{"id":25347,"date":"2021-09-08T15:31:53","date_gmt":"2021-09-08T13:31:53","guid":{"rendered":"https:\/\/www.slogi.si\/arhiv\/?page_id=25347"},"modified":"2022-03-21T12:16:26","modified_gmt":"2022-03-21T10:16:26","slug":"portal-kritika","status":"publish","type":"page","link":"https:\/\/www.slogi.si\/arhiv\/portal-kritika\/","title":{"rendered":"Portal Kritika"},"content":{"rendered":"<div class='clear'><\/div><div id='sub_menu1'  class='av-submenu-container av-jpqxz2bo-be31d7501ff7f41a8b1c4d3a36847f99 main_color  avia-builder-el-0  el_before_av_section  avia-builder-el-first  av-sticky-submenu container_wrap fullsize' style='z-index:301' ><div class='container av-menu-mobile-disabled av-submenu-pos-center'><ul id=\"menu-programi-slo\" class=\"av-subnav-menu\" role=\"menu\"><li role=\"menuitem\" id=\"menu-item-10216\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-1\"><a href=\"https:\/\/www.slogi.si\/arhiv\/dogodki-slogi\/\" 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in Zlata pali\u010dica<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li role=\"menuitem\" id=\"menu-item-23461\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-6\"><a href=\"https:\/\/www.slogi.si\/arhiv\/klasiki-v-stripu\/\" itemprop=\"url\" tabindex=\"0\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Klasiki v stripu<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li role=\"menuitem\" id=\"menu-item-25358\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-7\"><a href=\"https:\/\/www.slogi.si\/arhiv\/portal-kritika\/\" itemprop=\"url\" tabindex=\"0\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Portal Kritika<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li role=\"menuitem\" id=\"menu-item-29313\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-8\"><a href=\"https:\/\/www.slogi.si\/arhiv\/slogi-in-drama\/\" itemprop=\"url\" tabindex=\"0\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SLOGI in Drama<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div>\n<div id='av_section_1'  class='avia-section av-9glyh-5fc3d53b27823be9684a9218a32fcd32 main_color avia-section-small avia-no-border-styling  avia-builder-el-1  el_after_av_submenu  avia-builder-el-last  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-25347'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jndzuh-c9660a98be09b7095e43c4e967ff355c\">\n.flex_column.av-jndzuh-c9660a98be09b7095e43c4e967ff355c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-jndzuh-c9660a98be09b7095e43c4e967ff355c av_one_full  avia-builder-el-2  el_before_av_one_full  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gvubi1-a08f766ae1a4f1b6432fc07050ba1487\">\n.avia-image-container.av-gvubi1-a08f766ae1a4f1b6432fc07050ba1487 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-gvubi1-a08f766ae1a4f1b6432fc07050ba1487 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-gvubi1-a08f766ae1a4f1b6432fc07050ba1487 av-styling- 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https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2021\/09\/kritika_logo-768x432.png 768w, https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2021\/09\/kritika_logo-1536x864.png 1536w, https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2021\/09\/kritika_logo-1500x844.png 1500w, https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2021\/09\/kritika_logo-705x397.png 705w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-s47l43-98ae7b164e60abdaa17cca7019a463d5\">\n.flex_column.av-s47l43-98ae7b164e60abdaa17cca7019a463d5{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-s47l43-98ae7b164e60abdaa17cca7019a463d5 av_one_full  avia-builder-el-4  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-ktbjtukq-0e8a703501c94fb8aa2e688b8d8ee680 