Maja Šorli (urednica)

Amfiteater, Journal of Performing Arts Theory, Volume 6, Number 1

The first Amfiteater symposium, organised in autumn 2017, has now yielded fruit: the thematic block herein on the theme of the castration of the political in contemporary Slovenian theatre, edited and presented by Tomaž Toporišič. In addition to eight articles in Slovene, equipped with detailed English summaries, we present an exceptional investigation by Eda Čufer of Marko Peljhan’s project Makrolab, which – by confronting art and war – reaffirms the idea of the avant-garde at the transition from the 20th to the 2st century.

 

Colophon

Contents

Preface

 

Articles

Tomaž Toporišič:

Everything We Have Been Afraid to Ask about Politicality and the Castration of the (Post-)Dramatic

Lev Kreft:

The Castration of the Political, and Then the Police

Blaž Lukan:

The Powerlessness of the Political. The Power of Acting

Barbara Orel:

Towards the Politics of Perception: A Turn in the Understanding of the Politicality of Performing Arts

Tomaž Toporišič:

What has Happened to the Political in Theatre? The Case of Oliver Frljić

Aldo Milohnić:

Brutalism in Contemporary Slovenian Theatre

Krištof Jacek Kozak:

The Realpolitical Powerlessness of Slovenian Theatre

Gašper Troha:

Understanding the Castration of the Political Using Rok Vilčnik’s Play People’s Democratic Circus Sakeshvili as a Case Study

Nenad Jelesijević:

Waiting for the Political. Towards Protagonism in Performance

Eda Čufer:

Feelings and Territories: Makrolab’s Avant-Garde Inquiries

Book Reviews

Nika Arhar:

Osebno pričevanje o času lutke (Edi Majaron: Vera v lutko. Razmišljanja o lutkovni umetnosti) (available in Slovenian Language only)

Kaja Kraner:

Hermenevtični nastavek za analizo moderne estetske ideologije (Andrew Hewitt: Družbena koreografija. Ideologija kot performans v plesu in vsakdanjem gibanju) (available in Slovenian Language only)

Eva Pori:

(Ob)robno v središču: slovenska (sodobna) dramatika z novega gledišča (Mateja Pezdirc Bartol: Navzkrižja svetov: študije o slovenski dramatiki) (available in Slovenian Language only)

 

Submission Guideliness

Call for papers

 

 

Editor-in-Chief: Maja Šorli

Editor of the Thematic Block: Tomaž Toporišič

Editorial Board: Bojana Kunst, Barbara Orel, Primož Jesenko, Blaž Lukan, Aldo Milohnić, Tomaž Toporišič, Gašper Troha

International Editorial Board: Mark Amerika (University of Colorado, US), Marin Blažević (Sveučilište u Zagrebu, HR), Ramsay Burt (De Montfort University, GB), Joshua Edelman (Manchester Metropolitan University, GB), Jure Gantar (Dalhousie University, CA), Janelle Reinelt (The University of Warwick, GB), Anneli Saro (Tartu Űlikool, EE), Miško Šuvaković (Univerzitet Singidunum, RS), S. E. Wilmer (Trinity College Dublin, IE)

Published by: Slovenian Theatre Institute (represented by Mojca Jan Zoran, Director) and University of Ljubljana, Academy of Theatre, Radio, Film and Television (represented by Tomaž Gubenšek, Dean)

 

Amfiteater – Journal of Performing Arts Theory was founded in 2008 by the University of Ljubljana, Academy of Theatre, Radio, Film and Television.


To delo je objavljeno pod Creative Commons Priznanje avtorstva 4.0 Mednarodna licenco

ISSN 1855-4539 (tiskana izdaja)
1855-850X (elektronska izdaja)

Mehka vezava; 223 strani; 17cm x 24 cm; slovenski/angleški jezik.

Revija izhaja dvakrat letno. Cena posamezne številke: 10 EUR. Cena dvojne številke: 18 EUR. Letna naročnina: 16 EUR za posameznike, 13 EUR za študente, 18 EUR za institucije. Poštnina ni vključena.

Spletna prodaja

Revija je vključena v MLA International Bibliography (Directory of Periodicals).

Izdajo publikacije sta finančno podprla Agencija za raziskovalno dejavnost Republike Slovenije in Ministrstvo za kulturo Republike Slovenije.

 

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Slogi

Slovenian Theatre Institute

Mestni trg 17, SI-1000 Ljubljana, Slovenia

T: +386 1 241 5800
E: slogi@slogi.si
S: www.slogi.si