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<oembed><version>1.0</version><provider_name>SLOGI</provider_name><provider_url>https://www.slogi.si/arhiv</provider_url><author_name>Ksenija Kau&#x10D;i&#x10D;</author_name><author_url>https://www.slogi.si/arhiv/author/ksenija/</author_url><title>Theatre M&#xF6;derndorfer</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="jsH8V7Fnk1"&gt;&lt;a href="https://www.slogi.si/arhiv/publikacije/theatre_moederndorfer/"&gt;Theatre M&#xF6;derndorfer&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.slogi.si/arhiv/publikacije/theatre_moederndorfer/embed/#?secret=jsH8V7Fnk1" width="600" height="338" title="&#x201C;Theatre M&#xF6;derndorfer&#x201D; &#x2014; SLOGI" data-secret="jsH8V7Fnk1" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.slogi.si/arhiv/wp-content/uploads/2022/09/fotka-1030x729.jpg</thumbnail_url><thumbnail_width>1030</thumbnail_width><thumbnail_height>729</thumbnail_height><description>In September 2022, we announce the release of the monograph Theatre M&#xF6;derndorfer published by Forum Ljubljana and co-published by the Slovenian Theatre Institute which, according to the author of the introductory essay, Bla&#x17E; Lukan, &#x201C;functions as a peculiar &#x2018;amphibian&#x2019;: simultaneously an &#x2018;object&#x2019; and a &#x2018;system&#x2019;. That is, as a tangible and sensorial phenomenon of theatre that can be &#x2018;held&#x2019;, and as a system of theatre thinking, an &#x2018;object&#x2019; that can (also) be thought.&#x201D;The beginning of Vinko M&#xF6;derndorfer&#x2019;s directing path is marked by the staging of King Gordogan based on the text of the Croatian surrealist poet Radovan Iv&#x161;i&#x107;. &#x201C;I was still at the academy when Janez Pipan, who was the director of Glej Theatre at the time, proposed this text to me. This is how I came to stage the first play in my life in the Poljane hall,&#x201D; M&#xF6;derndorfer remembers the creative challenge in 1980, and further on writes: &#x201C;Many years later (recently actually) a theatre companion told me that he still remembers King Gordogan, he attended the premiere and that it was a totally crazy performance. It&#x2019;s a pity, he added, that you didn&#x2019;t stage more of such performances later on.&#x201D;</description></oembed>