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-dihbjt-7a42d8f296a2cb03ce101b73bd2d7d10\">\n.flex_column.av-dihbjt-7a42d8f296a2cb03ce101b73bd2d7d10{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-dihbjt-7a42d8f296a2cb03ce101b73bd2d7d10 av_one_full  avia-builder-el-6  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-d4hujt-f84af4db1e115c02d7995f30b159ad37 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Slovenski gledali\u0161ki in\u0161titut (SLOGI) na spletu vzpostavlja prostor za referen\u010dno slovensko gledali\u0161ko kritiko (predvsem) institucionalne produkcije in tudi tako stopa v konstruktivni dialog z gledali\u0161ko umetnostjo, ji postavlja strokovna sidra ter temelje za samopremislek in razvoj. Portal Kritika je vzpostavljen kot samostojna enota slovenskega gledali\u0161kega portala <a href=\"https:\/\/veza.sigledal.org\/kritika\" target=\"_blank\" rel=\"noopener\">SiGledal<\/a>.<\/p>\n<p>Pomembna poslanstva Kritike so: konstruktiven dialog z uprizoritvenimi umetnostmi, strokovna presoja, izhodi\u0161\u010da za samopremislek in razvoj, usmerjanje in vzgoja gledalca, odpiranje druga\u010dnih pogledov na videno\/do\u017eiveto. Predvsem pa portal Kritika stroki ponuja prostor, kjer lahko neodvisno in prostorsko neomejeno razvija kriti\u0161ko misel o sodobni uprizoritveni umetnosti. Razli\u010dni formati, na\u010dini spremljanja, kriteriji, pristopi, pogledi, tudi ob istih predstavah, bodo bistveno prispevali k odpiranju prostora dialoga ter k razvoju ne le podro\u010dja kritike, temve\u010d celotnega gledali\u0161kega podro\u010dja.<\/p>\n<p>Portal Kritika ima tri podstrani:<\/p>\n<p><strong><em>Kritika<\/em><\/strong> \u2013 osrednji del portala, na katerem so objavljene kritike posameznih predstav profesionalnih slovenskih gledali\u0161kih ustvarjalcev, predvsem institucionalnih in vidnej\u0161ih neinstitucionalnih producentov.<\/p>\n<p><strong><em>Mnenja<\/em><\/strong> \u2013 podstran je namenjena dalj\u0161im mnenjskim zapisom, intervjujem, pregledom sezon, odmevom z gostovanj slovenskih gledali\u0161\u010dnikov v mednarodnem prostoru in odmevom z gostovanj tujih prese\u017enih gledali\u0161kih dogodkov v Sloveniji, poro\u010dilom s tujih gledali\u0161kih festivalov, esejisti\u010dnim zapisom o slovenskem gledali\u0161\u010du in gledali\u0161ki produkciji.<\/p>\n<p><strong><em>Mala \u0161ola kritike<\/em><\/strong> \u2013 podstran je namenjena objavi kriti\u0161kih zapisov mladih kritikov, ki nastajajo v okviru delavnic in seminarjev kriti\u0161kega pisanja. Namen te podstrani je vzpostaviti prostor za javno objavo in s tem tudi za primerjavo, pridobivanje izku\u0161enj in razvoj mladega pisca.<\/p>\n<p><a href=\"https:\/\/veza.sigledal.org\/kritika\" target=\"_blank\" rel=\"noopener\"><button class=\"btn btn-danger btn-lg\" type=\"button\"><small>Vstopite v portal Kritika<\/small><\/button><\/a><\/p>\n<h5>Uredni\u0161ki odbor<\/h5>\n<p><strong>dr. Rok Andres<\/strong>, dramaturg ter glavni in odgovorni urednik Kritike<\/p>\n<p><strong>Mojca Kreft<\/strong>, dramaturginja, teatrologinja, muzejska svetovalka in vr\u0161ilka dol\u017enosti direktorice SLOGI<\/p>\n<p><strong>Ma\u0161a Radi Buh<\/strong>, kriti\u010darka<\/p>\n<p><strong>Vilma \u0160tritof<\/strong>, dramaturginja in kriti\u010darka<\/p>\n<p>Pomo\u010dnica glavnega in odgovornega urednika: Maru\u0161a Mugerli Lavren\u010di\u010d<\/p>\n<p>Jezikovni pregled: Andra\u017e Polon\u010di\u010d Rupar\u010di\u010d<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1tp01l-1d9f814b4e9caa9f6a168a5af3534cf0\">\n.flex_column.av-1tp01l-1d9f814b4e9caa9f6a168a5af3534cf0{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1tp01l-1d9f814b4e9caa9f6a168a5af3534cf0 av_one_full  avia-builder-el-8  