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<oembed><version>1.0</version><provider_name>SLOGI</provider_name><provider_url>https://www.slogi.si/arhiv</provider_url><author_name>Ksenija Kau&#x10D;i&#x10D;</author_name><author_url>https://www.slogi.si/arhiv/author/ksenija/</author_url><title>Theatre Experiment in Slovenia</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="o3anyMrgWY"&gt;&lt;a href="https://www.slogi.si/arhiv/publikacije/theatre_experiment_in_slovenia/"&gt;Theatre Experiment in Slovenia&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.slogi.si/arhiv/publikacije/theatre_experiment_in_slovenia/embed/#?secret=o3anyMrgWY" width="600" height="338" title="&#x201C;Theatre Experiment in Slovenia&#x201D; &#x2014; SLOGI" data-secret="o3anyMrgWY" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.slogi.si/arhiv/wp-content/uploads/2022/10/3-171_Dan-zaklan_Pekarna_1974_Obl-M-Vipotnik_SLOGI-722x1030.jpg</thumbnail_url><thumbnail_width>722</thumbnail_width><thumbnail_height>1030</thumbnail_height><description>October will bring the scientific symposium Theatrical experiment in Slovenia (1966&#x2013;1986) and its resonance, organized by Amfiteater journal, Slovenian Theatre Institute and Academy of Theatre, Radio, Film and Television. Its starting point is the collection The Generator::for Manufacturing Any Number of Drama Complexes &#x2013; including more than 50 texts by around 30 Slovenian authors and some author collectives. Editor Bla&#x17E; Lukan introduces the book by a comprehensive scientific study, however, the texts present a very inspirative basis for further scientific treatments of an elastic time which is now recognized as abundant in its experimental approach. The texts that enabled some pioneer events &#x2013; e. g. the first theatre happening in Slovenia &#x2013; continuously led to the loosening and reevaluation of performative standards and generated the future of Slovene theatre of the second half of the 20th century.</description></oembed>
