Uvodnik
Amphitheater, Journal of Performing Arts Theory, Volume 4, Number 2
This year, the Academy of Theatre, Radio, Film and Television (AGRFT, Slovenia) is celebrating its 70th anniversary. Founded in 1946 as the Academy of Drama Arts (AIU), it acquired its current name in 1963 and became a member of the University of Ljubljana (UL AGRFT) in 1975. To mark this occasion, the Academy published the …