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jh7opxn2-fbe8011d340968af7838b284e20b62b9\">\n.avia-image-container.av-jh7opxn2-fbe8011d340968af7838b284e20b62b9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-jh7opxn2-fbe8011d340968af7838b284e20b62b9 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-jh7opxn2-fbe8011d340968af7838b284e20b62b9 av-styling- av-hover-grow avia-align-center  avia-builder-el-9  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/veza.sigledal.org\/kritika\" class='avia_image'  aria-label='Kritika_pasica 2'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-25332 avia-img-lazy-loading-not-25332 avia_image ' src=\"https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2021\/09\/Kritika_pasica-2.png\" alt='' title='Kritika_pasica 2'  height=\"65\" width=\"251\"  itemprop=\"thumbnailUrl\"  \/><\/a><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4k9ye1-e83e16460865aa53cef28d85f622ad32\">\n.flex_column.av-4k9ye1-e83e16460865aa53cef28d85f622ad32{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4k9ye1-e83e16460865aa53cef28d85f622ad32 av_one_full  avia-builder-el-10  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-jh7oqxoi-27528f6dfc3fd7078fcb8d5b526dbc98 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>\u00bbCilj portala Kritika ni le spremljanje in vrednotenje gledali\u0161ke produkcije, temve\u010d tudi nuditi prostor za razvoj pisanja kritike, za u\u010denje in razvoj piscev. Zato smo k sodelovanju povabili \u0161iroko paleto piscev, od starej\u0161ih in \u017ee uveljavljenih do najmlaj\u0161ih, perspektivnih. Zelo resno bomo pristopili tudi k uredni\u0161kemu delu in delu s pisci. Verjamem, da bomo na tak na\u010din lahko ustvarili kreativni prostor, v katerem se bodo prepletale ve\u0161\u010dine, znanja, izku\u0161nje, ideje \u2026 prostor, ki bo nudil mo\u017enosti za profesionalni razvoj pisca.\u00ab<\/em> (iz <a href=\"https:\/\/veza.sigledal.org\/prispevki\/portal-kritika-pogovor-z-direktorico-slovenskega-gledaliskega-instituta-mojco-jan-zoran\" target=\"_blank\" rel=\"noopener\">intervjuja s pobudnico portala Kritika mag. Mojco Jan Zoran<\/a>)<\/p>\n<p>\u00bbKo sem razmi\u0161ljal o poslanstvu Kritike, sem si zapisal nekaj \u017eelja: konstruktiven dialog z uprizoritvenimi umetnostmi, strokovna presoja, izhodi\u0161\u010da za samopremislek in razvoj, usmerjanje in vzgoja gledalca, odpiranje druga\u010dnih pogledov na videno\/do\u017eiveto. Kot urednik pa \u017eelim omogo\u010dati stroki prostor, kjer neodvisno in tudi prostorsko neomejeno razvija kriti\u0161ko misel o sodobni uprizoritveni umetnosti.\u00ab (iz <a href=\"https:\/\/veza.sigledal.org\/prispevki\/portal-kritika-pogovor-z-rokom-andresom-urednikom-portala-kritika\" target=\"_blank\" rel=\"noopener\">intervjuja z glavnim in odgovornim urednikom Kritike dramaturgom dr. Rokom Andresom<\/a>)<\/p>\n<p>\u00bbPortal predstavlja novo prilo\u017enost in mo\u017enost za kriti\u0161ko refleksijo vsem generacijam piscev, pisanje o vseh gledali\u0161\u010dih, predvsem o javnih zavodih, \u0161ir\u0161e zajemanje in dojemanje uprizoritvenih praks je \u017ee samo po sebi ustvarjanje pomembnega dela slovenske gledali\u0161ke zgodovine in, mogo\u010de idealisti\u010dno upamo, pomeni revitalizacijo slovenske kriti\u0161ke besede o gledali\u0161\u010du.\u00ab (iz <a href=\"https:\/\/veza.sigledal.org\/prispevki\/portal-kritika-pogovor-s-clanico-uredniskega-odbora-vilmo-stritof\" target=\"_blank\" rel=\"noopener\">intervjuja s \u010dlanico uredni\u0161kega odbora portala Kritika, dramaturginjo in kriti\u010darko Vilmo \u0160tritof<\/a>)<\/p>\n<p>\u00bb\u010ceprav bi bilo seveda izvrstno, \u010de bi prostor za kritiko spet narasel tudi v klasi\u010dnih medijih, menim, da so spletne platforme u\u010dinkovito odgovorile in ukrepale proti njegovemu popolnemu presahnjenju, kar nam je kritikom in kriti\u010darkam omogo\u010dilo nadaljnje delovanje.