{"version":"1.0","provider_name":"SLOGI","provider_url":"https:\/\/www.slogi.si\/arhiv","author_name":"Ksenija Kau\u010di\u010d","author_url":"https:\/\/www.slogi.si\/arhiv\/author\/ksenija\/","title":"Theatre Experiment in Slovenia","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZxpTpKrLVO\"><a href=\"https:\/\/www.slogi.si\/arhiv\/publikacije\/theatre_experiment_in_slovenia\/\">Theatre Experiment in Slovenia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.slogi.si\/arhiv\/publikacije\/theatre_experiment_in_slovenia\/embed\/#?secret=ZxpTpKrLVO\" width=\"600\" height=\"338\" title=\"&#8220;Theatre Experiment in Slovenia&#8221; &#8212; SLOGI\" data-secret=\"ZxpTpKrLVO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.slogi.si\/arhiv\/wp-content\/uploads\/2022\/10\/3-171_Dan-zaklan_Pekarna_1974_Obl-M-Vipotnik_SLOGI-722x1030.jpg","thumbnail_width":722,"thumbnail_height":1030,"description":"October will bring the scientific symposium Theatrical experiment in Slovenia (1966\u20131986) and its resonance, organized by Amfiteater journal, Slovenian Theatre Institute and Academy of Theatre, Radio, Film and Television. Its starting point is the collection The Generator::for Manufacturing Any Number of Drama Complexes \u2013 including more than 50 texts by around 30 Slovenian authors and some author collectives. Editor Bla\u017e Lukan introduces the book by a comprehensive scientific study, however, the texts present a very inspirative basis for further scientific treatments of an elastic time which is now recognized as abundant in its experimental approach. The texts that enabled some pioneer events \u2013 e. g. the first theatre happening in Slovenia \u2013 continuously led to the loosening and reevaluation of performative standards and generated the future of Slovene theatre of the second half of the 20th century."}