\u00ab (iz <a href=\"https:\/\/veza.sigledal.org\/prispevki\/portal-kritika-pogovor-z-maso-radi-buh-clanico-uredniskega-odbora-portala-kritika\" target=\"_blank\" rel=\"noopener\">intervjuja s \u010dlanico uredni\u0161kega odbora portala Kritika, kriti\u010darko Ma\u0161o Radi Buh<\/a>)<\/p>\n<h5>Popotnica novemu slovenskemu kriti\u0161kemu portalu<\/h5>\n<p><em>\u00bbV nekaj desetletjih so se razmere za kriti\u0161ko dejavnost zaradi hitre digitalizacije medijev, ki jo je izku\u0161nja pandemije covida 19 \u0161e dodatno pospe\u0161ila, mo\u010dno spremenile. Zato je novi slovenski portal, namenjen umetni\u0161ki kritiki, pomembna pridobitev. \u0160e zlasti ob upo\u0161tevanju dejstva, da je digitalna transformacija dru\u017ebe ena od prednostnih nalog Evropske unije in da je uspela Vlada Republike Slovenije v Na\u010drtu za okrevanje in odpornost pridobiti tudi tri milijone evrov sredstev za skupni nacionalni kulturni portal e-Kultura.<\/em><br \/>\n<em>Ob tem pa se seveda zastavlja kar nekaj vpra\u0161anj. Kdo bo na spletni strani, namenjeni kritiki, objavljal in kdo jo bo prebiral? Kaj je pravzaprav njen namen? Naj se ustavim samo ob prvem vpra\u0161anju, ki sem si ga kot nekdanja literarna, gledali\u0161ka in filmska kriti\u010darka v preteklosti pogosto zastavljala, in sicer, kdo je pravzaprav kritik in kak\u0161na je njegova vloga? Beseda <\/em>krit\u00eas <em>je starogr\u0161kega izvora in je prvotno ozna\u010devala sodnika. V psevdoplatonskem dialogu <\/em>Aksiohos<em> iz 1. st. pr Kr. se uporabi izraz <\/em>kritik\u00f3s<em> za u\u010ditelja kot razlagalca besedil. V spisu <\/em>O vzvi\u0161enem (Per\u00ec h\u00fdpsous)<em> okrog dve stoletji pozneje pa se beseda <\/em>kr\u00edsis<em> prvi\u010d pojavi v pomenu sodbe o literaturi. Ponovno izraziteje o\u017eivi v renesansi, ko Erazem Rotterdamski govori o <\/em>ars critica<em> oziroma umetnosti presojanja. K \u0161iritvi pojma veliko pripomore tudi Moli\u00e8re s svojo igro <\/em>\u0160ola za \u017eene<em>. Nicolas Boileau v <\/em>Umetnosti pesni\u0161tva<em> (1674) pa izraza kritika in kritizirati \u017ee uporablja kot splo\u0161no uveljavljena.<\/em><br \/>\n<em>\u010ce se torej opremo na sam izvor besede, je kritik tisti, ki o ne\u010dem sodi. Kakor mora torej sodnik poznati vse pravne podlage za svoje odlo\u010ditve, je kritik v umetnosti tisti, ki ima celovit pregled nad umetni\u0161kim snovanjem oziroma posameznim umetni\u0161kim podro\u010djem, kar mu \u0161ele omogo\u010da, da o njem izreka sodbe. Kritika torej od obi\u010dajnega bralca oziroma gledalca in tudi ustvarjalca lo\u010di njegova strokovna usposobljenost, ki izhaja iz poznavanja podro\u010dja v celoti in ne zgolj iz osredoto\u010denosti in osredi\u0161\u010denosti na posamezno umetni\u0161ko delo. Filozof Hegel bi rekel, da ga za kritika dela to, da je sposoben od samih dreves uzreti gozd in iz ob\u010dega sklepati o partikularnem. In kakor mora ne glede na zgodovinske transformacije vlog v dru\u017ebi sodnik \u0161e danes enako kot neko\u010d poznati zakone, po katerih lahko presoja, tako tudi umetni\u0161ki krit\u00eas oziroma presojevalec ne more biti kritik brez izpolnjevanja in upo\u0161tevanja osnovnega pogoja, to je presoje, vrednotenja in sodbe o umetnini, ki izhaja iz v\u00e9denja in poznavanja podro\u010dja, o katerem govori. Osebni vrednostni sistem kritika kot individua tako nikakor ne more in ne sme biti sistem vrednot kritika pri njegovem delu. Novi kriti\u0161ki portal je nedvomno najbolj\u0161a popotnica slovenski kritiki, da stopa po tej poti in obenem odkrije \u0161e mnoge nove kriti\u0161ke smeri.\u00ab<\/em><br \/>\n<strong>dr. Ignacija Fridl Jarc<\/strong>, dr\u017eavna sekretarka na Ministrstvu za kulturo Republike Slovenije<\/p>\n<h5>Pozdravi Kritiki<\/h5>\n<p><em>\u00bbPomanjkanje konstruktivne analize novonastalih ali nastajajo\u010dih umetni\u0161kih del, ne le na podro\u010dju uprizoritvenih umetnosti, in prikraj\u0161anost sprotnega ume\u0161\u010danja izvedene kriti\u010dne misli razmi\u0161ljujo\u010dega posameznika v javni prostor, mi\u0161ljenja, ki ni naravnano v predvsem vljudnostni, ali \u0161e huje, v tr\u017eno usmerjeni propagandni odziv na do\u017eiveto, ki se utrjuje in udejanja na posameznikovi in na dru\u017ebeni spoznavni ravni, podpira dose\u017eeno stanje na stopnji zastoja, ki vodi v mrtvilo. Je zagovarjanje ostajanja pri dose\u017eenem, ki onemogo\u010da napredek ter vsakr\u0161en prehod na vi\u0161jo kvalitativno raven. In posledice tak\u0161nih ravnanj, ko je pomo\u010d pri odpiranju o\u010di drugemu nemogo\u010da ali ne\u017eelena, so vidne. Spregledano je postalo nevidno, izgubljeno z o\u010di in dale\u010d od srca. Spoznane pristnosti umetni\u0161kih stali\u0161\u010d, naseljene v nepri\u010dakovani, novi ter izvirni obliki in vsebini, hote prezrte. Neosvetljene. Brez te lu\u010di vse \u0161e neupo\u0161tevano ostaja nepomembno, kot igralec brez odziva. Nepomemben.\u00ab<\/em><br \/>\n<strong>Boris Mihalj<\/strong>, predsednik Zdru\u017eenja dramskih umetnikov Slovenije (ZDUS)<\/p>\n<p><em>\u00bbZmeraj sem vesel, ko se s portalom SiGledal zgodi kaj novega. Pri Kritiki pa sem vesel zelo zelo, saj smo s Tamaro in Gregorjem (op. Matevc) okvir zasnovali \u017ee leta 2014 in od takrat sva jo z Mojco (op. Jan Zoran) prijavljala, argumentirala in na raznoraznih odborih ter delovnih telesih (neuspe\u0161no) zagovarjala. Hvala torej odlo\u010devalcem, ki so zdaj imeli posluh zanjo. <\/em><br \/>\n<em>Portal SiGledal tako po\u010dasi postaja tak, kot smo ga snovalci sanjali na samem za\u010detku. <\/em><br \/>\n<em>Naj torej uredniku in kritikom njihova kriti\u0161ka peresa dobro te\u010dejo; ustvarjalci in gledalci bomo gotovo z veseljem sledili njihovim zapisom, tako kakor oni na\u0161im uprizoritvam. Generiranje gledali\u0161\u010da in njegovo reflektiranje sta dva vidika iste zgodbe. Naj se na portalu SiGledal prepletata, vzajemno, plodovito in na mnoga leta!\u00ab<\/em><br \/>\n<strong>Samo M. Strelec<\/strong>, ravnatelj zavoda Novi Zato.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2uxnxl-fb41747cb8b29ae5511df1883c4cf022\">\n.flex_column.av-2uxnxl-fb41747cb8b29ae5511df1883c4cf022{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-2uxnxl-fb41747cb8b29ae5511df1883c4cf022 av_one_full  avia-builder-el-12  el_after_av_one_full  el_before_av_one_fifth  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-d4hujt-f84af4db1e115c02d7995f30b159ad37 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Producent portala Kritika:<strong> Slovenski gledali\u0161ki in\u0161titut\u00a0<\/strong><em>I<\/em> Portal Kritika sofinancira<strong> Ministrstvo za kulturo Republike Slovenije\u00a0<\/strong><em>I<\/em> Pobudniki kritike:<strong> mag. Mojca Jan Zoran <\/strong>in<strong> ustanovitelji portala SiGledal \/ <\/strong>Spletni koncept, tehni\u010dna izvedba in administracija portala Kritika: <strong>zavod Novi Zato.<br \/>\n<\/strong><\/p>\n<p>ISSN: 2784-6830 <strong><br \/>\n<\/strong><\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-apd261-c89eb9aa6c17df3647344193e5b41657\">\n.flex_column.av-apd261-c89eb9aa6c17df3647344193e5b41657{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-apd261-c89eb9aa6c17df3647344193e5b41657 av_one_fifth  avia-builder-el-14  el_after_av_one_full  el_before_av_one_fifth  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8jz4yh-fc4a83f9f15e370eb3e00ff03537cca9\">\n.avia-image-container.av-8jz4yh-fc4a83f9f15e370eb3e00ff03537cca9 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